The Other Girls, Mrs. A. D. T. Whitney [best ereader for comics .TXT] 📗

vernacular every day. It was a wonder she shaded off from it as delicately as she did.

Ray Ingraham, or Rachel,--for that was her name, and her sister's was Dorothy, though these had been shortened into two as charming, pet little appellatives as could have been devised by the most elegant intention,--was a pretty girl, with her long-lashed, quick-glancing dark eyes, her hair, that crimped naturally and fell off in a deep, soft shadow from her temples, her little mouth, neatly dimpled in, and the gypsy glow of her clear, bright skin. Dot was different: she was dark too, not _so_ dark; her eyes were full, brilliant gray, with thick, short lashes; she was round and comfortable: nose, cheeks, chin, neck, waist, hands; her mouth was large, with white teeth that showed easily and broadly, instead of, like Ray's, with just a quiver and a glimmer. She was like her mother. She looked the smart, buxom, common-sense village girl to perfection. Ray had the hint of something higher and more delicate about her, though she had the trigness, and readiness, and every-day-ness too.

Sylvie sat silent after this, and looked at her, wondering, more than she had wondered about the furniture. Thinking, "how many girls there were in the world! All sorts--everywhere! What did they all do, and find to care for?" These were not the "other" girls of whom her mother had blandly said that she could show kindnesses by taking them to drive. Those were such as Aggie Townsend, the navy captain's widow's daughter,--nice, but poor; girls whom everybody noticed, of course, but who hadn't it in their power to notice anybody. That made such a difference! These were _otherer_ yet! And for all that they were girls,--girls! Ever so much of young life, and glow, and companionship, ever so much of dream, and hope, and possible story, is in just that little plural of five letters. A company of girls! Heaven only knows what there is _not_ represented, and suggested, and foreshadowed there!

Sylvie Argenter, with all her nonsense, had a way of putting herself, imaginatively, into other people's places. She used to tell her mother, when she was a little child and said her hymns,--which Mrs. Argenter, not having any very fresh, instant spiritual life, I am afraid, out of which to feed her child, chose for her in dim remembrance of what had been thought good for herself when she was little,--that she "didn't know exactly as she _did_ 'thank the goodness and the grace that on her birth had smiled.'" She "should like pretty well to have been a little--Lapland girl with a sledge; or--a Chinese; or--a kitchen girl; a little while, I mean!"

She had a way of intimacy with the servants which Mrs. Argenter found it hard to check. She liked to get into Jane's room when she was "doing herself up" of an afternoon, and look over her cheap little treasures in her band-box and chest-drawer. She made especial love to a carnelian heart, and a twisted gold ring with two clasped hands on it.

"I think it's real nice to have only _two_ or _three_ things, and to 'clean yourself up,' and to have a 'Sunday out!'" she said.

Mrs. Argenter was anxiously alarmed at the child's low tastes. Yet these were very practicably compatible with the alternations of importance in being driven about in her father's barouche, taking Aggie Townsend up on the road, and "setting her down at the small gray house."

Sylvie thought, this afternoon, looking at Ray Ingraham, in her striped lilac and white calico, with its plaited waist and cross-banded, machine-stitched double skirt, sitting by her shady window, beyond which, behind the garden angle, rose up the red brick wall of the bakehouse, whence came a warm, sweet smell of many new-drawn loaves,--looking around within, at the snug tidiness of the simple room, and even out at the street close by, with its stir and curious interest, yet seen from just as real a shelter as she had in her own chamber at home,--that it might really be nice to be a baker's daughter and live in the village,--"when it wasn't your own fault, and you couldn't help it."

Ray nodded to some one out of her window.

Sylvie saw a bright color come up in her cheeks, and a sparkle into her eyes as she did so, while a little smile, that she seemed to think was all to herself, crept about her mouth and lingered at the dimpled corners. There was an expression as if she hid herself quite away in some consciousness of her own, from any recollection of the strange girl sitting by.

The strange girl glanced from _her_ window, and saw a young carpenter with his box of tools go past under the elm, with some sort of light subsiding also in like manner from his face. He was in his shirt sleeves,--but the sleeves were white,--and his straw hat was pushed back from his forehead, about which brown curls lay damp with heat. Sylvie did not believe he had even touched his hat, when he had looked up through the friendly elm boughs and bowed to the village girl in her shady corner. His hands were full, of course. Such people's hands were almost always full. That was the reason they did not learn such things. But how cute it had been of Ray Ingraham _not_ to sit in the front window! He was certain to come by, too, she supposed. To be sure; that was the street. Ray Ingraham would not have cared to live up a long avenue, to wait for people to come on purpose, in carriages.

She got as far as this in her thinkings, at the same moment that she came to the bottom of her cup of tea. And then she caught a glimpse of Rylocks, rolling the phaeton across from the smithy.

