The Awkward Age, Henry James [red white and royal blue hardcover .TXT] 📗

saying that. What’s the use?” But all impatiently she stopped short.

He was eminently gay even if his companion was not. “Because we’re such jolly old friends that we really needn’t so much as speak at all? Yes, thank goodness—thank goodness.” He had been looking round him, taking in the scene; he had dropped his hat on the ground and, completely at his ease, though still more wishing to show it, had crossed his legs and closely folded his arms. “What a tremendously jolly place! If I can’t for the life of me recall who they were—the other people—I’ve the comfort of being sure their minds are an equal blank. Do they even remember the place they had? ‘We had some fellows down at—where was it, the big white house last November?—and there was one of them, out of the What-do-you-call-it?—YOU know—who might have been a decent enough chap if he hadn’t presumed so on his gifts.’” Vanderbank paused a minute, but his companion said nothing, and he pursued. “It does show, doesn’t it?—the fact that we do meet this way—the tremendous change that has taken place in your life in the last three months. I mean, if I’m everywhere as you said just now, your being just the same.”

“Yes—you see what you’ve done.”

“How, what I’VE done?”

“You plunge into the woods for change, for solitude,” the girl said, “and the first thing you do is to find me waylaying you in the depths of the forest. But I really couldn’t—if you’ll reflect upon it—know you were coming this way.”

He sat there with his position unchanged but with a constant little shake in the foot that hung down, as if everything—and what she now put before him not least—was much too pleasant to be reflected on. “May I smoke a cigarette?”

Nanda waited a little; her friend had taken out his silver case, which was of ample form, and as he extracted a cigarette she put forth her hand. “May I?” She turned the case over with admiration.

Vanderbank demurred. “Do you smoke with Mr. Longdon?”

“Immensely. But what has that to do with it?”

“Everything, everything.” He spoke with a faint ring of impatience. “I want you to do with me exactly as you do with him.”

“Ah that’s soon said!” the girl replied in a peculiar tone. “How do you mean, to ‘do’?”

“Well then to BE. What shall I say?” Vanderbank pleasantly wondered while his foot kept up its motion. “To feel.”

She continued to handle the cigarette-case, without, however, having profited by its contents. “I don’t think that as regards Mr. Longdon and me you know quite so much as you suppose.”

Vanderbank laughed and smoked. “I take for granted he tells me everything.”

“Ah but you scarcely take for granted I do!” She rubbed her cheek an instant with the polished silver and again the next moment turned over the case. “This is the kind of one I should like.”

Her companion glanced down at it. “Why it holds twenty.”

“Well, I want one that holds twenty.”

Vanderbank only threw out his smoke. “I want so to give you something,” he said at last, “that, in my relief at lighting on an object that will do, I will, if you don’t look out, give you either that or a pipe.”

“Do you mean this particular one?”

“I’ve had it for years—but even that one if you like it.”

She kept it—continued to finger it. “And by whom was it given you?”

At this he turned to her smiling. “You think I’ve forgotten that too?”

“Certainly you must have forgotten, to be willing to give it away again.”

“But how do you know it was a present?”

“Such things always are—people don’t buy them for themselves.”

She had now relinquished the object, laying it upon the bench, and Vanderbank took it up. “Its origin’s lost in the night of time—it has no history except that I’ve used it. But I assure you that I do want to give you something. I’ve never given you anything.”

She was silent a little. “The exhibition you’re making,” she seriously sighed at last, “of your inconstancy and superficiality! All the relics of you that I’ve treasured and that I supposed at the time to have meant something!”

“The ‘relics’? Have you a lock of my hair?” Then as her meaning came to him: “Oh little Christmas things? Have you really kept them?”

“Laid away in a drawer of their own—done up in pink paper.”

“I know what you’re coming to,” Vanderbank said. “You’ve given ME things, and you’re trying to convict me of having lost the sweet sense of them. But you can’t do it. Where my heart’s concerned I’m a walking reliquary. Pink paper? I use gold paper—and the finest of all, the gold paper of the mind.” He gave a flip with a fingernail to his cigarette and looked at its quickened fire; after which he pursued very familiarly, but with a kindness that of itself qualified the mere humour of the thing: “Don’t talk, my dear child, as if you didn’t really know me for the best friend you have in the world.” As soon as he had spoken he pulled out his watch, so that if his words had led to something of a pause this movement offered a pretext for breaking it. Nanda asked the hour and, on his replying “Five-fifteen,” remarked that there would now be tea on the terrace with every one gathered at it. “Then shall we go and join them?” her companion demanded.

He had made, however, no other motion, and when after hesitating she said “Yes, with pleasure” it was also without a change of position. “I like this,” she inconsequently added.

“So do I awfully. Tea on the terrace,” Vanderbank went on, “isn’t ‘in’ it. But who’s here?”

“Oh every one. All your set.”

“Mine? Have I still a set—with the universal vagabondism you accuse me of?”

“Well then Mitchy’s—whoever they are.”

“And nobody of yours?”

