Real Folks, Mrs. A. D. T. Whitney [the reader ebook txt] 📗
- Author: Mrs. A. D. T. Whitney
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guess you'd see me!" And there were many days before poor little Luclarion could wear any shoes at all.
The foot got well, however, without hindrance. But Luke was the same little fool as ever; that was not burnt out. She would never be "dared" to anything.
They called it "stumps" as they grew older. They played "stumps" all through the barns and woods and meadows; over walls and rocks, and rafters and house-roofs. But the burnt foot saved Luke's neck scores of times, doubtless. Mark remembered it; he never "stumped" her to any certain hurt, or where he could not lead the way himself.
The mischief they got into and out of is no part of my story; but one day something happened--things do happen as far back in lives as that--which gave Luclarion her clew to the world.
They had got into the best parlor,--that sacred place of the New England farm-house, that is only entered by the high-priests themselves on solemn festivals, weddings and burials, Thanksgivings and quiltings; or devoutly, now and then to set the shrine in order, shut the blinds again, and so depart, leaving it to gather the gloom and grandeur that things and places and people do when they are good for nothing else.
The children had been left alone; for their mother had gone to a sewing society, and Grashy, the girl, was up-stairs in her kitchen-chamber-bedroom, with a nail over the door-latch to keep them out while she "fixed over" her best gown.
"Le's play Lake Ontario," says Marcus.
Now Lake Ontario, however they had pitched upon it, stood with them for all the waters that are upon the face of the earth, and all the confusion and peril of them. To play it, they turned the room into one vast shipwreck, of upset and piled up chairs, stools, boxes, buckets, and what else they could lay hands on; and among and over them they navigated their difficult and hilarious way. By no means were they to touch the floor; that was the Lake,--that were to drown.
It was Columbus sometimes; sometimes it was Captain Cook; to-day, it was no less than Jason sailing after the golden fleece.
Out of odd volumes in the garret, and out of "best books" taken down from the secretary in the "settin'-room," and put into their hands, with charges, of a Sunday, to keep them still, they had got these things, jumbled into strange far-off and near fantasies in their childish minds. "Lake Ontario" included and connected all.
"I'll tell you what it is," said Marcus, tumbling up against the parlor door and an idea at once. "In here!"
"What?" asked Luke, breathless, without looking up, and paddling with the shovel, from an inverted rocking-chair.
"The golden thing! Hush!"
At this moment Grashy came into the kitchen, took a little tin kettle from a nail over the dresser, and her sun-bonnet from another behind the door, and made her way through the apartment as well as she could for bristling chair-legs, with exemplary placidity. She was used to "Lake Ontario."
"Don't get into any mischief, you Apostles," was her injunction. "I'm goin' down to Miss Ruddock's for some 'east."
"Good,"; says Mark, the instant the door was shut "Now this is Colchis, and I'm going in."
He pronounced it much like "cold-cheese," and it never occurred to him that he was naming any unusual or ancient locality. There was a "Jason" in the Mills Village. He kept a grocer's shop. Colchis might be close by for all he knew; out beyond the wall, perhaps, among the old barrels. Children _place_ all they read or hear about, or even all they imagine, within a very limited horizon. They cannot go beyond their world. Why should they? Neither could those very venerable ancients.
"'Tain't," says Luclarion, with unbeguiled practicality. "It's just ma's best parlor, and you mustn't."
It was the "mustn't" that was the whole of it. If Mark had asserted that the back kitchen, or the cellar-way closet was Colchis, she would have indorsed it with enthusiasm, and followed on like a loyal Argonaut, as she was. But her imagination here was prepossessed. Nothing in old fable could be more environed with awe and mystery than this best parlor.
"And, besides," said Luclarion, "I don't care for the golden fleece; I'm tired of it. Let's play something else."
"I'll tell you what there is in here," persisted Mark. "There's two enchanted children. I've seen 'em!"
