Portia, Margaret Wolfe Hungerford [best books to read for teens .txt] 📗

gone by. _No!_

Her lips quiver. Her heart dies within her. She turns her eyes to the fast reddening sky, and, with her gaze thus fixed on heaven, registers an oath.

"As she may not marry him whom she loves, never will she be wife to living man!"

And this is her comfort and her curse, that in her heart, until her dying day will nestle her sullied love. Hidden away and wept over in secret, and lamented bitterly at times, but dearer far, for all that, than anything the earth can offer.

Gently--very gently--without looking at him, she draws her arm from his touch and rises to her feet. He, too, rises, and stands before her silently as one might who awaits his doom.

"To hear with eyes belongs to Love's rare wit." _He_ seems to know all that is now passing in her soul, her weakness--her longing--her love--her strength--her oath--her grief; it is all laid bare to him.

And she herself; she is standing before him, her rich satin gown trailing on the green grass, her face pale, her eyes large and mournful. Her soft white neck gleams like snow in the growing light; upon it the strings of pearls rise and fall tumultuously. How strange--how white she seems--like a vision from fairy, or dreamland. Shall he ever forget it?

Laying his hand upon her shoulders, he looks steadily into her eyes; and then, after a long pause--

"There should be proof," he says, sadly.

And she says,

"Yes, there should be proof," in a tone from which all feeling, and hope, and happiness have fled.

And yet the world grows brighter. The early morn springs forth and glads the air.


"But, nor Orient morn,
Nor fragrant zephyr, nor Arabian climes,
Nor gilded ceilings can relieve the soul
Pining in thraldom."


A long pause follows her sentence, that to him has savored of death. Then he speaks:

"Let me raise your gown," he says, with heart-broken gentleness, "the dew of morning is on the grass."

He lifts her train as he says this, and lays it across the bare and lovely arm that had been his for some blessed minutes. As he sees it, and remembers everything--all that _might_ have been, and all that _has_ been, and all that _is_--a dry sob chokes his voice and, stooping, he presses his lips passionately to her smooth, cool flesh.

At this she bursts into bitter weeping; and, letting her glimmering white gown fall once again in its straight, cold folds around her, gives way to uncontrollable sorrow.

"Must there be grief for you, too, my own sweetheart?" says Fabian; and then he lays his arms around her and draws her to him, and holds her close to his heart until her sobs die away through pure exhaustion. But he never bends his head to hers, or seeks to press his lips to those--that are sweet and dear beyond expression--but that never can be his. Even at this supreme moment he strives to spare her a passing pang.

"Were she to kiss me now," he tells himself, "out of the depths of her heart, when the cold, passionless morning came to her she would regret it," and so he refrains from the embrace he would have sold his best to gain.

"I wish there might be death, _soon_," says Portia, and then she looks upon the awakening land so full of beauty, and growing light, and promise of all good.

The great sun, climbing up aloft, strikes upon her gaze, and the swaying trees, and the music of all things that live comes to her ears, and with them all comes, too, a terrible sense of desolation that overwhelms her.

"How can the world be so fair?" she says. "How can it smile, and grow, and brighten into life, when there is no life--for--"

She breaks down.

"For us?" he finishes for her, slowly; and there is great joy in the blending of her name with his. "Yes, I know; it is what you would have said. Forgive me, my best beloved; but I am glad in the thought that we grieve together."

His tone is full of sadness; a sadness without hope. They are standing hand in hand, and are looking into each other's eyes.

"It is for the last time," she says, in a broken voice.

And he says:

"Yes, for the very last time."

He never tries to combat her resolution--to slay the foe that is desolating his life and hers. He submits to cruel fate without a murmur.

"Put your face to mine," she says, _so_ faintly that he can hardly hear her; and then once more he holds her in his arms, and presses her against his heart.

How long she lies there neither of them ever knows; but presently, with a sigh, she comes back to the sad present, and lifts her head, and looks mournfully upon the quiet earth.

And even as she looks the day breaks at last with a rush, and the red sunshine, coming up from the unknown, floods all the world with beauty.


CHAPTER XVI.


"The quarrel is a very pretty quarrel as it stands."
--THE RIVALS.


IT is two days later. Everyone you know is in the drawing-room at the Court--that is, everyone except Dulce. But presently the door opens, and that stormy young person enters, with her sleeves tucked up and a huge apron over her pretty cashmere gown, that simply envelops her in its folds.

"I am going to make _jam_" she says, unmistakable pride in her tone. She is looking hopelessly conceited, and is plainly bent on posing as one of the most remarkable housekeepers on record--as really, perhaps, she is.

