The Hand of Fu-Manchu<br />Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor, Sax Rohmer [the reader ebook TXT] 📗

redolent of some pungent, incense-like perfume.

One step forward I took, then pulled up abruptly. A sound had come to my ears. From a second curtained doorway, close to my right hand, it came—a sound of muffled tapping, together with that of something which dragged upon the floor.

Within my brain the words seemed audibly to form: "The man with the limp!"

I sprang to the door; I had my hand upon the drapery … when a woman stepped out, barring the way!

No impression, not even a vague one, did I form of her costume, save that she wore a green silk shawl, embroidered with raised white figures of birds, thrown over her head and shoulders and draped in such fashion that part of her face was concealed. I was transfixed by the vindictive glare of her eyes, of her huge dark eyes.

They were ablaze with anger—but it was not this expression within them which struck me so forcibly as the fact that they were in some way familiar.

Motionless, we faced one another. Then—

"You go away," said the woman—at the same time extending her arms across the doorway as barriers to my progress.

Her voice had a husky intonation; her hands and arms, which were bare and of old ivory hue, were laden with barbaric jewelry, much of it tawdry silverware of the bazaars. Clearly she was a half-caste of some kind, probably a Eurasian.

I hesitated. The sounds of dragging and tapping had ceased. But the presence of this grotesque Oriental figure only increased my anxiety to pass the doorway. I looked steadily into the black eyes; they looked into mine unflinchingly.

"You go away, please," repeated the woman, raising her right hand and pointing to the door whereby I had entered. "These private rooms. What you doing here?"

Her words, despite her broken English, served to recall to me the fact that I was, beyond doubt, a trespasser! By what right did I presume to force my way into other people's apartments?

"There is some one in there whom I must see," I said, realizing, however, that my chance of doing so was poor.

"You see nobody," she snapped back uncompromisingly. "You go away!"

She took a step towards me, continuing to point to the door. Where had
I previously encountered the glance of those splendid, savage eyes?

So engaged was I with this taunting, partial memory, and so sure, if the woman would but uncover her face, of instantly recognizing her, that still I hesitated. Whereupon, glancing rapidly over her shoulder into whatever place lay beyond the curtained doorway, she suddenly stepped back and vanished, drawing the curtains to with an angry jerk.

I heard her retiring footsteps; then came a loud bang. If her object in intercepting me had been to cover the slow retreat of some one she had succeeded.

Recognizing that I had cut a truly sorry figure in the encounter, I retraced my steps.

By what route I ultimately regained the main staircase I have no idea; for my mind was busy with that taunting memory of the two dark eyes looking out from the folds of the green embroidered shawl. Where, and when, had I met their glance before?

To that problem I sought an answer in vain.

The message despatched to New Scotland Yard, I found M. Samarkan, long famous as a mâitre d' hôtel in Cairo, and now host of London's newest and most palatial khan. Portly, and wearing a gray imperial, M. Samarkan had the manners of a courtier, and the smile of a true Greek.

I told him what was necessary, and no more, desiring him to go to suite 14a without delay and also without arousing unnecessary attention. I dropped no hint of foul play, but M. Samarkan expressed profound (and professional) regret that so distinguished, though unprofitable, a patron should have selected the New Louvre, thus early in its history, as the terminus of his career.

"By the way," I said, "have you Oriental guests with you, at the moment?"

"No, monsieur," he assured me.

"Not a certain Oriental lady?" I persisted.

M. Samarkan slowly shook his head.

"Possibly monsieur has seen one of the ayahs? There are several
Anglo-Indian families resident in the New Louvre at present."

An ayah? It was just possible, of course. Yet …

CHAPTER IV THE FLOWER OF SILENCE

"We are dealing now," said Nayland Smith, pacing restlessly up and down our sitting-room, "not, as of old, with Dr. Fu-Manchu, but with an entirely unknown quantity—the Si-Fan."

"For Heaven's sake!" I cried, "what is the Si-Fan?"

"The greatest mystery of the mysterious East, Petrie. Think. You know, as I know, that a malignant being, Dr. Fu-Manchu, was for some time in England, engaged in 'paving the way' (I believe those words were my own) for nothing less than a giant Yellow Empire. That dream is what millions of Europeans and Americans term 'the Yellow Peril! Very good. Such an empire needs must have——"

"An emperor!"

Nayland Smith stopped his restless pacing immediately in front of me.

"Why not an empress, Petrie!" he rapped.

His words were something of a verbal thunderbolt; I found myself at loss for any suitable reply.

"You will perhaps remind me," he continued rapidly, "of the lowly place held by women in the East. I can cite notable exceptions, ancient and modern. In fact, a moment's consideration by a hypothetical body of Eastern dynast-makers not of an emperor but of an empress. Finally, there is a persistent tradition throughout the Far East that such a woman will one day rule over the known peoples. I was assured some years ago, by a very learned pundit, that a princess of incalculably ancient lineage, residing in some secret monastery in Tartary or Tibet, was to be the future empress of the world. I believe this tradition, or the extensive group who seek to keep it alive and potent, to be what is called the Si-Fan!"

I was past greater amazement; but—

"This lady can be no longer young, then?" I asked.

