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and when he disappeared Anne was almost thankful. It was different with the young wife, however. She drooped and fretted, and on the birth of her baby boy, she had died. Anne took the child, and named him Lucien.

Anne had had no children of her own, and on Lucien she had lavished all her aborted maternal instinct. On one thing she was determined, however: that was that Aubrey Wallace should educate his boy. It was a part of her devotion to the child that she should be ambitious for him: he must have every opportunity. And so she came east. She drifted around, doing plain sewing and keeping a home somewhere always for the boy. Finally, however, she realized that her only training had been domestic, and she put the boy in an Episcopalian home, and secured the position of housekeeper to the Armstrongs. There she found Lucien’s father, this time under his own name. It was Arnold Armstrong.

I gathered that there was no particular enmity at that time in Anne’s mind. She told him of the boy, and threatened exposure if he did not provide for him. Indeed, for a time, he did so. Then he realized that Lucien was the ruling passion in this lonely woman’s life. He found out where the child was hidden, and threatened to take him away. Anne was frantic. The positions became reversed. Where Arnold had given money for Lucien’s support, as the years went on he forced money from Anne Watson instead until she was always penniless. The lower Arnold sank in the scale, the heavier his demands became. With the rupture between him and his family, things were worse. Anne took the child from the home and hid him in a farmhouse near Casanova, on the Claysburg road. There she went sometimes to see the boy, and there he had taken fever. The people were Germans, and he called the farmer’s wife Grossmutter. He had grown into a beautiful boy, and he was all Anne had to live for.

The Armstrongs left for California, and Arnold’s persecutions began anew. He was furious over the child’s disappearance and she was afraid he would do her some hurt. She left the big house and went down to the lodge. When I had rented Sunnyside, however, she had thought the persecutions would stop. She had applied for the position of housekeeper, and secured it.

That had been on Saturday. That night Louise arrived unexpectedly. Thomas sent for Mrs. Watson and then went for Arnold Armstrong at the Greenwood Club. Anne had been fond of Louise—she reminded her of Lucy. She did not know what the trouble was, but Louise had been in a state of terrible excitement. Mrs. Watson tried to hide from Arnold, but he was ugly. He left the lodge and went up to the house about two-thirty, was admitted at the east entrance and came out again very soon. Something had occurred, she didn’t know what; but very soon Mr. Innes and another gentleman left, using the car.

Thomas and she had got Louise quiet, and a little before three, Mrs. Watson started up to the house. Thomas had a key to the east entry, and gave it to her.

On the way across the lawn she was confronted by Arnold, who for some reason was determined to get into the house. He had a golf-stick in his hand, that he had picked up somewhere, and on her refusal he had struck her with it. One hand had been badly cut, and it was that, poisoning having set in, which was killing her. She broke away in a frenzy of rage and fear, and got into the house while Gertrude and Jack Bailey were at the front door. She went up-stairs, hardly knowing what she was doing. Gertrude’s door was open, and Halsey’s revolver lay there on the bed. She picked it up and turning, ran part way down the circular staircase. She could hear Arnold fumbling at the lock outside. She slipped down quietly and opened the door: he was inside before she had got back to the stairs. It was quite dark, but she could see his white shirt-bosom. From the fourth step she fired. As he fell, somebody in the billiard-room screamed and ran. When the alarm was raised, she had had no time to get up-stairs: she hid in the west wing until every one was down on the lower floor. Then she slipped upstairs, and threw the revolver out of an upper window, going down again in time to admit the men from the Greenwood Club.

If Thomas had suspected, he had never told. When she found the hand Arnold had injured was growing worse, she gave the address of Lucien at Richfield to the old man, and almost a hundred dollars. The money was for Lucien’s board until she recovered. She had sent for me to ask me if I would try to interest the Armstrongs in the child. When she found herself growing worse, she had written to Mrs. Armstrong, telling her nothing but that Arnold’s legitimate child was at Richfield, and imploring her to recognize him. She was dying: the boy was an Armstrong, and entitled to his father’s share of the estate. The papers were in her trunk at Sunnyside, with letters from the dead man that would prove what she said. She was going; she would not be judged by earthly laws; and somewhere else perhaps Lucy would plead for her. It was she who had crept down the circular staircase, drawn by a magnet, that night Mr. Jamieson had heard some one there. Pursued, she had fled madly, anywhere—through the first door she came to. She had fallen down the clothes chute, and been saved by the basket beneath. I could have cried with relief; then it had not been Gertrude, after all!

That was the story. Sad and tragic though it was, the very telling of it seemed to relieve the dying woman. She did not know that Thomas was dead, and I did not tell her. I promised to look after little Lucien, and sat with her until the intervals of consciousness grew shorter and finally ceased altogether. She died that night.

