The Little Lady of the Big House, Jack London [best non fiction books to read .TXT] 📗
- Author: Jack London
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mighty interesting correspondence that he's forgotten about.... Yes, yes; it will clinch it in any court of law. I'll have the file in your office by five this afternoon. And tell him, for me, that if he tries to put through this trick, I'll break him. I'll put a competing line on, and his steamboats will be in the receiver's hands inside a year.... And... hello, are you there?... And just look up that point I suggested. I am rather convinced you'll find the Interstate Commerce has got him on two counts...."
Nor did Graham, nor even Paula, imagine that Dick--the keen one, the deep one, who could see and sense things yet to occur and out of intangible nuances and glimmerings build shrewd speculations and hypotheses that subsequent events often proved correct--was already sensing what had not happened but what might happen. He had not heard Paula's brief significant words at the hitching post; nor had he seen Graham catch her in that deep scrutiny of him under the arcade. Dick had heard nothing, seen little, but sensed much; and, even in advance of Paula, had he apprehended in vague ways what she afterward had come to apprehend.
The most tangible thing he had to build on was the night, immersed in bridge, when he had not been unaware of the abrupt leaving of the piano after the singing of the "Gypsy Trail"; nor when, in careless smiling greeting of them when they came down the room to devil him over his losing, had he failed to receive a hint or feeling of something unusual in Paula's roguish teasing face. On the moment, laughing retorts, giving as good as she sent, Dick's own laughing eyes had swept over Graham beside her and likewise detected the unusual. The man was overstrung, had been Dick's mental note at the time. But why should he be overstrung? Was there any connection between his overstrungness and the sudden desertion by Paula of the piano? And all the while these questions were slipping through his thoughts, he had laughed at their sallies, dealt, sorted his hand, and won the bid on no trumps.
Yet to himself he had continued to discount as absurd and preposterous the possibility of his vague apprehension ever being realized. It was a chance guess, a silly speculation, based upon the most trivial data, he sagely concluded. It merely connoted the attractiveness of his wife and of his friend. But--and on occasional moments he could not will the thought from coming uppermost in his mind--why had they broken off from singing that evening? Why had he received the feeling that there was something unusual about it? Why had Graham been overstrung?
* * * * *
Nor did Bonbright, one morning, taking dictation of a telegram in the last hour before noon, know that Dick's casual sauntering to the window, still dictating, had been caused by the faint sound of hoofs on the driveway. It was not the first of recent mornings that Dick had so sauntered to the window, to glance out with apparent absentness at the rush of the morning riding party in the last dash home to the hitching rails. But he knew, on this morning, before the first figures came in sight whose those figures would be.
"Braxton is safe," he went on with the dictation without change of tone, his eyes on the road where the riders must first come into view. "If things break he can get out across the mountains into Arizona. See Connors immediately. Braxton left Connors complete instructions. Connors to-morrow in Washington. Give me fullest details any move-- signed."
Up the driveway the Fawn and Altadena clattered neck and neck. Dick had not been disappointed in the figures he expected to see. From the rear, cries and laughter and the sound of many hoofs tokened that the rest of the party was close behind.
"And the next one, Mr. Bonbright, please put in the Harvest code," Dick went on steadily, while to himself he was commenting that Graham was a passable rider but not an excellent one, and that it would have to be seen to that he was given a heavier horse than Altadena. "It is to Jeremy Braxton. Send it both ways. There is a chance one or the other may get through..."
CHAPTER XX
Once again the tide of guests ebbed from the Big House, and more than one lunch and dinner found only the two men and Paula at the table. On such evenings, while Graham and Dick yarned for their hour before bed, Paula no longer played soft things to herself at the piano, but sat with them doing fine embroidery and listening to the talk.
Both men had much in common, had lived life in somewhat similar ways, and regarded life from the same angles. Their philosophy was harsh rather than sentimental, and both were realists. Paula made a practice of calling them the pair of "Brass Tacks."
"Oh, yes," she laughed to them, "I understand your attitude. You are successes, the pair of you--physical successes, I mean. You have health. You are resistant. You can stand things. You have survived where men less resistant have gone down. You pull through African fevers and bury the other fellows. This poor chap gets pneumonia in Cripple Creek and cashes in before you can get him to sea level. Now why didn't you get pneumonia? Because you were more deserving? Because you had lived more virtuously? Because you were more careful of risks and took more precautions?"
She shook her head.
