John Thorndyke's Cases<br />related by Christopher Jervis and edited by R. Austin Freeman, R. Austin Freeman [best pdf ebook reader txt] 📗

He pointed, as he spoke, to the metal guard of the dagger, on which was engraved, in clumsy lettering, the single word, "TRADITORE."

"That's the Italian for 'traitor,'" continued the inspector, "and I got some information from the porter that fits in with that suggestion. We'll have him in presently, and you shall hear."

"Meanwhile," said Thorndyke, "as the position of the body may be of importance in the inquiry, I will take one or two photographs and make a rough plan to scale. Nothing has been moved, you say? Who opened the windows?"

"They were open when we came in," said Mr. Marchmont. "Last night was very hot, you remember. Nothing whatever has been moved."

Thorndyke produced from his bag a small folding camera, a telescopic tripod, a surveyor's measuring-tape, a boxwood scale, and a sketch-block. He set up the camera in a corner, and exposed a plate, taking a general view of the room, and including the corpse. Then he moved to the door and made a second exposure.

"Will you stand in front of the clock, Jervis," he said, "and raise your hand as if winding it? Thanks; keep like that while I expose a plate."

I remained thus, in the position that the dead man was assumed to have occupied at the moment of the murder, while the plate was exposed, and then, before I moved, Thorndyke marked the position of my feet with a blackboard chalk. He next set up the tripod over the chalk marks, and took two photographs from that position, and finally photographed the body itself.

The photographic operations being concluded, he next proceeded, with remarkable skill and rapidity, to lay out on the sketch-block a ground-plan of the room, showing the exact position of the various objects, on a scale of a quarter of an inch to the foot—a process that the inspector was inclined to view with some impatience.

"You don't spare trouble, Doctor," he remarked; "nor time either," he added, with a significant glance at his watch.

"No," answered Thorndyke, as he detached the finished sketch from the block; "I try to collect all the facts that may bear on a case. They may prove worthless, or they may turn out of vital importance; one never knows beforehand, so I collect them all. But here, I think, is Dr. Egerton."

The police-surgeon greeted Thorndyke with respectful cordiality, and we proceeded at once to the examination of the body. Drawing out the thermometer, my colleague noted the reading, and passed the instrument to Dr. Egerton.

"Dead about ten hours," remarked the latter, after a glance at it. "This was a very determined and mysterious murder."

"Very," said Thorndyke. "Feel that dagger, Jervis."

I touched the hilt, and felt the characteristic grating of bone.

"It is through the edge of a rib!" I exclaimed.

"Yes; it must have been used with extraordinary force. And you notice that the clothing is screwed up slightly, as if the blade had been rotated as it was driven in. That is a very peculiar feature, especially when taken together with the violence of the blow."

"It is singular, certainly," said Dr. Egerton, "though I don't know that it helps us much. Shall we withdraw the dagger before moving the body?"

"Certainly," replied Thorndyke, "or the movement may produce fresh injuries. But wait." He took a piece of string from his pocket, and, having drawn the dagger out a couple of inches, stretched the string in a line parallel to the flat of the blade. Then, giving me the ends to hold, he drew the weapon out completely. As the blade emerged, the twist in the clothing disappeared. "Observe," said he, "that the string gives the direction of the wound, and that the cut in the clothing no longer coincides with it. There is quite a considerable angle, which is the measure of the rotation of the blade."

"Yes, it is odd," said Dr. Egerton, "though, as I said, I doubt that it helps us."

"At present," Thorndyke rejoined dryly, "we are noting the facts."

"Quite so," agreed the other, reddening slightly; "and perhaps we had better move the body to the bedroom, and make a preliminary inspection of the wound."

We carried the corpse into the bedroom, and, having examined the wound without eliciting anything new, covered the remains with a sheet, and returned to the sitting-room.

"Well, gentlemen," said the inspector, "you have examined the body and the wound, and you have measured the floor and the furniture, and taken photographs, and made a plan, but we don't seem much more forward. Here's a man murdered in his rooms. There is only one entrance to the flat, and that was bolted on the inside at the time of the murder. The windows are some forty feet from the ground; there is no rain-pipe near any of them; they are set flush in the wall, and there isn't a foothold for a fly on any part of that wall. The grates are modern, and there isn't room for a good-sized cat to crawl up any of the chimneys. Now, the question is, How did the murderer get in, and how did he get out again?"

"Still," said Mr. Marchmont, "the fact is that he did get in, and that he is not here now; and therefore he must have got out; and therefore it must have been possible for him to get out. And, further, it must be possible to discover how he got out."

The inspector smiled sourly, but made no reply.

"The circumstances," said Thorndyke, "appear to have been these: The deceased seems to have been alone; there is no trace of a second occupant of the room, and only one half-emptied tumbler on the table. He was sitting reading when apparently he noticed that the clock had stopped—at ten minutes to twelve; he laid his book, face downwards, on the table, and rose to wind the clock, and as he was winding it he met his death."

"By a stab dealt by a left-handed man, who crept up behind him on tiptoe," added the inspector.

Thorndyke nodded. "That would seem to be so," he said. "But now let us call in the porter, and hear what he has to tell us."

The custodian was not difficult to find, being, in fact, engaged at that moment in a survey of the premises through the slit of the letter-box.

"Do you know what persons visited these rooms last night?" Thorndyke asked him, when he entered looking somewhat sheepish.

"A good many were in and out of the building," was the answer, "but I can't say if any of them came to this flat. I saw Miss Curtis pass in about nine."

