Mr. Prohack, Arnold Bennett [books to read in your 20s .TXT] 📗

porch of the theatre he exhibited a controlled but intense impatience because Charlie did not produce the car instantly from amidst the confused hordes of cars that waited in the surrounding streets. Moreover, as regards the ball, he had foolishly put himself in a false position; for he was compelled to pretend that he had purchased the tickets because he personally wanted to go to the ball. Had he not been learning to dance? Now the fact was that he looked forward to the ball with terror. He had never performed publicly. He proceeded from one pretence to another. When Charlie stated curtly that he, Charlie, was going to no ball, he feigned disappointment, saying that Charlie ought to go for his sister's sake. Yet he was greatly relieved at Charlie's departure (even in Lady Massulam's car); he could not stomach the notion of Charlie cynically watching his infant steps on the polished, treacherous floor. In the matter of Charlie, Oswald Morfey also feigned disappointment, but for a different reason. Ozzie wanted to have Sissie as much as possible to himself.

Mr. Prohack yawned in the car.

"You're over-tired, Arthur. It's the Turkish bath," said Eve with commiseration. This was a bad enough mistake on her part, but she worsened it by adding: "Perhaps the wisest thing would be for us all to go home."

Mr. Prohack was extremely exhausted, and would have given his head to go home; but so odd, so contrary, so deceitful and so silly was his nature that he replied:

"Darling! Where on earth do you get these ideas from? There's nothing like a Turkish bath for stimulating you, and I'm not at all tired. I never felt better in my life. But the atmosphere of that theatre would make anybody yawn."

The ball was held in a picture-gallery where an exhibition of the International Portrait Society was in progress. The crush of cars at the portals was as keen as that at the portals of the Metropolitan. And all the persons who got out of the cars seemed as fresh as if they had just got out of bed. Mr. Prohack was astonished at the vast number of people who didn't care what time they went to bed because they didn't care what time they arose; he was in danger of being morbidly obsessed by the extraordinary prevalence of idleness. The rooms were full of brilliant idlers in all colours. Everybody except chorus girls had thought fit to appear at this ball in aid of the admirably charitable Chorus Girls' Aid Association. And as everybody was also on the walls, the dancers had to compete with their portraits--a competition in which many of them were well beaten.

After they had visited the supper-room, where both Sissie and her mother did wonderful feats of degustation and Mr. Prohack drank all that was good for him, Sissie ordered her father to dance with her. He refused. She went off with Ozzie, while her parents sat side by side on gold chairs like ancestors. Sissie repeated her command, and Mr. Prohack was about to disobey when Eliza Fiddle dawned upon the assemblage.

The supernatural creature had been rehearsing until 3 a.m., she had been trying on clothes from 9 a.m. until 5 p.m. She had borne the chief weight of _Smack Your Face_, on her unique shoulders for nearly three hours and a half. She had changed into an unforgettable black ball-dress, cut to demonstrate in the clearest fashion that her shoulders had suffered no harm; and here she was as fresh as Aphrodite from the foam. She immediately set herself to bear the chief weight of the ball on those same defenceless shoulders; for she was, in theory at any rate, the leading organiser of the affair, and according to the entire press it was "her" ball. As soon as he saw her Mr. Prohack had a most ridiculous fear lest she should pick him out for a dance, and to protect himself he said "All right" to his daughter.

A fox-trot announced itself. In his own drawing-room, with the door locked, Mr. Prohack could and did treat a fox-trot as child's play. But now he realised that he had utterly forgotten every movement of the infernal thing. Agony as he stood up and took his daughter's hand! An awful conviction that everybody (who was anybody) was staring to witness the Terror of the departments trying to jazz in public for the first time. A sick, sinking fear lest some of his old colleagues from the Treasury might be lurking in corners to guy him! Agony as he collected himself and swayed his body slightly to catch the rhythm of the tune! Where in heaven's name was the first beat in the bar?

"Walk first," said Sissie professionally.... He was in motion.

"Now!" said Sissie. "_One_, two. _One_, two." Miraculously he was dancing! It was as though the whole room was shouting: "They're off!" Sissie steered him.

"Don't look at your feet!" said she sharply, and like a schoolboy he chucked his chin obediently up.... Then he was steering her. Although her feet were the reverse of enormous he somehow could not keep off them; but that girl was made of hardy stuff and never winced. He was doing better. Pride was puffing him. Yet he desired the music to stop. The music did stop.

"Thanks," he breathed.

"Oh, no!" said she. "That's not all." The dancers clapped and the orchestra resumed. He started again. Couples surged around him, and sometimes he avoided them and sometimes he did not. Then he saw a head bobbing not far away, as if it were one cork and he another on a choppy sea. It resembled Eve's head. It was Eve's head. She was dancing with Oswald Morfey. He had never supposed that Eve could dance these new dances.