"Just as though," said Luke contemptuously. "Ma ain't a witch."
"Tain't ma. She don't know. They ain't visible to her. _She_ thinks it's nothing but the best parlor. But it opens out, right into the witch country,--not for her. 'Twill if we go. See if it don't."
He had got hold of her now; Luclarion could not resist that. Anything might be true of that wonderful best room, after all. It was the farthest Euxine, the witch-land, everything, to them.
So Mark turned the latch and they crept in
"We must open a shutter," Mark said, groping his way.
"Grashy will be back," suggested Luke, fearfully.
"Guess so!" said Mark. "She ain't got coaxed to take her sun-bonnet off yet, an' it'll take her ninety-'leven hours to get it on again."
He had let in the light now from the south window.
The red carpet on the floor; the high sofa of figured hair-cloth, with brass-headed nails, and brass rosettes in the ends of the hard, cylinder pillows; the tall, carved cupboard press, its doors and drawers glittering with hanging brass handles; right opposite the door by which they had come in, the large, leaning mirror, gilt--garnished with grooved and beaded rim and an eagle and ball-chains over the top,--all this, opening right in from the familiar every-day kitchen and their Lake Ontario,--it certainly meant something that such a place should be. It meant a great deal more than sixteen feet square could hold, and what it really was did not stop short at the gray-and-crimson stenciled walls.
The two were all alone in it; perhaps they had never been all alone in it before. I think, notwithstanding their mischief and enterprise, they never had.
And deep in the mirror, face to face with them, coming down, it seemed, the red slant of an inner and more brilliant floor, they saw two other little figures. Their own they knew, really, but elsewhere they never saw their own figures entire. There was not another looking-glass in the house that was more than two feet long, and they were all hung up so high!
"There!" whispered Mark. "There they are, and they can't get out."
"Of course they can't," said sensible Luclarion.
"If we only knew the right thing to say, or do, they might," said Mark. "It's that they're waiting for, you see. They always do. It's like the sleeping beauty Grashy told us."
"Then they've got to wait a hundred years," said Luke.
"Who knows when they began?"
"They do everything that we do," said Luclarion, her imagination kindling, but as under protest. "If we could jump in perhaps they would jump out."
"We might jump _at_ 'em," said Marcus. "Jest get 'em going, and may-be they'd jump over. Le's try."
So they set up two chairs from Lake Ontario in the kitchen doorway, to jump from; but they could only jump to the middle round of the carpet, and who could expect that the shadow children should be beguiled by that into a leap over bounds? They only came to the middle round of _their_ carpet.
"We must go nearer; we must set the chairs in the middle, and jump close. Jest _shave_, you know," said Marcus.
"O, I'm afraid," said Luclarion.
"I'll tell you what! Le's _run_ and jump! Clear from the other side of the kitchen, you know. Then they'll have to run too, and may-be they can't stop."
So they picked up chairs and made a path, and ran from across the broad kitchen into the parlor doorway, quite on to the middle round of the carpet, and then with great leaps came down bodily upon the floor close in front of the large glass that, leaned over them, with two little fallen figures in it, rolling aside quickly also, over the slanting red carpet.
But, O dear what did it?
Had the time come, anyhow, for the old string to part its last fibre, that held the mirror tilting from the wall,--or was it the crash of a completed spell?
There came a snap,--a strain,--as some nails or screws that held it otherwise gave way before the forward pressing weight, and down, flat-face upon the floor, between the children, covering them with fragments of splintered glass and gilded wood,--eagle, ball-chains, and all,--that whole magnificence and mystery lay prostrate.
Behind, where it had been, was a blank, brown-stained cobwebbed wall, thrown up harsh and sudden against them, making the room small, and all the enchanted chamber, with its red slanting carpet, and its far reflected corners, gone.
The house hushed up again after that terrible noise, and stood just the same as ever. When a thing like that happens, it tells its own story, just once, and then it is over. _People_ are different. They keep talking.
