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shock of the occurrence and to prepare for that interview with the Chief Inspector which he was satisfied would now lead to an even more exacting one with the District Attorney.

He was met by a messenger from downtown who handed him a letter. He opened it abstractedly and read the following:

"Mrs. Taylor is talking."

He had forgotten Mrs. Taylor. To have her thus brought forcibly back to mind was a shock heightened, rather than diminished, by a perusal of the few connected words which the careful nurse had transcribed as falling from her delirious patient's lips.

They were these:

I love but thee,
And thee will I love to eternity.

The exact lines, no more, no less, which Sweetwater had found written on the back of the Swiss clock cherished by Mr. Roberts.

XXVIII "ROMANTIC! TOO ROMANTIC!"

Next morning Mr. Gryce left his home an hour earlier than usual. He wished to have a talk with Mrs. Taylor's nurse before encountering the Inspector.

It was an inconvenient time for a nurse to leave the sick-bed; but the matter being so important, she was prevailed upon to give him a few moments, in the little reception room where he had seated himself. The result was meagre—that is, from her standpoint. All she had to add to what she had written him the day before was the fact that the two lines of verse quoted in the note she had sent him were Mrs. Taylor's first coherent utterance, and that they had been spoken not only once but many times, in every kind of tone, and with ever-varying emphasis. That and a dreamy request for "The papers! the papers!" which had followed some action of her own this very morning comprised all she had to give in fulfillment of the promise she had made him at the beginning of this illness.

Mr. Gryce believed her and rose reluctantly to his feet.

"Then she is still very ill?"

"Very ill, but mending daily; or so the doctor says."

"If she talks again, as she is liable to do at any moment, do not check her, but remember every word. The importance of this I cannot impress upon you too fully. But do not by any show of curiosity endanger her recovery. She seems to be one of the very best sort; I would not have her body or mind sacrificed on any account."

"You may trust me, sir."

He nodded, giving her his hand.

But as he was turning away, he looked back with the quiet remark: "I should like to ask a final question. You have been in constant attendance on this lady for some time and must have seen many of her friends, as well as taken charge of her mail and of any messages which may have been left for her. Has there been anything in this experience to settle the doubt as to whether her talk of a vision in which she saw her absent husband stricken simultaneously with the poor child lying at that very moment dead at her feet simply delirium or a striking instance of telepathy recording an accomplished fact? In other words, do you believe her husband to be living or not living at the present time?"

"That is a subject upon which I have not been able to form any opinion. I have heard nothing, seen nothing to influence my mind either way. Some other people have asked me this same question. If her mail contains any news, it is still in the hands of the proprietor of the hotel. He has refrained from sending it up. She has lived here, as you know, for a long while."

"Has she no relative to share your watch or take such things in charge?"

"I have seen none. Friends she has in plenty, but no one who claims relationship with her, or who raises the least objection to anything I do."

He seemed about to ask another question, but refrained and allowed her to depart after some final injunction as to what she should do in case of certain emergencies. Then he had a talk with the proprietor, which added little or nothing to his present knowledge; and these duties off his mind, he went downtown.

As he expected, he found the Chief Inspector awaiting him. The death of Madame Duclos had added still another serious complication to the many with which this difficult affair was already encumbered, and he was anxious to talk over the matter with one who had been on the spot and upon whose impressions he consequently could rely.

But when he heard all that Mr. Gryce had to say on the subject, he grew as serious as the detective himself could wish, even going so far as to propose an immediate ride over to the District Attorney's office.

Fortunately, they found that gentleman in and ready to listen, though it was evident he expected little from the conference. But his temper changed as Mr. Gryce opened up his theory and began to substantiate it with facts. The looks which he exchanged with the Chief Inspector grew more and more earnest and inquiring, and when Mr. Gryce reached that portion of his report which connected Mr. Roberts so indisputably with the arrow, he called in his assistant and together they listened to what Mr. Gryce had further to say.

With this addition to his audience, the old man's manner changed and became a trifle more formal. He related the fact, not generally known, of Mr. Roberts' engagement to a young girl residing on Long Island, and how this was broken off immediately after the occurrence at the museum, seemingly from no other reason than the unhappy condition of mind in which he found himself, a condition added to if not explained by the pertinacity with which he had haunted the morgue and dwelt upon the image of the young girl who had perished under no random shot.

