The Worlds of If, Stanley Grauman Weinbaum [rainbow fish read aloud TXT] 📗

airport. I waved a signal to van Manderpootz, the thing clicked, and the subjunctivisor was on.

The grassless clay of the field appeared. It is a curious thing about the psychomat that you see only through the eyes of your image on the screen. It lends a strange reality to the working of the toy; I suppose a sort of self-hypnosis is partly responsible.

I was rushing over the ground toward the glittering, silver-winged projectile that was the _Baikal_. A glowering officer waved me on, and I dashed up the slant of the gangplank and into the ship; the port dropped and I heard a long "Whew!" of relief.

"Sit down!" barked the officer, gesturing toward an unoccupied seat. I fell into it; the ship quivered under the thrust of the catapult, grated harshly into motion, and then was flung bodily into the air. The blasts roared instantly, then settled to a more muffled throbbing, and I watched Staten Island drop down and slide back beneath me. The giant rocket was under way.

"Whew!" I breathed again. "Made it!" I caught an amused glance from my right. I was in an aisle seat; there was no one to my left, so I turned to the eyes that had flashed, glanced, and froze staring.

It was a girl. Perhaps she wasn't actually as lovely as she looked to me; after all, I was seeing her through the half-visionary screen of a psychomat. I've told myself since that she _couldn't_ have been as pretty as she seemed, that it was due to my own imagination filling in the details. I don't know; I remember only that I stared at curiously lovely silver-blue eyes and velvety brown hair, and a small amused mouth, and an impudent nose. I kept staring until she flushed.

"I'm sorry," I said quickly. "I--was startled."

There's a friendly atmosphere aboard a trans-oceanic rocket. The passengers are forced into a crowded intimacy for anywhere from seven to twelve hours, and there isn't much room for moving about. Generally, one strikes up an acquaintance with his neighbors; introductions aren't at all necessary, and the custom is simply to speak to anybody you choose--something like an all-day trip on the railroad trains of the last century, I suppose. You make friends for the duration of the journey, and then, nine times out of ten, you never hear of your traveling companions again.

The girl smiled. "Are you the individual responsible for the delay in starting?"

I admitted it. "I seem to be chronically late. Even watches lose time as soon as I wear them."

She laughed. "Your responsibilities can't be very heavy."

Well, they weren't of course, though it's surprising how many clubs, caddies, and chorus girls have depended on me at various times for appreciable portions of their incomes. But somehow I didn't feel like mentioning those things to the silvery-eyed girl.

We talked. Her name, it developed, was Joanna Caldwell, and she was going as far as Paris. She was an artist, or hoped to be one day, and of course there is no place in the world that can supply both training and inspiration like Paris. So it was there she was bound for a year of study, and despite her demurely humorous lips and laughing eyes, I could see that the business was of vast importance to her. I gathered that she had worked hard for the year in Paris, had scraped and saved for three years as fashion illustrator for some woman's magazine, though she couldn't have been many months over twenty-one. Her painting meant a great deal to her, and I could understand it. I'd felt that way about polo once.

So you see, we were sympathetic spirits from the beginning. I knew that she liked me, and it was obvious that she didn't connect Dixon Wells with the N. J. Wells Corporation. And as for me--well, after that first glance into her cool silver eyes, I simply didn't care to look anywhere else. The hours seemed to drip away like minutes while I watched her.

You know how those things go. Suddenly I was calling her Joanna and she was calling me Dick, and it seemed as if we'd been doing just that all our lives. I'd decided to stop over in Paris on my way back from Moscow, and I'd secured her promise to let me see her. She was different, I tell you; she was nothing like the calculating Whimsy White, and still less like the dancing, simpering, giddy youngsters one meets around at social affairs. She was just Joanna, cool and humorous, yet sympathetic and serious, and as pretty as a Majolica figurine.

We could scarcely realize it when the steward passed along to take orders for luncheon. Four hours out? It seemed like forty minutes. And we had a pleasant feeling of intimacy in the discovery that both of us liked lobster salad and detested oysters. It was another bond; I told her whimsically that it was an omen, nor did she object to considering it so.

Afterwards we walked along the narrow aisle to the glassed-in observation room up forward. It was almost too crowded for entry, but we didn't mind that at all, as it forced us to sit very close together. We stayed long after both of us had begun to notice the stuffiness of the air.

It was just after we had returned to our seats that the catastrophe occurred. There was no warning save a sudden lurch, the result, I suppose, of the pilot's futile last-minute attempt to swerve--just that and then a grinding crash and a terrible sensation of spinning, and after that a chorus of shrieks that were like the sounds of battle.