There was Grashy to come home. She had not got there in time to hear the house tell it. She must learn it from the children. Why?
"Because they knew," Luclarion said. "Because, then, they could not wait and let it be found out."
"We never touched it," said Mark.
"We jumped," said Luke.
"We couldn't help it, if _that_ did it. S'posin' we'd jumped in the kitchen, or--the--flat-irons had tumbled down,--or anything? That old string was all wore out."
"Well, we was here, and we jumped; and we know."
"We was here, of course; and of course we couldn't help knowing, with all that slam-bang. Why, it almost upset Lake Ontario! We can tell how it slammed, and how we thought the house was coming down. I did."
"And how we were in the best parlor, and how we jumped," reiterated Luclarion, slowly. "Marcus, it's a stump!"
They were out in the middle of Lake Ontario now, sitting right down underneath the wrecks, upon the floor; that is, under water, without ever thinking of it. The parlor door was shut, with all that disaster and dismay behind it.
"Go ahead, then!" said Marcus, and he laid himself back desperately on the floor. "There's Grashy!"
"Sakes and patience!" ejaculated Grashy, merrily, coming in. "They're drownded,--dead, both of 'em; down to the bottom of Lake Ontariah!"
"No we ain't," said Luclarion, quietly. "It isn't Lake Ontario now. It's nothing but a clutter. But there's an awful thing in the best parlor, and we don't know whether we did it or not. We were in there, and we jumped."
Grashy went straight to the parlor door, and opened it. She looked in, turned pale, and said "'Lection!"
That is a word the women have, up in the country, for solemn surprise, or exceeding emergency, or dire confusion. I do not know whether it is derived from religion or politics. It denotes a vital crisis, either way, and your hands full. Perhaps it had the theological association in Grashy's mind, for the next thing she said was, "My soul!"
"Do you know what that's a sign of, you children?"
"Sign the old thing was rotten," said Marcus, rather sullenly.
"Wish that was all," said Grashy, her lips white yet. "Hope there mayn't nothin' dreadful happen in this house
The foot got well, however, without hindrance. But Luke was the same little fool as ever; that was not burnt out. She would never be "dared" to anything.
They called it "stumps" as they grew older. They played "stumps" all through the barns and woods and meadows; over walls and rocks, and rafters and house-roofs. But the burnt foot saved Luke's neck scores of times, doubtless. Mark remembered it; he never "stumped" her to any certain hurt, or where he could not lead the way himself.
The mischief they got into and out of is no part of my story; but one day something happened--things do happen as far back in lives as that--which gave Luclarion her clew to the world.
They had got into the best parlor,--that sacred place of the New England farm-house, that is only entered by the high-priests themselves on solemn festivals, weddings and burials, Thanksgivings and quiltings; or devoutly, now and then to set the shrine in order, shut the blinds again, and so depart, leaving it to gather the gloom and grandeur that things and places and people do when they are good for nothing else.
The children had been left alone; for their mother had gone to a sewing society, and Grashy, the girl, was up-stairs in her kitchen-chamber-bedroom, with a nail over the door-latch to keep them out while she "fixed over" her best gown.
"Le's play Lake Ontario," says Marcus.
Now Lake Ontario, however they had pitched upon it, stood with them for all the waters that are upon the face of the earth, and all the confusion and peril of them. To play it, they turned the room into one vast shipwreck, of upset and piled up chairs, stools, boxes, buckets, and what else they could lay hands on; and among and over them they navigated their difficult and hilarious way. By no means were they to touch the floor; that was the Lake,--that were to drown.
It was Columbus sometimes; sometimes it was Captain Cook; to-day, it was no less than Jason sailing after the golden fleece.
Out of odd volumes in the garret, and out of "best books" taken down from the secretary in the "settin'-room," and put into their hands, with charges, of a Sunday, to keep them still, they had got these things, jumbled into strange far-off and near fantasies in their childish minds. "Lake Ontario" included and connected all.
