The Riddle of the Frozen Flame, Mary E. Hanshew and Thomas W. Hanshew [reading fiction .txt] 📗

that worthy, covering his eyes with his hands, one more incredulous witness of Cleek's greatest gift. "Bill Jones it is! Gawd! are you a devil?"

"No, just an ordinary man, my dear friend. But you remember now, eh? Well, that does away with the need of the moustache, then." The clerk of the court, only too familiar with Cleek's disregard of legal formality, frowned at this violation of dignity and raised his mace to rap for order and possibly to reprimand Cleek for his theatrical conduct but at that moment the detective pulled off the cap and moustache as though well pleased with his performance. Cleek turned once more to the judge.

"My lord," he said serenely, "you have seen the man Bill Jones, and the impersonator of Sammie Robinson is there," he pointed to Dollops. "Well, this man Borkins—or Piggott, as he calls himself when doing his 'private work'—engaged Dollops and me, in place of two hands in the factory who had been given to too much tongue-wagging, and in consequence had met with prompt punishment, God alone knows what it was! We worked there for something just under a fortnight. Dollops, with his usual knack for making friends in the right direction, chummed up to one of the men—whom I have already named—Jim Dobbs. He finally asked him to come and help with the loading up of the boats, and gave him the chance of making a little overtime by simply keeping his mouth shut as to what went on. I managed to get on the job too, and we did it three times in that fortnight—and a jolly difficult task we found it, I don't mind saying. But I felt that evidence was necessary, and while in the employ of 'the master' we carried on many investigations. And still in his service I made this rough map of the varied turnings of the secret passage, and the places to which they led. You can get a better idea of the ground if you glance at it." He handed it up to the high desk, and paused a moment as the judge surveyed it through his spectacles. "The passage at Merriton Towers, and also at Withersby Hall—so conveniently placed near that particular part of the Fens, and therefore chosen by Brellier for his work—are both of ancient origin, dating back, I should say, to the time of the civil war.

"Whose idea it was to connect the two passages up I could not say, or when Borkins got into the pay of Brellier and played false to a family that he had served for twenty years. But the fact remains. The two passages are linked up, and then continued at great labour in another direction to that field which lies off the Saltfleet Road and just at the back of the factory. And thus was made a convenient little subway for the carrying on of nefarious transactions of the kind which we have discovered."

"And how did you discover that Brellier was the 'Master' in question?" put in the judge at this juncture.

"He happened to come to the factory one day while we were at work upon our machines. Someone said, 'Crickey! 'Ere's the Master! Funny for 'im to be prowlin' round at this hour of the day—night's more to 'is likin'.' I could hardly contain myself when I saw who it was even though I had already discovered the passage to Withersby Hall. I had not yet realized that 'Jonathan Brent' and Brellier were one and the same, though I discovered that the former had a perfectly legitimate office in London in Leadenhall Street. But when I saw him I knew. After that I wasted no time. Since then we've been having a pretty scramble to get safely away without giving any clues to the other men, and to put Scotland Yard upon their track. They're down there now, and have got every man of 'em I dare swear (and I hope they are keeping my friend Black Whiskers for me to deal with). That is the cause of my lateness at the hearing of the case. You can fully understand how impossible it was to be here any earlier."

The judge nodded. "Your statement against this man Borkins—?"

"Is as strong a one as ever was made," said Cleek. "It was Borkins who—in a fit of malicious rage, no doubt—conceived the idea of interfering with his master's work to the extent of inventing the means to have Sir Nigel Merriton wrongly convicted of the murder of Dacre Wynne. You have seen the revolver, the peculiar make of which caused it to be the chief evidence in this gruesome tragedy. Here is the genuine one."

He drew the little thing from his pocket, and reaching up placed it in the judge's outstretched hand. That gentleman gave a gasp as he laid eyes upon it.

"Identical with this one, which belongs to the prisoner!" he said—almost excitedly.

"Exactly. The same colonial French make, you see. This particular one belongs, by the way, to Miss Brellier."

"Miss Brellier!"

Something like a thrill ran through the crowded court room. In the silence that followed you could have heard a pin drop.

"That is correct. She will tell you that she always kept it in an unused drawer in her secrétaire locked away with some papers. She had not looked at it for months, until the other day when she happened to examine one of those papers, and therefore went to the drawer and unlocked it. The revolver lying there drew her attention. Knowing that it was the same as the one owned by her fiance, Sir Nigel Merriton, and figuring so largely in this case, she took it out and idly examined it. One of the bullets was missing! This rather aroused her curiosity, and when I questioned her afterward about it, when the inquest was over, and she had brought it forward and shown it to the coroner, who—quite naturally—after the explanation given by Mr. Brellier, gave it back to her as having no dealings with the case, she told me that she could not absolutely recollect her uncle telling her that he had killed the dog with it. A small thing but rather important."

"And you say that this man Borkins arranged this revolver so as to point to the prisoner's guilt, Mr. Cleek?" asked the judge.