CHAPTER XXXIII.
AT THE FOOT OF THE STAIRS

As I drove rapidly up to the house from Casanova Station in the hack, I saw the detective Burns loitering across the street from the Walker place. So Jamieson was putting the screws on—lightly now, but ready to give them a twist or two, I felt certain, very soon.

The house was quiet. Two steps of the circular staircase had been pried off, without result, and beyond a second message from Gertrude, that Halsey insisted on coming home and they would arrive that night, there was nothing new. Mr. Jamieson, having failed to locate the secret room, had gone to the village. I learned afterwards that he called at Doctor Walker’s, under pretense of an attack of acute indigestion, and before he left, had inquired about the evening trains to the city. He said he had wasted a lot of time on the case, and a good bit of the mystery was in my imagination! The doctor was under the impression that the house was guarded day and night. Well, give a place a reputation like that, and you don’t need a guard at all,—thus Jamieson. And sure enough, late in the afternoon, the two private detectives, accompanied by Mr. Jamieson, walked down the main street of Casanova and took a city-bound train.

That they got off at the next station and walked back again to Sunnyside at dusk, was not known at the time. Personally, I knew nothing of either move; I had other things to absorb me at that time.

Liddy brought me some tea while I rested after my trip, and on the tray was a small book from the Casanova library. It was called The Unseen World and had a cheerful cover on which a half-dozen sheeted figures linked hands around a headstone.

At this point in my story, Halsey always says: “Trust a woman to add two and two together, and make six.” To which I retort that if two and two plus X make six, then to discover the unknown quantity is the simplest thing in the world. That a houseful of detectives missed it entirely was because they were busy trying to prove that two and two make four.

The depression due to my visit to the hospital left me at the prospect of seeing Halsey again that night. It was about five o’clock when Liddy left me for a nap before dinner, having put me into a gray silk dressing-gown and a pair of slippers. I listened to her retreating footsteps, and as soon as she was safely below stairs, I went up to the trunk-room. The place had not been disturbed, and I proceeded at once to try to discover the entrance to the hidden room. The openings on either side, as I have said, showed nothing but perhaps three feet of brick wall.

There was no sign of an entrance—no levers, no hinges, to give a hint. Either the mantel or the roof, I decided, and after a half-hour at the mantel, productive of absolutely no result, I decided to try the roof.

I am not fond of a height. The few occasions on which I have climbed a step-ladder have always left me dizzy and weak in the knees. The top of the Washington monument is as impossible to me as the elevation of the presidential chair. And yet—I climbed out on to the Sunnyside roof without a second’s hesitation. Like a dog on a scent, like my bearskin progenitor, with his spear and his wild boar, to me now there was the lust of the chase, the frenzy of pursuit, the dust of battle. I got quite a little of the latter on me as I climbed from the unfinished ball-room out through a window to the roof of the east wing of the building, which was only two stories in height.

Once out there, access to the top of the main building was rendered easy—at least it looked easy—by a small vertical iron ladder, fastened to the wall outside of the ball-room, and perhaps twelve feet high. The twelve feet looked short from below, but they were difficult to climb. I gathered my silk gown around me, and succeeded finally in making the top of the ladder.

Once there, however, I was completely out of breath. I sat down, my feet on the top rung, and put my hair pins in more securely, while the wind bellowed my dressing-gown out like a sail. I had torn a great strip of the silk loose, and now I ruthlessly finished the destruction of my gown by jerking it free and tying it around my head.

From far below the smallest sounds came up with peculiar distinctness. I could hear the paper boy whistling down the drive, and I heard something else. I heard the thud of a stone, and a spit, followed by a long and startled meiou from Beulah. I forgot my fear of a height, and advanced boldly almost to the edge of the roof.

It was half-past six by that time, and growing dusk.

“You boy, down there!” I called.

The paper boy turned and looked around. Then, seeing nobody, he raised his eyes. It was a moment before he located me: when he did, he stood for one moment as if paralyzed, then he gave a horrible yell, and dropping his papers, bolted across the lawn to the road without stopping to look around. Once he fell, and his impetus was so great that he turned an involuntary somersault. He was up and off again without any perceptible pause, and he leaped the hedge—which I am sure under ordinary stress would have been a feat for a man.

I am glad in this way to settle the Gray Lady story, which is still a choice morsel in Casanova. I believe the moral deduced by the village was that it is always unlucky to throw a stone at a black cat.

With Johnny Sweeny a cloud of dust down the road, and the dinner-hour approaching, I hurried on with my investigations. Luckily, the roof was flat, and I was able to go over every inch of it. But the result was disappointing; no trap-door revealed itself, no glass window; nothing but a couple of pipes two inches across, and standing perhaps eighteen inches high and three feet apart, with a cap to prevent rain from entering and raised to permit the passage of air. I picked up a pebble from the roof and dropped it down, listening with my ear at one of the pipes. I could hear it strike on something with a sharp, metallic

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