"My daughter!" exclaimed Mr. Curtis, with a start. "I didn't know that."

"She left about nine-thirty," the porter added.

"Do you know what she came about?" asked the inspector.

"I can guess," replied Mr. Curtis.

"Then don't say," interrupted Mr. Marchmont. "Answer no questions."

"You're very close, Mr. Marchmont," said the inspector; "we are not suspecting the young lady. We don't ask, for instance, if she is left-handed."

He glanced craftily at Mr. Curtis as he made this remark, and I noticed that our client suddenly turned deathly pale, whereupon the inspector looked away again quickly, as though he had not observed the change.

"Tell us about those Italians again," he said, addressing the porter. "When did the first of them come here?"

"About a week ago," was the reply. "He was a common-looking man—looked like an organ-grinder—and he brought a note to my lodge. It was in a dirty envelope, and was addressed 'Mr. Hartridge, Esq., Brackenhurst Mansions,' in a very bad handwriting. The man gave me the note and asked me to give it to Mr. Hartridge; then he went away, and I took the note up and dropped it into the letter-box."

"What happened next?"

"Why, the very next day an old hag of an Italian woman—one of them fortune-telling swines with a cage of birds on a stand—came and set up just by the main doorway. I soon sent her packing, but, bless you! she was back again in ten minutes, birds and all. I sent her off again—I kept on sending her off, and she kept on coming back, until I was reg'lar wore to a thread."

"You seem to have picked up a bit since then," remarked the inspector with a grin and a glance at the sufferer's very pronounced bow-window.

"Perhaps I have," the custodian replied haughtily. "Well, the next day there was a ice-cream man—a reg'lar waster, he was. Stuck outside as if he was froze to the pavement. Kept giving the errand-boys tasters, and when I tried to move him on, he told me not to obstruct his business. Business, indeed! Well, there them boys stuck, one after the other, wiping their tongues round the bottoms of them glasses, until I was fit to bust with aggravation. And he kept me going all day.

"Then, the day after that there was a barrel-organ, with a mangy-looking monkey on it. He was the worst of all. Profane, too, he was. Kept mixing up sacred tunes and comic songs: 'Rock of Ages,' 'Bill Bailey,' 'Cujus Animal,' and 'Over the Garden Wall.' And when I tried to move him on, that little blighter of a monkey made a run at my leg; and then the man grinned and started playing, 'Wait till the Clouds roll by.' I tell you, it was fair sickening."

He wiped his brow at the recollection, and the inspector smiled appreciatively.

"And that was the last of them?" said the latter; and as the porter nodded sulkily, he asked: "Should you recognize the note that the Italian gave you?"

"I should," answered the porter with frosty dignity.

The inspector bustled out of the room, and returned a minute later with a letter-case in his hand.

"This was in his breast-pocket," said he, laying the bulging case on the table, and drawing up a chair. "Now, here are three letters tied together. Ah! this will be the one." He untied the tape, and held out a dirty envelope addressed in a sprawling, illiterate hand to "Mr. Hartridge, Esq." "Is that the note the Italian gave you?"

The porter examined it critically. "Yes," said he; "that is the one."

The inspector drew the letter out of the envelope, and, as he opened it, his eyebrows went up.

"What do you make of that, Doctor?" he said, handing the sheet to Thorndyke.

Thorndyke regarded it for a while in silence, with deep attention. Then he carried it to the window, and, taking his lens from his pocket, examined the paper closely, first with the low power, and then with the highly magnifying Coddington attachment.

"I should have thought you could see that with the naked eye," said the inspector, with a sly grin at me. "It's a pretty bold design."

"Yes," replied Thorndyke; "a very interesting production. What do you say, Mr. Marchmont?"

The solicitor took the note, and I looked over his shoulder. It was certainly a curious production. Written in red ink, on the commonest notepaper, and in the same sprawling hand as the address, was the following message: "You are given six days to do what is just. By the sign above, know what to expect if you fail." The sign referred to was a skull and crossbones, very neatly, but rather unskilfully, drawn at the top of the paper.

"This," said Mr. Marchmont, handing the document to Mr. Curtis, "explains the singular letter that he wrote yesterday. You have it with you, I think?"

"Yes," replied Mr. Curtis; "here it is."

He produced a letter from his pocket, and read aloud:

"'Yes: come if you like, though it is an ungodly hour. Your threatening letters have caused me great amusement. They are worthy of Sadler's Wells in its prime.

"'ALFRED HARTRIDGE.'"

"Was Mr. Hartridge ever in Italy?" asked Inspector Badger.

"Oh yes," replied Mr. Curtis. "He stayed at Capri nearly the whole of last year."

"Why, then, that gives us our clue. Look here. Here are these two other letters; E.C. postmark—Saffron Hill is E.C. And just look at that!"

He spread out the last of the mysterious letters, and we saw that, besides the memento mori, it contained only three words: "Beware! Remember Capri!"

"If you have finished, Doctor, I'll be off and have a look round Little Italy. Those four Italians oughtn't to be difficult to find, and we've got the porter here to identify them."

"Before you go," said Thorndyke, "there are two little matters that I should like to settle. One is the dagger: it is in your pocket, I think. May I have a look at it?"

The inspector rather reluctantly produced the dagger and handed it to my colleague.

"A very singular weapon, this," said Thorndyke, regarding the dagger thoughtfully, and turning it about to view its different parts. "Singular both in shape and material. I have never seen an aluminium hilt before, and bookbinder's morocco