"Let's stop," said he.

"Certainly not," Sissie forbade. "We must finish it." He finished it, rather breathless and dizzy. He had lived through it.

"You're perfectly wonderful, Arthur," said Eve when they met.

"Oh no! I'm no good."

"I was frightfully nervous about you at first," said Sissie.

He said briefly:

"You needn't have been. I wasn't."

A little later Eve said to him:

"Aren't you going to ask _me_ to dance, Arthur?"

Dancing with Eve was not quite like dancing with Sissie, but they safely survived deadly perils. And Mr. Prohack perspired in a very healthy fashion.

"You dance really beautifully, dear," said Eve, benevolently smiling.

After that he cut himself free and roamed about. He wanted to ask Eliza Fiddle to dance, and also he didn't want to ask her to dance. However, he had apparently ceased to exist for her. Ozzie had introduced him to several radiant young creatures. He wanted to ask them to dance; but he dared not. And he was furious with himself. To dance with one's daughter and wife was well enough in its way, but it was not the real thing. It was without salt. One or two of the radiances glanced at him with inviting eyes, but no, he dared not face it. He grew gloomy, gloomier. He thought angrily: "All this is not for me. I'm a middle-aged fool, and I've known it all along." Life lost its savour and became repugnant. Fatigue punished him, and simultaneously reduced two hundred and fifty thousand pounds to the value of about fourpence. It was Eve who got him away.

"Home," he called to Carthew, after Eve and Sissie had said good-bye to Ozzie and stowed themselves into the car.

"Excuse me," said Sissie. "You have to deliver me at the Grand Babylon first."

He had forgotten! This detour was the acutest torture of the night. He could no longer bear not to be in bed. And when, after endless nocturnal miles, he did finally get home and into bed, he sighed as one taken off the rack. Ah! The delicious contact with the pillow!


VI


But there are certain persons who, although their minds are logical enough, have illogical bodies. Mr. Prohack was one of these. His ridiculous physical organism (as he had once informed Dr. Veiga) was least capable of going to sleep when it was most fatigued. If Mr. Prohack's body had retired to bed four hours earlier than in fact it did, Mr. Prohack would have slept instantly and with ease. Now, despite delicious contact with the pillow, he could not 'get off.' And his mind, influenced by his body, grew restless, then excited, then distressingly realistic. His mind began to ask fundamental questions, questions not a bit original but none the less very awkward.

"You've had your first idle day, Mr. Prohack," said his mind challengingly instead of composing itself to slumber. "It was organised on scientific lines. It was carried out with conscientiousness. And look at you! And look at me! You've had a few good moments, as for example at the Turkish bath, but do you want a succession of such days? Could you survive a succession of such days? Would you even care to acquire a hundred and fifty thousand pounds every day? You have eaten too much and drunk too much, and run too hard after pleasure, and been too much bored, and met too many antipathetic people, and squandered too much money, and set a thoroughly bad example to your family. You have been happy only in spasms. Your health is good; you are cured of your malady. Does that render you any more contented? It does not. You have complicated your existence in the hope of improving it. But have you improved it? No. You ought to simplify your existence. But will you? You will not. All your strength of purpose will be needed to prevent still further complications being woven into your existence. To inherit a hundred thousand pounds was your misfortune. But deliberately to increase the sum to a quarter of a million was your fault. You were happier at the Treasury. You left the Treasury on account of illness. You are not ill any more. Will you go back to the Treasury? No. You will never go back, because your powerful commonsense tells you that to return to the Treasury with an income of twenty thousand a year would be grotesque. And rather than be grotesque you would suffer. Again, rightly. Nothing is worse than to be grotesque."

"Further," said his mind, "you have started your son on a sinister career of adventure that may end in calamity. You have ministered to your daughter's latent frivolity. You have put temptations in the way of your wife which she cannot withstand. You have developed yourself into a waster. What is the remedy? Obviously to dispose of your money. But your ladies would not permit you to do so and they are entitled to be heard on the point. Moreover, how could you dispose of it? Not in charity, because you are convinced of the grave social mischievousness of charity. And not in helping any great social movement, because you are not silly enough not to know that the lavishing of wealth never really aids, but most viciously hinders, the proper evolution of a society. And you cannot save your income and let it accumulate, because if you did you would once again be tumbling into the grotesque; and you would, further, be leaving to your successors a legacy of evil which no man is justified in leaving to his successors. No! Your case is in practice irremediable. Like the murderer on the scaffold, you are the victim of circumstances. And not one human being in a million will pity you. You are a living tragedy which only death can end."

During this disconcerting session Eve