"What a funny time I have had! And how kind you have all been!" she said, getting up. "I am ever so much obliged, Miss Ingraham. I wonder"--and then, suddenly, she thought it might not be quite civil to wonder.

Ray Ingraham laughed.

"So do I!" she said quickly, with a bright look. She knew well enough what Sylvie stopped at.

Each of these two girls wondered if there would ever be any more "getting in behind" for them, as regarded each other, in their two different lives.

As Sylvie Argenter came out at the shop-door, Rodney Sherrett appeared at the same point, safely mounted on the runaway Duke. The team had been stopped below at the river; he had found a stable and a saddle, had left Red Squirrel and the broken vehicle to be sent for, and was going home, much relieved and assured by being able to present himself upon his father's favorite roadster, whole in bones and with ungrazed skin.

The street boys stood round again, as he dismounted to make fresh certainty of Sylvie's welfare, handed her into her phaeton, and then, springing to the saddle, rode away beside her, down the East Dorbury road.

Mrs. Argenter was sitting with her worsted work in the high, many-columned terrace piazza which gave grandeur to the great show-house that Mr. Argenter had built some five years since, when Sylvie, with Rod Sherrett beside her, came driving up the long avenue, or, as Mrs. Argenter liked to call it, out of the English novels, the _approach_. She laid back her canvas and wools into the graceful Fayal basket-stand, and came down the first flight of stone steps to meet them.

"How late you are, Sylvie! I had begun to be quite worried," she said, when Sylvie dropped the reins around the dasher and stood up in the low carriage, nodding at her mother. She felt quite brave and confident about the accident, now that Rodney Sherrett had come all the way with her to the very door, to account for it and to help her out with the story.

Rodney lifted his hat to the lady.

"We've had a great spill, Mrs. Argenter. All my fault, and Red Squirrel's. Miss Argenter has brought home more than I have from the _melee_. I started with a tandem, and here I am with only Gray Duke and a borrowed saddle. It was out at Ingraham's Corner,--a quick turn, you know,--and Miss Argenter had just stopped when Squirrel sprang round upon her. My trap is pretty much into kindlings, but there are no bones broken. You must let me send Rodgers round on his way to town to-morrow, to take the phaeton to the builder's. It wants a new axle. I'm awful sorry; but after all"--with a bright smile,--"I can't think it altogether an ill wind,--for _me_, at any rate. I couldn't help enjoying the ride home."

"I don't believe you could help enjoying the whole of it, except the very minute of the tip-out itself, before you knew," said Sylvie, laughing.

"Well, it _was_ a lark; but the worst is coming. I've got to go home all alone. I wish you'd come and tell the tale for _me_, Miss Sylvie. I shouldn't be half so afraid!"


CHAPTER III.

TWO TRIPS IN THE TRAIN.

The seven o'clock morning train was starting from Dorbury Upper Village.

Early business men, mechanics, clerks, shop-girls, sewing-girls, office-boys,--these made up the list of passengers. Except, perhaps, some travellers now and then, bound for a first express from Boston, or an excursion party to take a harbor steamer for a day's trip to Nantasket or Nahant.

Did you ever contrast one of these trains--when perhaps you were such traveller or excursionist--with the after, leisurely, comfortable one at ten or eleven; when gentlemen who only need to be in the city through banking hours, and ladies bent on calls or elegant shopping, come chatting and rustling to their seats, and hold a little drawing-room exchange in the twenty-five minutes' trip?

If you have,--and if you have a little sympathetic imagination that fills out hints,--you have had a glimpse of some of these "other girls" and the thing that daily living is to them, with which my story means to concern itself.

Have you noticed the hats, with the rose or the feather behind or at top, scrupulously according to the same dictate of style that rules alike for seven and ten o'clock, but which has often to be worn through wet and dry till the rose has been washed by too many a shower, and the feather blown by too many a dusty wind, to stand for anything but a sign that she knows what should be where, if she only had it to put there? Have you seen the cheap alpacas, in two shades, sure to fade in different ways and out of kindred with each other, painfully looped in creasing folds, very much sat upon, but which would not by any means resign themselves to simple smoothed straightness, while silks were hitched and crisp Hernanis puffed?

Yet the alpacas, and all their innumerable cousinhood, have also their first mornings of fresh gloss, when the newness of the counter is still upon them; there is a youth for all things; a first time, a charm that seems as if it might last, though we know it neither will nor was meant to; if it would, or were, the counters might be taken down. And people who wear gowns that are creased and faded, have each, one at a time, their days of glory, when they begin again. The farther apart they come, perhaps the more of the spring-time there is in them.

Marion Kent bloomed out this clear, sweet, clean summer morning in a span new tea-colored zephyrine polonaise with three little