Phil, the Fiddler, Jr. Horatio Alger [best novels to read .txt] 📗

It was already half-past twelve, and Phil began, after his walk, to feel the cravings of appetite. He accordingly went into the grocery and bought some crackers and cheese, which he sat down by the stove and ate.

“Are you going farther?” asked the same young man who had questioned him before.

“I shall go back to Newark to-night,” said Phil.

“Let me try your violin.”

“Can you play?” asked Phil, doubtfully, for he feared that an unpracticed player might injure the instrument.

“Yes, I can play. I’ve got a fiddle at home myself.”

Our hero surrendered his fiddle to the young man, who played passably.

“You’ve got a pretty good fiddle,” he said. “I think it’s better than mine. Can you play any dancing tunes?”

Phil knew one or two, and played them.

“If you were not going back to Newark, I should like to have you play with me this evening. I don’t have anybody to practice with.”

“I would not know where to sleep,” said Phil, hesitatingly.

“Oh, we’ve got beds enough in our house. Will you stay?”

Phil reflected that he had no place to sleep in Newark except such as he might hire, and decided to accept the offer of his new friend.

“This is my night off from the store,” he said. “I haven’t got to come back after supper. Just stay around here till six o’clock. Then I’ll take you home and give you some supper, and then we’ll play this evening.”

Phil had no objection to this arrangement. In fact, it promised to be an agreeable one for him. As he was sure of a supper, a bed and breakfast, there was no particular necessity for him to earn anything more that day. However, he went out for an hour or two, and succeeded in collecting twenty-five cents. He realized, however, that it was not so easy to pick up pennies in the country as in the city—partly because population is sparser and partly because, though there is less privation in the country, there is also less money.

A little before six Phil’s new friend, whose name he ascertained was Edwin Grover, washed his hands, and, putting on his coat, said “Come along, Phil.”

Phil, who had been sitting near the stove, prepared to accompany him.

“We haven’t got far to go,” said Edwin, who was eighteen. “I am glad of that, for the sooner I get to the supper table the better.”

After five minutes’ walk they stopped at a comfortable two-story house near the roadside.

“That’s where I put up,” said Edwin.

He opened the door and entered, followed by Phil, who felt a little bashful, knowing that he was not expected.

“Have you got an extra plate, mother?” asked Edwin. “This is a professor of the violin, who is going to help me make some music this evening.”

“He is welcome,” said Mrs. Grover, cheerfully, “We can make room for him. He is an Italian, I suppose. What is your name?”

“Filippo.”

“I will call you Philip. I suppose that is the English name. Will you lay down your violin and draw up to the fire?”

“I am not cold,” said Phil.

“He is not cold, he is hungry, as Ollendorf says,” said Edwin, who had written a few French exercises according to Ollendorf’s system. “Is supper almost ready?”

“It will be ready at once. There is your father coming in at the front gate, and Henry with him.”

Mr. Grover entered, and Phil made the acquaintance of the rest of the family. He soon came to feel that he was a welcome guest, and shared in the family supper, which was well cooked and palatable. Then Edwin brought out his fiddle, and the two played various tunes. Phil caught one or two new dancing tunes from his new friend, and in return taught him an Italian air. Three or four people from a neighboring family came in, and a little impromptu dance was got up. So the evening passed pleasantly, and at half-past ten they went to bed, Phil sleeping in a little room adjoining that in which the brothers Edwin and Harry slept.

After breakfast the next morning Phil left the house, with a cordial invitation to call again when he happened to be passing.

Before proceeding with his adventures, we must go back to Pietro.

He, as we know, failed to elicit any information from Paul likely to guide him in his pursuit of Phil. He was disappointed. Still, he reflected that Phil had but a quarter of an hour’s start of him—scarcely that, indeed—and if he stopped to play anywhere, he would doubtless easily find him. There was danger, of course, that he would turn off somewhere, and Pietro judged it best to inquire whether such a boy had passed.

Seeing two boys playing in the street, he inquired: “Have you seen anything of my little brother?”

“What does he look like?” inquired one.

“He is not quite so large as you. He had a fiddle with him.”

“No, I haven’t seen him. Have you, Dick?”

“Yes,” said the other, “there was a boy went along with a fiddle.”

This was true, but, as we know, it was not Phil.

“Did you see where he went?” demanded Pietro, eagerly.

“Straight ahead,” was the reply.

Lured by the delusive hope these words awakened, Pietro went on. He did not stop to play on his organ. He was too intent on finding Phil. At length, at a little distance before him, he saw a figure about the size of Phil, playing on the violin. He hurried forward elated, but when within a few yards he discovered to his disappointment that it was not Phil, but a little fiddler of about his size. He was in the employ of a different padrone. He was doubtless the one the boy had seen.

Disappointed, Pietro now turned back, and bent his steps to the ferry. But he saw nothing of Phil on the way.

“I would like to beat him, the little wretch!” he said to himself, angrily. “If I had not been too late for the boat, I would have easily caught him.”

It never occurred to Pietro that Phil might have taken the cars for a more distant point, as he actually did. The only thing he could think of, for he was not willing to give up the pursuit, was to go back. He remained in Jersey City all day, wandering about the streets, peering here and there; but he did not find Phil, for a very good reason.

The padrone awaited his report at night with some impatience. Phil was one of the