A Changed Man and Other Tales, Thomas Hardy [read the beginning after the end novel TXT] 📗

it by the sudden renewal of the storm. Looking up I perceive that the wide extinguisher of cloud has again settled down upon the fortress-town, as if resting upon the edge of the inner rampart, and shutting out the moon. I turn my back to the tempest, still directing the light across the hole. My companion digs on unconcernedly; he is living two thousand years ago, and despises things of the moment as dreams. But at last he is fairly beaten, and standing up beside me looks round on what he has done. The rays of the lantern pass over the trench to the tall skeleton stretched upon the grass on the other side. The beating rain has washed the bones clean and smooth, and the forehead, cheek-bones, and two-and-thirty teeth of the skull glisten in the candle-shine as they lie.

This storm, like the first, is of the nature of a squall, and it ends as abruptly as the other. We dig no further. My friend says that it is enough—he has proved his point. He turns to replace the bones in the trench and covers them. But they fall to pieces under his touch: the air has disintegrated them, and he can only sweep in the fragments. The next act of his plan is more than difficult, but is carried out. The treasures are inhumed again in their respective holes: they are not ours. Each deposition seems to cost him a twinge; and at one moment I fancied I saw him slip his hand into his coat pocket.

‘We must re-bury them ALL,’ say I.

‘O yes,’ he answers with integrity. ‘I was wiping my hand.’

The beauties of the tesselated floor of the governor’s house are once again consigned to darkness; the trench is filled up; the sod laid smoothly down; he wipes the perspiration from his forehead with the same handkerchief he had used to mop the skeleton and tesserae clean; and we make for the eastern gate of the fortress.

Dawn bursts upon us suddenly as we reach the opening. It comes by the lifting and thinning of the clouds that way till we are bathed in a pink light. The direction of his homeward journey is not the same as mine, and we part under the outer slope.

Walking along quickly to restore warmth I muse upon my eccentric friend, and cannot help asking myself this question: Did he really replace the gilded image of the god Mercurius with the rest of the treasures? He seemed to do so; and yet I could not testify to the fact. Probably, however, he was as good as his word.

 

*

 

It was thus I spoke to myself, and so the adventure ended. But one thing remains to be told, and that is concerned with seven years after. Among the effects of my friend, at that time just deceased, was found, carefully preserved, a gilt statuette representing Mercury, labelled ‘Debased Roman.’ No record was attached to explain how it came into his possession. The figure was bequeathed to the Casterbridge Museum.

Detroit Post, March 1885.

 

WHAT THE SHEPHERD SAW: A TALE OF FOUR MOONLIGHT NIGHTS

 

The genial Justice of the Peace—now, alas, no more—who made himself responsible for the facts of this story, used to begin in the good old-fashioned way with a bright moonlight night and a mysterious figure, an excellent stroke for an opening, even to this day, if well followed up.

The Christmas moon (he would say) was showing her cold face to the upland, the upland reflecting the radiance in frost-sparkles so minute as only to be discernible by an eye near at hand. This eye, he said, was the eye of a shepherd lad, young for his occupation, who stood within a wheeled hut of the kind commonly in use among sheep-keepers during the early lambing season, and was abstractedly looking through the loophole at the scene without.

The spot was called Lambing Corner, and it was a sheltered portion of that wide expanse of rough pastureland known as the Marlbury Downs, which you directly traverse when following the turnpike-road across Mid-Wessex from London, through Aldbrickham, in the direction of Bath and Bristol. Here, where the hut stood, the land was high and dry, open, except to the north, and commanding an undulating view for miles. On the north side grew a tall belt of coarse furze, with enormous stalks, a clump of the same standing detached in front of the general mass. The clump was hollow, and the interior had been ingeniously taken advantage of as a position for the before-mentioned hut, which was thus completely screened from winds, and almost invisible, except through the narrow approach. But the furze twigs had been cut away from the two little windows of the hut, that the occupier might keep his eye on his sheep.

In the rear, the shelter afforded by the belt of furze bushes was artificially improved by an inclosure of upright stakes, interwoven with boughs of the same prickly vegetation, and within the inclosure lay a renowned Marlbury-Down breeding flock of eight hundred ewes.

To the south, in the direction of the young shepherd’s idle gaze, there rose one conspicuous object above the uniform moonlit plateau, and only one. It was a Druidical trilithon, consisting of three oblong stones in the form of a doorway, two on end, and one across as a lintel. Each stone had been worn, scratched, washed, nibbled, split, and otherwise attacked by ten thousand different weathers; but now the blocks looked shapely and little the worse for wear, so beautifully were they silvered over by the light of the moon. The ruin was locally called the Devil’s Door.