"I'll tell you what it is," said Marcus, tumbling up against the parlor door and an idea at once. "In here!"
"What?" asked Luke, breathless, without looking up, and paddling with the shovel, from an inverted rocking-chair.
"The golden thing! Hush!"
At this moment Grashy came into the kitchen, took a little tin kettle from a nail over the dresser, and her sun-bonnet from another behind the door, and made her way through the apartment as well as she could for bristling chair-legs, with exemplary placidity. She was used to "Lake Ontario."
"Don't get into any mischief, you Apostles," was her injunction. "I'm goin' down to Miss Ruddock's for some 'east."
"Good,"; says Mark, the instant the door was shut "Now this is Colchis, and I'm going in."
He pronounced it much like "cold-cheese," and it never occurred to him that he was naming any unusual or ancient locality. There was a "Jason" in the Mills Village. He kept a grocer's shop. Colchis might be close by for all he knew; out beyond the wall, perhaps, among the old barrels. Children _place_ all they read or hear about, or even all they imagine, within a very limited horizon. They cannot go beyond their world. Why should they? Neither could those very venerable ancients.
"'Tain't," says Luclarion, with unbeguiled practicality. "It's just ma's best parlor, and you mustn't."
It was the "mustn't" that was the whole of it. If Mark had asserted that the back kitchen, or the cellar-way closet was Colchis, she would have indorsed it with enthusiasm, and followed on like a loyal Argonaut, as she was. But her imagination here was prepossessed. Nothing in old fable could be more environed with awe and mystery than this best parlor.
"And, besides," said Luclarion, "I don't care for the golden fleece; I'm tired of it. Let's play something else."
"I'll tell you what there is in here," persisted Mark. "There's two enchanted children. I've seen 'em!"
"Just as though," said Luke contemptuously. "Ma ain't a witch."
"Tain't ma. She don't know. They ain't visible to her. _She_ thinks it's nothing but the best parlor. But it opens out, right into the witch country,--not for her. 'Twill if we go. See if it don't."
He had got hold of her now; Luclarion could not resist that. Anything might be true of that wonderful best room, after all. It was the farthest Euxine, the witch-land, everything, to them.
So Mark turned the latch and they crept in
"We must open a shutter," Mark said, groping his way.
"Grashy will be back," suggested Luke, fearfully.
"Guess so!" said Mark. "She ain't got coaxed to take her sun-bonnet off yet, an' it'll take her ninety-'leven hours to get it on again."
He had let in the light now from the south window.
The red carpet on the floor; the high sofa of figured hair-cloth, with brass-headed nails, and brass rosettes in the ends of the hard, cylinder pillows; the tall, carved cupboard press, its doors and drawers glittering with hanging brass handles; right opposite the door by which they had come in, the large, leaning mirror, gilt--garnished with grooved and beaded rim and an eagle and ball-chains over the top,--all this, opening right in from the familiar every-day kitchen and their Lake Ontario,--it certainly meant something that such a place should be. It meant a great deal more than sixteen feet square could hold, and what it really was did not stop short at the gray-and-crimson stenciled walls.
The two were all alone in it; perhaps they had never been all alone in it before. I think, notwithstanding their mischief and enterprise, they never had.
And deep in the mirror, face to face with them, coming down, it seemed, the red slant of an inner and more brilliant floor, they saw two other little figures. Their own they knew, really, but elsewhere they never saw their own figures entire. There was not another looking-glass in the house that was more than two feet long, and they were all hung up so high!
"There!" whispered Mark. "There they are, and they can't get out."
"Of course they can't," said sensible Luclarion.
"If we only knew the right thing to say, or do, they might," said Mark. "It's that they're waiting for, you see. They always do. It's like the sleeping beauty Grashy told us."
"Then they've got to wait a hundred years," said Luke.
"Who knows when they began?"