"No. Because you were luckier--I mean by birth, by possession of constitution and stamina. Why, Dick buried his three mates and two engineers at Guayaquil. Yellow fever. Why didn't the yellow fever germ, or whatever it is, kill Dick? And the same with you, Mr. Broad- shouldered Deep-chested Graham. In this last trip of yours, why didn't you die in the swamps instead of your photographer? Come. Confess. How heavy was he? How broad were his shoulders? How deep his chest?--wide his nostrils?--tough his resistance?"
"He weighed a hundred and thirty-five," Graham admitted ruefully. "But he looked all right and fit at the start. I think I was more surprised than he when he turned up his toes." Graham shook his head. "It wasn't because he was a light weight and small. The small men are usually the toughest, other things being equal. But you've put your finger on the reason just the same. He didn't have the physical stamina, the resistance,--You know what I mean, Dick?"
"In a way it's like the quality of muscle and heart that enables some prizefighters to go the distance--twenty, thirty, forty rounds, say," Dick concurred. "Right now, in San Francisco, there are several hundred youngsters dreaming of success in the ring. I've watched them trying out. All look good, fine-bodied, healthy, fit as fiddles, and young. And their spirits are most willing. And not one in ten of them can last ten rounds. I don't mean they get knocked out. I mean they blow up. Their muscles and their hearts are not made out of first- grade fiber. They simply are not made to move at high speed and tension for ten rounds. And some of them blow up in four or five rounds. And not one in forty can go the twenty-round route, give and take, hammer and tongs, one minute of rest to three of fight, for a full hour of fighting. And the lad who can last forty rounds is one in ten thousand--lads like Nelson, Gans, and Wolgast.
"You understand the point I am making," Paula took up. "Here are the pair of you. Neither will see forty again. You're a pair of hard- bitten sinners. You've gone through hardship and exposure that dropped others all along the way. You've had your fun and folly. You've roughed and rowdied over the world--"
"Played the wild ass," Graham laughed in.
"And drunk deep," Paula added. "Why, even alcohol hasn't burned you. You were too tough. You put the other fellows under the table, or into the hospital or the grave, and went your gorgeous way, a song on your lips, with tissues uncorroded, and without even the morning-after headache. And the point is that you are successes. Your muscles are blond-beast muscles, your vital organs are blond-beast organs. And from all this emanates your blond-beast philosophy. That's why you are brass tacks, and preach realism, and practice realism, shouldering and shoving and walking over lesser and unluckier creatures, who don't dare talk back, who, like Dick's prizefighting boys, would blow up in the first round if they resorted to the arbitrament of force."
Dick whistled a long note of mock dismay.
"And that's why you preach the gospel of the strong," Paula went on. "If you had been weaklings, you'd have preached the gospel of the weak and turned the other cheek. But you--you pair of big-muscled giants-- when you are struck, being what you are, you don't turn the other cheek--"
"No," Dick interrupted quietly. "We immediately roar, 'Knock his block off!' and then do it.--She's got us, Evan, hip and thigh. Philosophy, like religion, is what the man is, and is by him made in his own image."
And while the talk led over the world, Paula sewed on, her eyes filled with the picture of the two big men, admiring, wondering, pondering, without the surety of self that was theirs, aware of a slipping and giving of convictions so long accepted that they had seemed part of her.
Later in the evening she gave voice to her trouble.
"The strangest part of it," she said, taking up a remark Dick had just made, "is that too much philosophizing about life gets one worse than nowhere. A philosophic atmosphere is confusing--at least to a woman. One hears so much about everything, and against everything, that nothing is sure. For instance, Mendenhall's wife is a Lutheran. She hasn't a doubt about anything. All is fixed, ordained, immovable. Star-drifts and ice-ages she knows nothing about, and if she did they would not alter in the least her rules of conduct for men and women in this world and in relation to the next.
"But here, with us, you two pound your brass tacks, Terrence does a Greek dance of epicurean anarchism, Hancock waves the glittering veils of Bergsonian metaphysics, Leo makes solemn obeisance at the altar of Beauty, and Dar Hyal juggles his sophistic blastism to no end save all your applause for his cleverness. Don't you see? The effect is that there is nothing solid in any human judgment. Nothing is right. Nothing is wrong. One is left compassless, rudderless, chartless on a sea of ideas. Shall I do this? Must I refrain from that? Will it be wrong? Is there any virtue in it? Mrs. Mendenhall has her instant answer for every such question. But do the philosophers?"
Paula shook her head.