“Oh yes,” Nanda said, “all mine. He must at least have arrived by this time. My set’s Mr. Longdon,” she explained. “He’s all of it now.”

“Then where in the world am I?”

“Oh you’re an extra. There are always extras.”

“A complete set and one over?” Vanderbank laughed. “Where then’s Tishy?”

Charming and grave, the girl thought a moment. “She’s in Paris with her mother—on their way to Aix-les-Bains.” Then with impatience she continued: “Do you know that’s a great deal to say—what you said just now? I mean about your being the best friend I have.”

“Of course I do, and that’s exactly why I said it. You see I’m not in the least delicate or graceful or shy about it—I just come out with it and defy you to contradict me. Who, if I’m not the best, is a better one?”

“Well,” Nanda replied, “I feel since I’ve known Mr. Longdon that I’ve almost the sort of friend who makes every one else not count.”

“Then at the end of three months he has arrived at a value for you that I haven’t reached in all these years?”

“Yes,” she returned—“the value of my not being afraid of him.”

Vanderbank, on the bench, shifted his position, turning more to her and throwing an arm over the back. “And you’re afraid of ME?”

“Horribly—hideously.”

“Then our long, our happy relations—?”

“They’re just what makes my terror,” she broke in, “particularly abject. Happy relations don’t matter. I always think of you with fear.”

His elbow rested on the back and his hand supported his head. “How awfully curious—if it be true!”

She had been looking away to the sweet English distance, but at this she made a movement. “Oh Mr. Van, I’m ‘true’!”

As Mr. Van himself couldn’t have expressed at any subsequent time to any interested friend the particular effect upon him of the tone of these words his chronicler takes advantage of the fact not to pretend to a greater intelligence—to limit himself on the contrary to the simple statement that they produced in Mr. Van’s cheek a flush just discernible. “Fear of what?”

“I don’t know. Fear is fear.”

“Yes, yes—I see.” He took out another cigarette and occupied a moment in lighting it. “Well, kindness is kindness too—that’s all one can say.”

He had smoked again a while before she turned to him. “Have I wounded you by saying that?”

A certain effect of his flush was still in his smile. “It seems to me I should like you to wound me. I did what I wanted a moment ago,” he continued with some precipitation: “I brought you out handsomely on the subject of Mr. Longdon. That was my idea—just to draw you.”

“Well,” said Nanda, looking away again, “he has come into my life.”

“He couldn’t have come into a place where it gives me more pleasure to see him.”

“But he didn’t like, the other day when I used it to him, that expression,” the girl returned. “He called it ‘mannered modern slang’ and came back again to the extraordinary difference between my speech and my grandmother’s.”

“Of course,” the young man understandingly assented. “But I rather like your speech. Hasn’t he by this time, with you,” he pursued, “crossed the gulf? He has with me.”

“Ah with you there was no gulf. He liked you from the first.”

Vanderbank wondered. “You mean I managed him so well?”

“I don’t know how you managed him, but liking me has been for him a painful gradual process. I think he does now,” Nanda declared. “He accepts me at last as different—he’s trying with me on that basis. He has ended by understanding that when he talks to me of Granny I can’t even imagine her.”

Vanderbank puffed away. “I can.”

“That’s what Mitchy says too. But you’ve both probably got her wrong.”

“I don’t know,” said Vanderbank—“I’ve gone into it a good deal. But it’s too late. We can’t be Greeks if we would.”

Even for this Nanda had no laugh, though she had a quick attention. “Do you call Granny a Greek?”

Her companion slowly rose. “Yes—to finish her off handsomely and have done with her.” He looked again at his watch. “Shall we go? I want to see if my man and my things have turned up.”

She kept her seat; there was something to revert to. “My fear of you isn’t superficial. I mean it isn’t immediate—not of you just as you stand,” she explained. “It’s of some dreadfully possible future you.”

“Well,” said the young man, smiling down at her, “don’t forget that if there’s to be such a monster there’ll also be a future you, proportionately developed, to deal with him.”

She had closed her parasol in the shade and her eyes attached themselves to the small hole she had dug in the ground with its point. “We shall both have moved, you mean?”

“It’s charming to feel we shall probably have moved together.”

“Ah if moving’s changing,” she returned, “there won’t be much for me in that. I shall never change—I shall be always just the same. The same old mannered modern slangy hack,” she continued quite gravely. “Mr. Longdon has made me feel that.”

Vanderbank laughed aloud, and it was especially at her seriousness. “Well, upon my soul!”

“Yes,” she pursued, “what I am I must remain. I haven’t what’s called a principle of growth.” Making marks in the earth with her umbrella she appeared to cipher it out. “I’m about as good as I can be—and about as bad. If Mr. Longdon can’t make me different nobody can.”

Vanderbank could only speak in the tone of high amusement. “And he has given up the hope?”

“Yes—though not ME altogether. He has given up the hope he originally had.”

“He gives up quickly—in three months!”

“Oh these three months,” she answered, “have been a