"On the contrary, Petrie, she remains always young and beautiful by means of a continuous series of reincarnations; also she thus conserves the collated wisdom of many ages. In short, she is the archetype of Lamaism. The real secret of Lama celibacy is the existence of this immaculate ruler, of whom the Grand Lama is merely a high priest. She has, as attendants, maidens of good family, selected for their personal charms, and rendered dumb in order that they may never report what they see and hear."

"Smith!" I cried, "this is utterly incredible!"

"Her body slaves are not only mute, but blind; for it is death to look upon her beauty unveiled."

I stood up impatiently.

"You are amusing yourself," I said.

Nayland Smith clapped his hands upon my shoulders, in his own impulsive fashion, and looked earnestly into my eyes.

"Forgive me, old man," he said, "if I have related all these fantastic particulars as though I gave them credence. Much of this is legendary, I know, some of it mere superstition, but—I am serious now, Petrie— part of it is true."

I stared at the square-cut, sun-tanned face; and no trace of a smile lurked about that grim mouth. "Such a woman may actually exist, Petrie, only in legend; but, nevertheless, she forms the head center of that giant conspiracy in which the activities of Dr. Fu-Manchu were merely a part. Hale blundered on to this stupendous business; and from what I have gathered from Beeton and what I have seen for myself, it is evident that in yonder coffer"—he pointed to the brass chest standing hard by—"Hale got hold of something indispensable to the success of this vast Yellow conspiracy. That he was followed here, to the very hotel, by agents of this mystic Unknown is evident. But," he added grimly, "they have failed in their object!"

A thousand outrageous possibilities fought for precedence in my mind.

"Smith!" I cried, "the half-caste woman whom I saw in the hotel …"

Nayland Smith shrugged his shoulders.

"Probably, as M. Samarkan suggests, an ayah!" he said; but there was an odd note in his voice and an odd look in his eyes.

"Then again, I am almost certain that Hale's warning concerning 'the man with the limp' was no empty one. Shall you open the brass chest?"

"At present, decidedly no. Hale's fate renders his warning one that
I dare not neglect. For I was with him when he died; and they cannot
know how much I know. How did he die? How did he die? How was the
Flower of Silence introduced into his closely guarded room?"

"The Flower of Silence?"

Smith laughed shortly and unmirthfully.

"I was once sent for," he said, "during the time that I was stationed in Upper Burma, to see a stranger—a sort of itinerant Buddhist priest, so I understood, who had desired to communicate some message to me personally. He was dying—in a dirty hut on the outskirts of Manipur, up in the hills. When I arrived I say at a glance that the man was a Tibetan monk. He must have crossed the river and come down through Assam; but the nature of his message I never knew. He had lost the power of speech! He was gurgling, inarticulate, just like poor Hale. A few moments after my arrival he breathed his last. The fellow who had guided me to the place bent over him—I shall always remember the scene—then fell back as though he had stepped upon an adder.

"'He holds the Flower Silence in his hand!' he cried—'the Si-Fan! the
Si-Fan!'—and bolted from the hut."

"When I went to examine the dead man, sure enough he held in one hand a little crumpled spray of flowers. I did not touch it with my fingers naturally, but I managed to loop a piece of twine around the stem, and by that means I gingerly removed the flowers and carried them to an orchid-hunter of my acquaintance who chanced to be visiting Manipur.

"Grahame—that was my orchid man's name—pronounced the specimen to be an unclassified species of jatropha; belonging to the Curcas family. He discovered a sort of hollow thorn, almost like a fang, amongst the blooms, but was unable to surmise the nature of its functions. He extracted enough of a certain fixed oil from the flowers, however, to have poisoned the pair of us!"

"Probably the breaking of a bloom …"

"Ejects some of this acrid oil through the thorn? Practically the uncanny thing stings when it is hurt? That is my own idea, Petrie. And I can understand how these Eastern fanatics accept their sentence— silence and death—when they have deserved it, at the hands of their mysterious organization, and commit this novel form of hara-kiri. But I shall not sleep soundly with that brass coffer in my possession until I know by what means Sir Gregory was induced to touch a Flower of Silence, and by what means it was placed in his room!"

"But, Smith, why did you direct me to-night to repeat the words,
'Sâkya Mûni'?"

Smith smiled in a very grim fashion.

"It was after the episode I have just related that I made the acquaintance of that pundit, some of whose statements I have already quoted for your enlightenment. He admitted that the Flower of Silence was an instrument frequently employed by a certain group, adding that, according to some authorities, one who had touched the flower might escape death by immediately pronouncing the sacred name of Buddha. He was no fanatic himself, however, and, marking my incredulity, he explained that the truth was this;—

"No one whose powers of speech were imperfect could possibly pronounce correctly the words 'Sâkya Mûni.' Therefore, since the first effects of this damnable thing is instantly to tie the tongue, the uttering of the sacred name of Buddha becomes practically a test whereby the victim my learn whether the venom has entered his system or not!"

I repressed a shudder. An atmosphere of horror seemed to be enveloping us, foglike.

"Smith," I said slowly, "we must be on our guard," for at last I had run to earth that elusive memory. "Unless I am strangely mistaken, the 'man' who so mysteriously entered Hale's room and the supposed ayah whom I met downstairs are one and the same. Two, at least, of the Yellow group are actually here in the New Louvre!"

The light of the shaded lamp shone down upon the brass coffer on the table beside me. The fog seemed to have cleared from the room somewhat, but since in the midnight stillness I could detect the muffled sounds of sirens