"Jam?" says Mr. Browne, growing animated. "What kind of jam?"

"Plum jam."

"You don't say so?" says Mr. Browne, with unaffected interest. "Where are you going to make it?"

"In the kitchen, of course. Did you think I was going to make it _here_, you silly boy?" She is giving herself airs now, and is treating Dicky to some gentle badinage.

"Are the plums in the kitchen?" asked he, regardless of her new-born dignity, which is very superior, indeed.

"I hope so," she says, calmly.

"Then I'll go and make the jam with you," declares Mr. Browne, genially.

"Are you really going to make it?" asks Julia, opening her eyes to their widest. "Really? Who told you how to do it?"

"Oh, I have known all about it for years," said Dulce, airily.

Every one is getting interested now--even Roger looks up from his book. His quarrel with Dulce on the night of her ball has been tacitly put aside by both, and though it still smoulders and is likely at any moment to burst again into a flame, is carefully pushed out of sight for the present.

"Does it take _long_ to make jam?" asks Sir Mark, putting in his query before Stephen Gower, who is also present, can say anything.

"Well--it quite depends," says Dulce, vaguely. She conveys to the astonished listeners the idea that though it might take some unfortunately ignorant people many days to produce a decent pot of jam, _she_--experienced as she is in all culinary matters--can manage it in such a short time as it is not worth talking about.

Everybody at this is plainly impressed.

"Cook is _such_ a bad hand at plum jam," goes on Miss Blount, with increasing affectation, that sits funnily on her, "and Uncle Christopher does so love mine. Don't you, Uncle Christopher?"

"It is the best jam in the world," says Uncle Christopher, promptly, and without a blush. "But I hope you won't spoil your pretty white fingers making it for me."

"Oh, no, I shan't," says Dulce, shaking her head sweetly. "Cook does all the nasty part of it; she is good enough at that."

"I wonder what the nice part of it is?" says Roger, thoughtfully.

"There is no nice part; it is all work--_hard_ work, from beginning to end," returns his _fiancee_, severely.

"I shan't eat any more of it if it gives you such awful trouble," says Dicky Browne, gallantly but insincerely; whereupon Roger turns upon him a glance warm with disgust.

"Dulce," says the Boodie, who is also in the room, going up to Miss Blount, whom she adores, and clasping her arms round her waist; "let _me_ go and see you make it; _do_," coaxingly. "I want to get some when it is _hot_. Mamma's jam is always cold. Darling love of a Dulce, take me with you and I'll help you to _peel_ them."

"Let us all go in a body and see how it is done," says Sir Mark, brilliantly. A proposal received with acclamations by the others, and accepted by Dulce as a special compliment to herself.

They all rise (except Sir Christopher) and move towards the hall. Here they meet Fabian coming towards them from the library. Seeing the cavalcade, he stops short to regard them with very pardonable astonishment.

"Where on earth are you all going?" he asks; "and why are Dulce's arms bare at this ungodly hour? Are you going in for housepainting, Dulce, or for murder?"

"Jam," says Miss Blount proudly.

"You give me relief. I breathe again," says Fabian.

"Come with us," says Dulce, fondly.

He hesitates. Involuntarily his eyes seek Portia's. Hers are on the ground. But even as he looks (as though compelled to meet his earnest gaze) she raises her head, and turns a sad, little glance upon him.

"Lead, and I follow," he says to Dulce, and once more they all sweep on towards the lower regions.

"After all, you know," says Dulce, suddenly stopping short on the last step of the kitchen stairs to harangue the politely dressed mob that follows at her heels, "it might, perhaps, be as well if I went on first and prepared cook for your coming. She is not exactly impossible you see, but to confess the truth she can be at times difficult."

"What would she do to us?" asks Dicky, curiously.

"Oh! nothing, of course; but," with an apologetic gesture, "she might object to so many people taking possession of her kingdom without warning. Wait one moment while I go and tell her about you. You can follow me in a minute or two."

They wait. They wait a long time. Stephen Gower, with watch in hand, at last declares that not one or two, but quite five minutes have dragged out their weary length.

"Don't be impatient; we'll see her again some time or other," says Roger, sardonically, whereupon Mr. Gower does his best to wither him with a scornful stare.

"Let us look up the cook," says Sir Mark, at which they all brighten up again and stream triumphantly towards the kitchen. As they reach the door a sensation akin to nervousness makes them all move more slowly, and consequently with so little noise that Dulce does not hear their approach. She is so standing, too, that she cannot see them, and as she is talking with much spirit and condescension they all stop again to hear what she is saying.