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near miss on the building, and minor damage to stonework was unrepaired. Crevices gave fingerhold, chipped-out hollows gave barely perceptible purchase to the heel of his hand. Salutes to the random effects of unlikely causes!

He reached the turn, considered swiftly. His fresh strength was blunted; his muscles, especially in his thumbs, were stiffening with chill. Now: He could continue up the left side, by the building, which was tougher and hazardous with frozen drippings, or by the outside, right-hand rail, which was easier but meant crossing the open, half-swept wide step and recrossing the landing up top. Damn! Why hadn't he foreseen that? Oh, you can't think of everything. Get going, left side.

The wall of the building was rough-hewn and ornamented with surplus carvings. Cheers for the 1890s architect!

Qualified cheers. The first three lifts were easy, with handholds in a frieze of lotus. For the next, he had to heft with his side-jaw against a boss of stone. A window ledge made the next three facile. The final five stared, an open gap without recourse. He made two by grace of the janitor's having swabbed his broom a little closer to the wall. His muscles began to wobble and waver: in his proportions, he'd made two-hundred feet of almost vertical ascent.

But, climbing a real ice-fall, you'd unleash the last convulsive effort because you had to. Here, when you came down to it, you could always sit and bump yourself down to the car which was, in that context, a mere safe forty feet away. So he went on because he had to.

He got the rubber tip off one stick. The bare metal tube would bore into the snow pack. It might hold, if he bore down just right, and swung his weight just so, and got just the right sliding purchase on the wall, and the snow didn't give underfoot or undercane. And if it didn't work—it didn't work.

Beyond the landing, westwards, the sky had broken into April blue, far away over Iowa and Kansas, over Operation Seed-corn, over the refuge for rebels that lay at the end of all his roads....

He got set ... and lifted. A thousand miles nearer the refuge! Got set ... and lifted, balanced over plunging gulfs. His reach found a round pilaster at the top, a perfect grip for a hand. He drew himself up, and this time his cleated foot cut through snow to stone, and slipped, but his hold was too good. And there he was.

No salutes, no cheers, only one more victory for life.

Even in victory, unlife gave you no respite. The doorstep was three feet wide, hollowed by eighty years of traffic, and filled with frozen drippings from its pseudo-Norman arch. He had to tilt across it and catch the brass knob—like snatching a ring in a high dive.

No danger now, except sitting down in a growing puddle till someone came along to hoist him under the armpits, and then arriving at the general's late, with his seat black-wet.... You unhorse your foeman, curvet up to the royal box to receive the victor's chaplet, swing from your saddle, and fall flat on your face.

But, he cogitated on the bench inside, getting his other cleat off and the tip back on his stick, things do even out. No hearty helper had intervened, no snot-nosed, gaping child had twitched his attention, nobody's secretary—pretty of course—had scurried to helpfully knock him down with the door. They were all out front superintending arrival of the computer.

The general said only, if tartly, "Oh yes, major, come in. You're late, a'n't you?"

"It's still icy," said Ed Scott. "Had to drive carefully, you know."

In fact, he had lost minutes that way, enough to have saved his exact deadline. And that excuse, being in proportion to Filipson's standard dimension, was fair game.

I wondered what dimension Clyde would go on to, now that the challenge of war was past. To his rebels refuge at last maybe? Does it matter? Whatever it is, life will be outclassed, and Scott-Esterbrook's brand of life will fight back.

THE END

FOOTNOTES:

[A] Hall, "Whole Upper Extremity Transplant for Human Beings." Annals of Surgery 1944, #120, p. 12.

Transcriber's Note:
This etext was produced from Astounding Science Fiction August 1959. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of A Matter of Proportion, by Anne Walker
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