It _was_ battle. Five hundred people were picking themselves up from the floor, were trampling each other, milling around, being cast helplessly down as the great rocket-plane, its left wing but a broken stub, circled downward toward the Atlantic.

The shouts of officers sounded and a loudspeaker blared. "Be calm," it kept repeating, and then, "There has been a collision. We have contacted a surface ship. There is no danger-- There is no danger--"

I struggled up from the debris of shattered seats. Joanna was gone; just as I found her crumpled between the rows, the ship struck the water with a jar that set everything crashing again. The speaker blared, "Put on the cork belts under the seats. The life-belts are under the seats."

I dragged a belt loose and snapped it around Joanna, then donned one myself. The crowd was surging forward now, and the tail end of the ship began to drop. There was water behind us, sloshing in the darkness as the lights went out. An officer came sliding by, stooped, and fastened a belt about an unconscious woman ahead of us. "You all right?" he yelled, and passed on without waiting for an answer.

The speaker must have been cut on to a battery circuit. "And get as far away as possible," it ordered suddenly. "Jump from the forward port and get as far away as possible. A ship is standing by. You will be picked up. Jump from the--". It went dead again.

I got Joanna untangled from the wreckage. She was pale; her silvery eyes were closed. I started dragging her slowly and painfully toward the forward port, and the slant of the floor increased until it was like the slide of a ski-jump. The officer passed again. "Can you handle her?" he asked, and again dashed away.

I was getting there. The crowd around the port looked smaller, or was it simply huddling closer? Then suddenly, a wail of fear and despair went up, and there was a roar of water. The observation room walls had given. I saw the green surge of waves, and a billowing deluge rushed down upon us. I had been late again.

That was all. I raised shocked and frightened eyes from the subjunctivisor to face van Manderpootz, who was scribbling on the edge of the table.

"Well?" he asked.

I shuddered. "Horrible!" I murmured. "We--I guess we wouldn't have been among the survivors."

"We, eh? _We?_" His eyes twinkled.

I did not enlighten him. I thanked him, bade him good-night, and went dolorously home.

* * * * *

Even my father noticed something queer about me. The day I got to the office only five minutes late, he called me in for some anxious questioning as to my health. I couldn't tell him anything, of course. How could I explain that I'd been late once too often, and had fallen in love with a girl two weeks after she was dead?

The thought drove me nearly crazy. Joanna! Joanna with her silvery eyes now lay somewhere at the bottom of the Atlantic. I went around half dazed, scarcely speaking. One night I actually lacked the energy to go home and sat smoking in my father's big overstuffed chair in his private office until I finally dozed off. The next morning, when old N. J. entered and found me there before him, he turned pale as paper, staggered, and gasped, "My heart!" It took a lot of explaining to convince him that I wasn't early at the office but just very late going home.

At last I felt that I couldn't stand it. I had to do something--anything at all. I thought finally of the subjunctivisor. I could see--yes, I could see what would have transpired if the ship hadn't been wrecked! I could trace out that weird, unreal romance hidden somewhere in the worlds of "if". I could, perhaps, wring a somber, vicarious joy from the things that might have been. I could see Joanna once more!

It was late afternoon when I rushed over to van Manderpootz's quarters. He wasn't there; I encountered him finally in the hall of the Physics Building.

"Dick!" he exclaimed. "Are you sick?"

"Sick? No. Not physically. Professor. I've got to use your subjunctivisor again. I've _got_ to!"

"Eh? Oh--that toy. You're too late, Dick. I've dismantled it. I have a better use for the space."

I gave a miserable groan and was tempted to damn the autobiography of the great van Manderpootz. A gleam of sympathy showed in his eyes, and he took my arm, dragging me into the little office adjoining his laboratory.

"Tell me," he commanded.

I did. I guess I made the tragedy plain enough, for his heavy brows knit in a frown of pity. "Not even van Manderpootz can bring back the dead," he murmured. "I'm sorry, Dick. Take your mind from the affair. Even were my subjunctivisor available, I wouldn't permit you to use it. That would be but to turn the knife in the wound." He paused. "Find something else to occupy your mind. Do as van Manderpootz does. Find forgetfulness in work."

"Yes," I responded dully. "But who'd want to read my autobiography? That's all right for you."

"Autobiography? Oh! I remember. No, I have abandoned that. History itself will record the life and works of van Manderpootz. Now I am engaged in a far grander project."

"Indeed?" I was utterly, gloomily disinterested.

"Yes. Gogli has been here, Gogli the sculptor. He is to make a bust of me. What better legacy can I leave to the world than a bust of van Manderpootz, sculptured from life? Perhaps I shall present it to the city, perhaps to the university. I would have given it to the