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Steppes that are as bare as the palm of my hand. THERE there live only heartless old women and rude peasants and drunkards. THERE the trees have already shed their leaves. THERE there abide but rain and cold. Why should you go thither? True, Monsieur Bwikov will have his diversions in that country—he will be able to hunt the hare; but what of yourself? Do you wish to become a mere estate lady? Nay; look at yourself, my seraph of heaven. Are you in any way fitted for such a role? How could you play it? To whom should I write letters? To whom should I send these missives? Whom should I call “my darling”? To whom should I apply that name of endearment? Where, too, could I find you?

 

When you are gone, Barbara, I shall die—for certain I shall die, for my heart cannot bear this misery. I love you as I love the light of God; I love you as my own daughter; to you I have devoted my love in its entirety; only for you have I lived at all; only because you were near me have I worked and copied manuscripts and committed my views to paper under the guise of friendly letters.

 

Perhaps you did not know all this, but it has been so. How, then, my beloved, could you bring yourself to leave me? Nay, you MUST

not go—it is impossible, it is sheerly, it is utterly, impossible. The rain will fall upon you, and you are weak, and will catch cold. The floods will stop your carriage. No sooner will it have passed the city barriers than it will break down, purposely break down. Here, in St. Petersburg, they are bad builders of carriages. Yes, I know well these carriage-builders.

They are jerry-builders who can fashion a toy, but nothing that is durable. Yes, I swear they can make nothing that is durable… .

All that I can do is to go upon my knees before Monsieur Bwikov, and to tell him all, to tell him all. Do you also tell him all, dearest, and reason with him. Tell him that you MUST

remain here, and must not go. Ah, why did he not marry that merchant’s daughter in Moscow? Let him go and marry her now. She would suit him far better and for reasons which I well know. Then I could keep you. For what is he to you, this Monsieur Bwikov?

Why has he suddenly become so dear to your heart? Is it because he can buy you gewgaws? What are THEY? What use are THEY? They are so much rubbish. One should consider human life rather than mere finery.

 

Nevertheless, as soon as I have received my next instalment of salary I mean to buy you a new cloak. I mean to buy it at a shop with which I am acquainted. Only, you must wait until my next installment is due, my angel of a Barbara. Ah, God, my God! To think that you are going away into the Steppes with Monsieur Bwikov—that you are going away never to return! … Nay, nay, but you SHALL write to me. You SHALL write me a letter as soon as you have started, even if it be your last letter of all, my dearest. Yet will it be your last letter? How has it come about so suddenly, so irrevocably, that this letter should be your last? Nay, nay; I will write, and you shall write—yes, NOW, when at length I am beginning to improve my style. Style? I do not know what I am writing. I never do know what I am writing. I could not possibly know, for I never read over what I have written, nor correct its orthography. At the present moment, I am writing merely for the sake of writing, and to put as much as possible into this last letter of mine… .

 

Ah, dearest, my pet, my own darling!…

 

End of The Project Gutenberg Etext of Poor Folk, by Fyodor Dostoyevsky

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