My Fair Planet, Evelyn E. Smith [best motivational novels .TXT] 📗

I was—whoever I was on my native planet. I am more Paul Lambrequin than you ever were. You learned the part superficially, Paul, but I really feel it."

"It's not a part," Paul said querulously. "It's me. I've always been Paul Lambrequin."

"How can you be sure of that? You've had so many identities, why should this be the true one? No, you only think you're Paul Lambrequin. I know I am."

"Dammit," Paul said, "that's the identity in which I've taken out Equity membership. And be reasonable, Ivo—there can't be two Paul Lambrequins."

Ivo smiled sadly. "No, Paul, you're right. There can't."

Of course Paul had known all along that Ivo was not a human being. It was only now, however, that full realization came to him of what a ruthless alien monster the other was, existing only to gratify his own purposes, unaware that others had a right to exist.

"Are—are you going to—dispose of me, then?" Paul asked faintly.

"To dispose of you, yes, Paul. But not to kill you. My kind has killed enough, conquered enough. We have no real population problem; that was just an excuse we made to salve our own consciences."

"You have consciences, do you?" Paul's face twisted in a sneer that he himself sensed right away was overly melodramatic and utterly unconvincing. Somehow, he could never be really genuine offstage.

Ivo made a sweeping gesture. "Don't be bitter, Paul. Of course we do. All intelligent life-forms do. It's one of the penalties of sentience!"

For a moment, Paul forgot himself. "Watch it, Ivo. You're beginning to ham up your lines."

"We can institute birth control," Ivo went on, his manner subdued. "We can build taller buildings. Oh, there are many ways we can cope with the population increase. That's not the problem. The problem is how to divert our creative energies from destruction to construction. And I think I have solved it."

"How will your people know you have," Paul asked cunningly, "since you say you're not going back?"

"I am not going back to Sirius, Paul—you are. It is you who are going to teach my people the art of peace to replace the art of war."

Paul felt himself turn what was probably a very effective white. "But—but I can't even speak the language! I—"

"You will learn the language during the journey. I spent those afternoons I was away making a set of Sirian-in-a-Jiffy records for you. Sirian's a beautiful language, Paul, much more expressive than any of your Earth languages. You'll like it."

"I'm sure I shall, but—"

"Paul, you are going to bring my people the outlet for self-expression they have always needed. You see, I lied to you. The theater on Sirius is not in its infancy; it has never been conceived. If it had been, we would never have become what we are today. Can you imagine—a race like mine, so superbly fitted to practice the dramatic art, remaining in blind ignorance that such an art exists!"

"It does seem a terrible waste," Paul had to agree, although he could not be truly sympathetic just then. "But I am hardly equipped—"

"Who is better equipped than you to meet this mighty challenge? Can't you see that at long last you will be able to achieve your great synthesis of the theatrical arts—as producer, teacher, director, actor, playwright, whatever you will, working with a cast of individuals who can assume any shape or form, who have no preconceived notions of what can be done and what cannot. Oh, Paul, what a glorious opportunity awaits you on Sirius V. How I envy you!"

"Then why don't you do it yourself?" Paul asked.

Ivo smiled sadly again. "Unfortunately, I do not have your manifold abilities. All I can do is act. Superbly, of course, but that's all. I don't have the capacity to build a living theater from scratch. You do. I have talent, Paul, but you have genius."

"It is a temptation," Paul admitted. "But to leave my own world...."

"Paul, Earth isn't your world. You carry yours along with you wherever you go. Your world exists in the mind and heart, not in reality. In any real situation, you're just as uncomfortable on Earth as you would be on Sirius."

"Yes, but—"

"Think of it this way, Paul. You're not leaving your world. You're just leaving Earth to go on the road. It's a longer road, but look at what's waiting for you at the end of it."

"Yes, look," Paul said, reality very much to the fore in his mind and heart at that moment, "death or vivisection."

"Paul, do you believe I'd do that to you?" There were tears in Ivo's eyes. If he was acting, he was a great performer. I really am one hell of a good teacher, Paul thought, and with lots of raw material like Ivo to work with, I could.... Could he really mean what he's saying?

"They won't harm you, Paul, because you will come to Sirius bearing a message from me. You will tell my people that Earth has a powerful defensive weapon and you have come to teach them its secret. And it's true, Paul. The theater is your world's most powerful weapon, its best defense against the universal enemy—reality."

"Ivo," Paul said, "you really must check that tendency toward bombast. Especially with a purple speech like that; you've simply got to learn to underplay. You'll watch out for that when I'm gone, won't you?"

"I will!" Ivo's face lighted up. "Oh, I will, Paul. I promise never to chew the scenery again. I won't so much as nibble on a prop!"

The next day, the two of them went up to Bear Mountain where Ivo's ship had been cached all those months. Ivo explained to Paul how the controls worked and showed him where the clean towels were.

Pausing in the airlock, Paul looked back toward Manhattan. "I'd dreamed so many years of seeing my name up in lights on Broadway," he murmured, "and now, just when I made it—"

"I'll keep it up there," Ivo vowed. "I promise. And, meanwhile, you'll be building a new Broadway up there in the stars!"

"Yes," Paul said dreamily, "that is something to look forward to, isn't it?" Fresh, enthusiastic audiences, performers untrammeled by tradition, a cooperative government, unlimited funds—why, there was a whole wonderful new world opening up before him.

"—In another ten years or so," Ivo was saying, "Sirian actors will be coming to Earth in droves, making the native performers look sick—"

Paul smiled wisely. "Now, Ivo, you know Equity would never stand for that."

"Equity won't be able to help itself. Public pressure will surge upward in a mounting wave and—" Ivo stopped. "Sorry. I was ranting again, wasn't I? It's being out in the open air that does it. I need to be bounded by the four walls of a theater."

"That's a fallacy," Paul began. "On the Greek stage—"

"Save that for the stars, fella," Ivo smiled. "You've got to leave before it gets light." Then he wrung Paul's hand. "Good-by, kid," he said. "You'll knock 'em dead on Sirius."

"Good-by, Ivo." Paul returned the grip. Then he got inside and closed the airlock door behind him. He did hope Ivo would correct that tendency toward declamation; on the other hand, it was certainly better than mumbling.

Paul put a Sirian-in-a-jiffy record on the turntable, because he might as well start learning the language right away. Of course he'd have no one to talk to but himself for many months, but then, when all was said and done, he was his own favorite audience. He strapped himself into the acceleration couch and prepared for take-off.

"Next week, East Lynne," he said to himself.

End of the Project Gutenberg EBook of My Fair Planet, by Evelyn E. Smith