Here the old man paused, shrinking as much from what he had yet to say as they from the hearing of it. It was not till the Chief Inspector had made him an encouraging gesture that he found the requisite courage to proceed. He did so, in these words:

"I know that the evidence I have thus far advanced is of a purely circumstantial nature, capable, perhaps, of a more or less satisfactory explanation. But what I have to add cannot be so easily disposed of. Connections have developed between persons we thought strangers which have opened up a field of inquiry which brings the doubts and surmises of an old detective within the scope of this office. I do not know what to make of them; perhaps their full meaning can only be found out here. Of this only I am assured. The gentleman whom it seems presumptuous on my part to connect even in a casual way with crime has not gained but lost by what I have to tell of Madame Duclos' suicidal death. To those who see no association between the two, it looks like the opening of a new lead, but when I tell you that they knew each other, or at all events that she knew him and in the way of actual hatred, it looks more like a deepening of the old one. See here, gentlemen."

Opening a package he had hitherto held in hand, he showed them Fredericks' fifteen-year-old photograph of Mr. Roberts, together with its mutilated counterpart, and explained how the latter came to be in its present mutilated condition.

"But this is not all," he continued, as the remarks incident upon this proof of deadly hatred on the part of the mother of the victim for the man whom circumstances seemed to point out as her slayer subsided under the pressure of their interest in what he had further to impart. "As you will see after a moment's consideration, this token of animosity does not explain Madame Duclos' flight, and certainly not her death, which, as the unhappy witness of it, I am ready to declare was not the death of one driven to extremity from personal fear, but by some exalted feeling which we have yet to understand. All that I now wish to point out in its connection is the proof offered by this shattered photograph, that Mr. Roberts was in some manner and from some cause a party to this crime from which a superficial observation would completely dissociate him.

"Where is the connecting link? How can we hope to establish it? That is what it has now become my unfortunate duty to make plain to you. Carleton Roberts drawing a bow to shoot an innocent schoolgirl is incredible. In spite of all I have said and shown you, I do not believe him guilty of so inhuman an act. He drew the bow, he shot the arrow, but——Here allow me to pause a moment to present another aspect of the case as surprising as any you have yet heard. You are aware—we all are aware—that the inquest we await has been held back for the purpose of giving Mrs. Taylor an opportunity to recover from the illness into which she has been thrown by what she saw and suffered that day. Gentlemen, this Mrs. Taylor whom we all—I will not even exclude myself from this category—regarded not only as a casual visitor to the museum, but a stranger to all concerned, is, on the contrary, as I think you will soon see, more closely allied to the seemingly dispassionate director than even Madame Duclos. The shock which laid her low was not that usually ascribed to her, or even the one she so fantastically offered to our acceptance; but the recognition of Carleton Roberts as the author of this tragedy,—Carleton Roberts whom she not only knew well but had loved in days gone by, as sincerely as he had loved her. This I now propose to prove to you by what I cannot but regard as incontestable evidence."

Taking from a small portfolio which he carried another photograph, unmounted this time and evidently the work of an amateur, he laid it out before them. The silence with which his last statement had been received, the kind of silence which covers emotions too deep for audible expression, remained unbroken save for an involuntary murmur or so, as the District Attorney and his assistant bent over this crude presentation of something—they hardly knew what—which this old but long trusted detective was offering them in substantiation of the well-nigh unbelievable statement he had just made.

"This, gentlemen," he went on, as he pointed to the following, "is the copy of a label pasted on the back of a certain Swiss clock to be seen at this very moment on the wall of Mr. Roberts' own bedroom in his home in Belport, Long Island. He prizes this clock. He has been heard to say that it goes where he goes and stays where he stays, and as it is far from a valuable one either from intrinsic worth or from any accuracy it displays in keeping time, the reason for this partiality must lie in old associations and the memories they invoke. A love token. Can you not see that it is such from the couplet scrawled across it? If not, just take a look at the initials appended to that couplet. May I ask you to read them?"

The District Attorney stooped, adjusted his glasses and slowly read out:

"C. C. R."

"Carleton Clifton Roberts," explained Mr. Gryce. Then slowly, "The other two if you will be so good."

"E. T."

"Ermentrude Taylor," declared the inexorable voice. "And written by herself. Here is her signature which I have obtained; and here is his. Compare them at your leisure with their initials inscribed according to the date there, sixteen years or more ago. Now where were these two—this man and this woman—at the time just designated? Alone, or together? Let us see if we can find out," pursued the detective with a quiet ignoring of the effect he had produced, which revealed him as the master of a situation probably as difficult and disconcerting as the three officials hanging in manifest anxiety upon his words had ever been called upon to face. "Mr. Roberts was in Switzerland, as his housekeeper will be obliged to admit on oath, she being an honest woman and a domestic in his mother's house at the time. And Ermentrude Taylor! I have a witness to prove where she was also! A witness I should be glad to have you interrogate. Here is her name and address." And he slipped a small scrap of paper into the District Attorney's hand. "What she will say is this, for I think I have very thoroughly sounded her: First, that she is Mrs. Taylor's most intimate friend. This is conceded by all who know her. Secondly, that while her intimacy does not extend back

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