The Eight Strokes of the Clock, Maurice Leblanc [web based ebook reader .txt] 📗

a header."

After a pause he continued:

"I noticed that flaw on the first day. How was it that I did not draw an inference at once? I was shocked because the artist had sinned against an aesthetic law, whereas I ought to have been shocked because he had overlooked a physical law. As though art and nature were not blended together! And as though the laws of gravity could be disturbed without some fundamental reason!"

"What do you mean?" asked Hortense, puzzled by these reflections, which seemed so far removed from their secret thoughts. "What do you mean?"

"Oh, nothing!" he said. "I am only surprised that I didn't understand sooner why Mercury did not plump forward, as he should have done."

"And what is the reason?"

"The reason? I imagine that Pancaldi, when pulling the statuette about to make it serve his purpose, must have disturbed its balance, but that this balance was restored by something which holds the little god back and which makes up for his really too dangerous posture."

"Something, you say?"

"Yes, a counterweight."

Hortense gave a start. She too was beginning to see a little light. She murmured:

"A counterweight?... Are you thinking that it might be ... in the pedestal?"

"Why not?"

"Is that possible? But, if so, how did Pancaldi come to give you this statuette?"

"He never gave me this one," R�nine declared. "I took this one myself."

"But where? And when?"

"Just now, while you were in the drawing-room. I got out of that window, which is just over the signboard and beside the niche containing the little god. And I exchanged the two, that is to say, I took the statue which was outside and put the one which Pancaldi gave me in its place."

"But doesn't that one lean forward?"

"No, no more than the others do, on the shelf in his shop. But Pancaldi is not an artist. A lack of equilibrium does not impress him; he will see nothing wrong; and he will continue to think himself favoured by luck, which is another way of saying that luck will continue to favour him. Meanwhile, here's the statuette, the one used for the sign. Am I to break the pedestal and take your clasp out of the leaden sheath, soldered to the back of the pedestal, which keeps Mercury steady?"

"No, no, there's no need for that," Hortense hurriedly murmured.

R�nine's intuition, his subtlety, the skill with which he had managed the whole business: to her, for the moment, all these things remained in the background. But she suddenly remembered that the eighth adventure was completed, that R�nine had surmounted every obstacle, that the test had turned to his advantage and that the extreme limit of time fixed for the last of the adventures was not yet reached.

He had the cruelty to call attention to the fact:

"A quarter to eight," he said.

An oppressive silence fell between them. Both felt its discomfort to such a degree that they hesitated to make the least movement. In order to break it, R�nine jested:

"That worthy M. Pancaldi, how good it was of him to tell me what I wished to know! I knew, however, that by exasperating him, I should end by picking up the missing clue in what he said. It was just as though one were to hand some one a flint and steel and suggest to him that he was to use it. In the end, the spark is obtained. In my case, what produced the spark was the unconscious but inevitable comparison which he drew between the cornelian clasp, the element of luck, and Mercury, the god of luck. That was enough. I understood that this association of ideas arose from his having actually associated the two factors of luck by embodying one in the other, or, to speak more plainly, by hiding the trinket in the statuette. And I at once remembered the Mercury outside the door and its defective poise...."

R�nine suddenly interrupted himself. It seemed to him that all his remarks were falling on deaf ears. Hortense had put her hand to her forehead and, thus veiling her eyes, sat motionless and remote.

She was indeed not listening. The end of this particular adventure and the manner in which R�nine had acted on this occasion no longer interested her. What she was thinking of was the complex series of adventures amid which she had been living for the past three months and the wonderful behaviour of the man who had offered her his devotion. She saw, as in a magic picture, the fabulous deeds performed by him, all the good that he had done, the lives saved, the sorrows assuaged, the order restored wherever his masterly will had been brought to bear. Nothing was impossible to him. What he undertook to do he did. Every aim that he set before him was attained in advance. And all this without excessive effort, with the calmness of one who knows his own strength and knows that nothing can resist it.

Then what could she do against him? Why should she defend herself and how? If he demanded that she should yield, would he not know how to make her do so and would this last adventure be any more difficult for him than the others? Supposing that she ran away: did the wide world contain a retreat in which she would be safe from his pursuit? From the first moment of their first meeting, the end was certain, since R�nine had decreed that it should be so.

However, she still cast about for weapons, for protection of some sort; and she said to herself that, though he had fulfilled the eight conditions and restored the cornelian clasp to her before the eighth hour had struck, she was nevertheless protected by the fact that this eighth hour was to strike on the clock of the Ch�teau de Halingre and not elsewhere. It was a formal compact. R�nine had said that day, gazing on the lips which he longed to kiss:

"The old brass pendulum will start swinging again; and, when, on the fixed date, the clock once more strikes eight, then...."

She looked up. He was not moving either, but sat solemnly, patiently waiting.

She was on the point of saying, she was even preparing her words:

"You know, our agreement says it must be the Halingre clock. All the other conditions have been fulfilled ... but not this one. So I am free, am I not? I am entitled not to keep my promise, which, moreover, I never made, but which in any case falls to the ground?... And I am perfectly free ... released from any scruple of conscience?..."

She had not time to speak. At that precise moment, there was a click behind her, like that of a clock about to strike.

A first stroke sounded, then a second, then a third.

Hortense moaned. She had recognized the very sound of the old clock, the Halingre clock, which three months ago, by breaking in a supernatural manner the silence of the deserted ch�teau, had set both of them on the road of the eight adventures.

She counted the strokes. The clock struck eight.

"Ah!" she murmured, half swooning and hiding her face in her hands. "The clock ... the clock is here ... the one from over there ... I recognize its voice...."

She said no more. She felt that R�nine had his eyes fixed upon her and this sapped all her energies. Besides, had she been able to recover them, she would have been no better off nor sought to offer him the least resistance, for the reason that she did not wish to resist. All the adventures were over, but one remained to be undertaken, the anticipation of which wiped out the memory of all the rest. It was the adventure of love, the most delightful, the most bewildering, the most adorable of all adventures. She accepted fate's decree, rejoicing in all that might come, because she was in love. She smiled in spite of herself, as she reflected that happiness was again to enter her life at the very moment when her well-beloved was bringing her the cornelian clasp.

The clock struck the hour for the second time.

Hortense raised her eyes to R�nine. She struggled a few seconds longer. But she was like a charmed bird, incapable of any movement of revolt; and at the eighth stroke she fell upon his breast and offered him her lips....

THE END

End of Project Gutenberg's The Eight Strokes of the Clock, by Maurice Le Blanc