"I say that the man Dacre Wynne was actually killed with that identical revolver which you hold in your hand, my lord. And the construction I put upon it is this: Borkins hated his master, but the long story of that does not concern us here, and upon the night of the quarrel he was listening at the door, and, hearing how things were shaping themselves, began, as he himself has told you in his evidence, to think that there would soon be trouble between Sir Nigel and Mr. Wynne, if things went on as they had been going. Therefore, when he was told that Mr. Wynne had gone out across the Fens in a drunken rage, to investigate the meaning of the Frozen Flames, the idea entered Borkins's mind. He knew his master's revolver, had seen it slipped under his pillow more often than not of an evening when Sir Nigel went to bed. Here Borkins saw his life's opportunity of getting even. He knew, too, of Miss Brellier's revolver—must have known, else why should this particular instrument be used upon this particular night, in place of the usual type of revolver which Brellier's guards carried, and by which poor Collins undoubtedly met his death? So we will take it that he knew of this little instrument here, and upon hearing of Wynne's proposed investigations, he dashed to the back kitchen of the Towers—which, was rarely used by the other servants, as being, so one of them told me, 'so dark and damp that it fair gave 'em the creeps.' Therefore Borkins had his way unmolested, and it did not take him long, knowing the turnings of the underground passage—as he did from constant use—to communicate with Withersby Hall. To which guard he told his tale I do not know, but, since we have taken the whole crowd—we'll find out later. Anyway, he must have told someone else of his desire for private vengeance. And the thing worked. When poor Wynne met his death, it was at the point of a pistol which had lain unused in the secrétaire at Withersby Hall for some little time. I have not been able to find the actual spot where the body of Wynne and, later on, that of Collins was first concealed, but I have no doubt that they were brought from that spot to be discovered by us. It was very necessary for the body of Wynne to be discovered, since the bullet in his brain was fired from Miss Brellier's revolver. It was all part of the plot against Sir Nigel. How bitter was that plot is evidenced by the removal of the bodies to the place they were discovered on the Fens—no very pleasant job for any man."

Cleek whirled suddenly upon Borkins, who stood with bent head and pallid face, biting his lips and twisting his hands together, while Cleek's voice broke the perfect silence of the court. But thus taken by surprise, he lifted his head, and his mouth opened.

The judge raised his hand.

"Is this true, my man?" he demanded.

Borkins's face went an ugly purplish-red. For a moment it looked as though he were going to have an apoplectic fit.

"Yes—damn you all—yes!" he replied venomously. "That's how I did it—though Gawd alone knows how he come to find it out! But the game's up now, and it's no more use a-lyin'."

"Never a truer word spoken," returned Cleek, with a little triumphant smile. "I must admit, your Lordship, that upon that one point I was a little shaky. Borkins has irrefutably proved that my theory was correct. I must say I am indebted to him." Again the little smile looped up one corner of his face. "And I have but just a little bit more of the tale to tell, and then—I must leave the rest of it in your infinitely more capable hands.

"... The reason why I mistrusted the story of the revolver? Why, upon examination, that instrument belonging to Miss Brellier was a little too clean and well-oiled to have been out of use for a matter of five months or so. The worthy user of it had cleaned and polished it up, so as to be sure of its action, and re-oiled it. So the 'dog story' was exploded almost at its birth. The rest was easy to follow up, and knowing the position of things between Borkins and his master (from both sides, so to speak), I began to put two and two together. Borkins has, this moment, most agreeably told me that my answer to the sum is correct. But things worked in well for him, I must say. That Sir Nigel should actually fire a shot upon that very night was a stroke of pure luck for the servant who hated him. And it made his chance of fabricating the whole plot against Sir Nigel a good deal easier. Whether he would have stolen the revolver had that shot at the Frozen Flames—for which Sir Nigel has been so sorely tried—never been fired, I cannot say, but that doubtless would have been the course he would have taken. Luck favoured him upon that dreadful night—but now that luck has changed. His own action has been his undoing. If he had not given vent to this feeling of hatred that he cherished in his heart for a master who was of such different stuff of which he himself was made, the whole infernal plot might never have been revealed. And yet—who can tell?

"My lord and gentlemen of the jury, the tale is told. Justice has been done an innocent man, and the rest of its doing lies in your capable hands. I ask your permission to be seated."

His voice trailed off into silence, and across the court a murmur arose, like the hum of some giant airplane growing gradually nearer and nearer. A sort of strangled sob came from the back of Cleek's chair, and he turned his head to smile into 'Toinette's wet eyes. In their depths gratitude and sorrow were inexplicably mingled. His hand went out to her; she ran toward him from her place, and in spite of judge and jury, in spite of the order of the law, knelt down there at his side and pressed her warm lips against his hand.

CHAPTER XXVIII "TOWARD MORNING...."

The flower in Cleek's buttonhole was jauntily erect, his immaculately garbed figure fitted in perfectly with every detail of the whole scene of which he was a part. He looked—and was—the exquisitely turned-out man-about-town. Only his eyes told of other things,