War and Peace, graf Leo Tolstoy [classic novels .TXT] 📗

“Catch hold of my arm or you’ll drop him!” he heard one of the servants say in a frightened whisper. “Catch hold from underneath. Here!” exclaimed different voices; and the heavy breathing of the bearers and the shuffling of their feet grew more hurried, as if the weight they were carrying were too much for them.

As the bearers, among whom was Anna Mikháylovna, passed the young man he caught a momentary glimpse between their heads and backs of the dying man’s high, stout, uncovered chest and powerful shoulders, raised by those who were holding him under the armpits, and of his gray, curly, leonine head. This head, with its remarkably broad brow and cheekbones, its handsome, sensual mouth, and its cold, majestic expression, was not disfigured by the approach of death. It was the same as Pierre remembered it three months before, when the count had sent him to Petersburg. But now this head was swaying helplessly with the uneven movements of the bearers, and the cold listless gaze fixed itself upon nothing.

After a few minutes’ bustle beside the high bedstead, those who had carried the sick man dispersed. Anna Mikháylovna touched Pierre’s hand and said, “Come.” Pierre went with her to the bed on which the sick man had been laid in a stately pose in keeping with the ceremony just completed. He lay with his head propped high on the pillows. His hands were symmetrically placed on the green silk quilt, the palms downward. When Pierre came up the count was gazing straight at him, but with a look the significance of which could not be understood by mortal man. Either this look meant nothing but that as long as one has eyes they must look somewhere, or it meant too much. Pierre hesitated, not knowing what to do, and glanced inquiringly at his guide. Anna Mikháylovna made a hurried sign with her eyes, glancing at the sick man’s hand and moving her lips as if to send it a kiss. Pierre, carefully stretching his neck so as not to touch the quilt, followed her suggestion and pressed his lips to the large boned, fleshy hand. Neither the hand nor a single muscle of the count’s face stirred. Once more Pierre looked questioningly at Anna Mikháylovna to see what he was to do next. Anna Mikháylovna with her eyes indicated a chair that stood beside the bed. Pierre obediently sat down, his eyes asking if he were doing right. Anna Mikháylovna nodded approvingly. Again Pierre fell into the naïvely symmetrical pose of an Egyptian statue, evidently distressed that his stout and clumsy body took up so much room and doing his utmost to look as small as possible. He looked at the count, who still gazed at the spot where Pierre’s face had been before he sat down. Anna Mikháylovna indicated by her attitude her consciousness of the pathetic importance of these last moments of meeting between the father and son. This lasted about two minutes, which to Pierre seemed an hour. Suddenly the broad muscles and lines of the count’s face began to twitch. The twitching increased, the handsome mouth was drawn to one side (only now did Pierre realize how near death his father was), and from that distorted mouth issued an indistinct, hoarse sound. Anna Mikháylovna looked attentively at the sick man’s eyes, trying to guess what he wanted; she pointed first to Pierre, then to some drink, then named Prince Vasíli in an inquiring whisper, then pointed to the quilt. The eyes and face of the sick man showed impatience. He made an effort to look at the servant who stood constantly at the head of the bed.

“Wants to turn on the other side,” whispered the servant, and got up to turn the count’s heavy body toward the wall.

Pierre rose to help him.

While the count was being turned over, one of his arms fell back helplessly and he made a fruitless effort to pull it forward. Whether he noticed the look of terror with which Pierre regarded that lifeless arm, or whether some other thought flitted across his dying brain, at any rate he glanced at the refractory arm, at Pierre’s terror-stricken face, and again at the arm, and on his face a feeble, piteous smile appeared, quite out of keeping with his features, that seemed to deride his own helplessness. At sight of this smile Pierre felt an unexpected quivering in his breast and a tickling in his nose, and tears dimmed his eyes. The sick man was turned on to his side with his face to the wall. He sighed.

“He is dozing,” said Anna Mikháylovna, observing that one of the princesses was coming to take her turn at watching. “Let us go.”

Pierre went out.