An old shepherd presently entered the hut from the direction of the ewes, and looked around in the gloom. ‘Be ye sleepy?’ he asked in cross accents of the boy.

The lad replied rather timidly in the negative.

‘Then,’ said the shepherd, ‘I’ll get me home-along, and rest for a few hours. There’s nothing to be done here now as I can see. The ewes can want no more tending till daybreak—‘tis beyond the bounds of reason that they can. But as the order is that one of us must bide, I’ll leave ‘ee, d’ye hear. You can sleep by day, and I can’t. And you can be down to my house in ten minutes if anything should happen. I can’t afford ‘ee candle; but, as ‘tis Christmas week, and the time that folks have hollerdays, you can enjoy yerself by falling asleep a bit in the chair instead of biding awake all the time. But mind, not longer at once than while the shade of the Devil’s Door moves a couple of spans, for you must keep an eye upon the ewes.’

The boy made no definite reply, and the old man, stirring the fire in the stove with his crook-stem, closed the door upon his companion and vanished.

As this had been more or less the course of events every night since the season’s lambing had set in, the boy was not at all surprised at the charge, and amused himself for some time by lighting straws at the stove. He then went out to the ewes and new-born lambs, re-entered, sat down, and finally fell asleep. This was his customary manner of performing his watch, for though special permission for naps had this week been accorded, he had, as a matter of fact, done the same thing on every preceding night, sleeping often till awakened by a smack on the shoulder at three or four in the morning from the crook-stem of the old man.

It might have been about eleven o’clock when he awoke. He was so surprised at awaking without, apparently, being called or struck, that on second thoughts he assumed that somebody must have called him in spite of appearances, and looked out of the hut window towards the sheep. They all lay as quiet as when he had visited them, very little bleating being audible, and no human soul disturbing the scene. He next looked from the opposite window, and here the case was different. The frost-facets glistened under the moon as before; an occasional furze bush showed as a dark spot on the same; and in the foreground stood the ghostly form of the trilithon. But in front of the trilithon stood a man.

That he was not the shepherd or any one of the farm labourers was apparent in a moment’s observation,—his dress being a dark suit, and his figure of slender build and graceful carriage. He walked backwards and forwards in front of the trilithon.

The shepherd lad had hardly done speculating on the strangeness of the unknown’s presence here at such an hour, when he saw a second figure crossing the open sward towards the locality of the trilithon and furze-clump that screened the hut. This second personage was a woman; and immediately on sight of her the male stranger hastened forward, meeting her just in front of the hut window. Before she seemed to be aware of his intention he clasped her in his arms.

The lady released herself and drew back with some dignity.

‘You have come, Harriet—bless you for it!’ he exclaimed, fervently.

‘But not for this,’ she answered, in offended accents. And then, more good-naturedly, ‘I have come, Fred, because you entreated me so! What can have been the object of your writing such a letter? I feared I might be doing you grievous ill by staying away. How did you come here?’

‘I walked all the way from my father’s.’

‘Well, what is it? How have you lived since we last met?’

‘But roughly; you might have known that without asking. I have seen many lands and many faces since I last walked these downs, but I have only thought of you.’

‘Is it only to tell me this that you have summoned me so strangely?’

A passing breeze blew away the murmur of the reply and several succeeding sentences, till the man’s voice again became audible in the words, ‘Harriet—truth between us two! I have heard that the Duke does not treat you too well.’

‘He is warm-tempered, but he is a good husband.’

‘He speaks roughly to you, and sometimes even threatens to lock you out of doors.’

‘Only once, Fred! On my honour, only once. The Duke is a fairly good husband, I repeat. But you deserve punishment for this night’s trick of drawing me out. What does it mean?’

‘Harriet, dearest, is this fair or honest? Is it not notorious that your life with him is a sad one—that, in spite of the sweetness of your temper, the sourness of his embitters your days. I have come to know if I can help you. You are a Duchess, and I am Fred Ogbourne; but it is not impossible that I may be able to help you … By God! the sweetness of that tongue ought to keep him civil, especially when there is added to it the sweetness of that face!’

‘Captain Ogbourne!’ she exclaimed, with an emphasis of playful fear. ‘How can such a comrade of my youth behave to me as you do? Don’t speak so, and stare at me so! Is this really all you have to say? I see I ought not to have come. ‘Twas thoughtlessly done.’

Another breeze broke the thread of discourse for a time.

‘Very well. I perceive you are dead and lost to me,’ he could next be heard to say, ‘“Captain Ogbourne” proves that. As I once loved you I love you now, Harriet, without one jot of abatement; but you are not the woman you were—you once were honest towards me; and now you conceal your heart in made-up speeches. Let it be: I can never see you again.’

‘You need not say that in such a tragedy