"They do everything that we do," said Luclarion, her imagination kindling, but as under protest. "If we could jump in perhaps they would jump out."
"We might jump _at_ 'em," said Marcus. "Jest get 'em going, and may-be they'd jump over. Le's try."
So they set up two chairs from Lake Ontario in the kitchen doorway, to jump from; but they could only jump to the middle round of the carpet, and who could expect that the shadow children should be beguiled by that into a leap over bounds? They only came to the middle round of _their_ carpet.
"We must go nearer; we must set the chairs in the middle, and jump close. Jest _shave_, you know," said Marcus.
"O, I'm afraid," said Luclarion.
"I'll tell you what! Le's _run_ and jump! Clear from the other side of the kitchen, you know. Then they'll have to run too, and may-be they can't stop."
So they picked up chairs and made a path, and ran from across the broad kitchen into the parlor doorway, quite on to the middle round of the carpet, and then with great leaps came down bodily upon the floor close in front of the large glass that, leaned over them, with two little fallen figures in it, rolling aside quickly also, over the slanting red carpet.
But, O dear what did it?
Had the time come, anyhow, for the old string to part its last fibre, that held the mirror tilting from the wall,--or was it the crash of a completed spell?
There came a snap,--a strain,--as some nails or screws that held it otherwise gave way before the forward pressing weight, and down, flat-face upon the floor, between the children, covering them with fragments of splintered glass and gilded wood,--eagle, ball-chains, and all,--that whole magnificence and mystery lay prostrate.
Behind, where it had been, was a blank, brown-stained cobwebbed wall, thrown up harsh and sudden against them, making the room small, and all the enchanted chamber, with its red slanting carpet, and its far reflected corners, gone.
The house hushed up again after that terrible noise, and stood just the same as ever. When a thing like that happens, it tells its own story, just once, and then it is over. _People_ are different. They keep talking.
There was Grashy to come home. She had not got there in time to hear the house tell it. She must learn it from the children. Why?
"Because they knew," Luclarion said. "Because, then, they could not wait and let it be found out."
"We never touched it," said Mark.
"We jumped," said Luke.
"We couldn't help it, if _that_ did it. S'posin' we'd jumped in the kitchen, or--the--flat-irons had tumbled down,--or anything? That old string was all wore out."
"Well, we was here, and we jumped; and we know."
"We was here, of course; and of course we couldn't help knowing, with all that slam-bang. Why, it almost upset Lake Ontario! We can tell how it slammed, and how we thought the house was coming down. I did."
"And how we were in the best parlor, and how we jumped," reiterated Luclarion, slowly. "Marcus, it's a stump!"
They were out in the middle of Lake Ontario now, sitting right down underneath the wrecks, upon the floor; that is, under water, without ever thinking of it. The parlor door was shut, with all that disaster and dismay behind it.
"Go ahead, then!" said Marcus, and he laid himself back desperately on the floor. "There's Grashy!"
"Sakes and patience!" ejaculated Grashy, merrily, coming in. "They're drownded,--dead, both of 'em; down to the bottom of Lake Ontariah!"
"No we ain't," said Luclarion, quietly. "It isn't Lake Ontario now. It's nothing but a clutter. But there's an awful thing in the best parlor, and we don't know whether we did it or not. We were in there, and we jumped."
Grashy went straight to the parlor door, and opened it. She looked in, turned pale, and said "'Lection!"
That is a word the women have, up in the country, for solemn surprise, or exceeding emergency, or dire confusion. I do not know whether it is derived from religion or politics. It denotes a vital crisis, either way, and your hands full. Perhaps it had the theological association in Grashy's mind, for the next thing she said was, "My soul!"
"Do you know what that's a sign of, you children?"
"Sign the old thing was rotten," said Marcus, rather sullenly.
"Wish that was all," said Grashy, her lips white yet. "Hope there mayn't nothin' dreadful happen in this house
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