"No. All they have is ideas. They immediately proceed to talk about it, and talk and talk and talk, and with all their erudition reach no conclusion whatever. And I am just as bad. I listen and listen, and talk and talk, as I am talking now, and remain convictionless. There is no test--"
"But there is," Dick said. "The old, eternal test of truth-- Will it work? "
"Ah, now you are pounding your favorite brass tack," Paula smiled. "And Dar Hyal, with a few arm-wavings and word-whirrings, will show that all brass tacks are illusions;
Nor did Graham, nor even Paula, imagine that Dick--the keen one, the deep one, who could see and sense things yet to occur and out of intangible nuances and glimmerings build shrewd speculations and hypotheses that subsequent events often proved correct--was already sensing what had not happened but what might happen. He had not heard Paula's brief significant words at the hitching post; nor had he seen Graham catch her in that deep scrutiny of him under the arcade. Dick had heard nothing, seen little, but sensed much; and, even in advance of Paula, had he apprehended in vague ways what she afterward had come to apprehend.
The most tangible thing he had to build on was the night, immersed in bridge, when he had not been unaware of the abrupt leaving of the piano after the singing of the "Gypsy Trail"; nor when, in careless smiling greeting of them when they came down the room to devil him over his losing, had he failed to receive a hint or feeling of something unusual in Paula's roguish teasing face. On the moment, laughing retorts, giving as good as she sent, Dick's own laughing eyes had swept over Graham beside her and likewise detected the unusual. The man was overstrung, had been Dick's mental note at the time. But why should he be overstrung? Was there any connection between his overstrungness and the sudden desertion by Paula of the piano? And all the while these questions were slipping through his thoughts, he had laughed at their sallies, dealt, sorted his hand, and won the bid on no trumps.
Yet to himself he had continued to discount as absurd and preposterous the possibility of his vague apprehension ever being realized. It was a chance guess, a silly speculation, based upon the most trivial data, he sagely concluded. It merely connoted the attractiveness of his wife and of his friend. But--and on occasional moments he could not will the thought from coming uppermost in his mind--why had they broken off from singing that evening? Why had he received the feeling that there was something unusual about it? Why had Graham been overstrung?
* * * * *
Nor did Bonbright, one morning, taking dictation of a telegram in the last hour before noon, know that Dick's casual sauntering to the window, still dictating, had been caused by the faint sound of hoofs on the driveway. It was not the first of recent mornings that Dick had so sauntered to the window, to glance out with apparent absentness at the rush of the morning riding party in the last dash home to the hitching rails. But he knew, on this morning, before the first figures came in sight whose those figures would be.
"Braxton is safe," he went on with the dictation without change of tone, his eyes on the road where the riders must first come into view. "If things break he can get out across the mountains into Arizona. See Connors immediately. Braxton left Connors complete instructions. Connors to-morrow in Washington. Give me fullest details any move-- signed."
Up the driveway the Fawn and Altadena clattered neck and neck. Dick had not been disappointed in the figures he expected to see. From the rear, cries and laughter and the sound of many hoofs tokened that the rest of the party was close behind.
"And the next one, Mr. Bonbright, please put in the Harvest code," Dick went on steadily, while to himself he was commenting that Graham was a passable rider but not an excellent one, and that it would have to be seen to that he was given a heavier horse than Altadena. "It is to Jeremy Braxton. Send it both ways. There is a chance one or the other may get through..."
CHAPTER XX
Once again the tide of guests ebbed from the Big House, and more than one lunch and dinner found only the two men and Paula at the table. On such evenings, while Graham and Dick yarned for their hour before bed, Paula no longer played soft things to herself at the piano, but sat with them doing fine embroidery and listening to the talk.
Both men had much in common, had lived life in somewhat similar ways, and regarded life from the same angles. Their philosophy was harsh rather than sentimental, and both were realists. Paula made a practice of calling them the pair of "Brass Tacks."
"Oh, yes," she laughed to them, "I understand your attitude. You are successes, the pair of you--physical successes, I mean. You have health. You are resistant. You can stand things. You have survived where men less resistant have gone down. You pull through African fevers and bury the other fellows. This poor chap gets pneumonia in Cripple Creek and cashes in before you can get him to sea level. Now why didn't you get pneumonia? Because you were more deserving? Because you had lived more virtuously? Because you were more careful of risks and took more precautions?"
She shook her head.
"No. Because you were luckier--I mean by birth, by possession of constitution and stamina. Why, Dick buried his three mates and two engineers at Guayaquil. Yellow fever. Why didn't the yellow fever germ, or whatever it is, kill Dick? And the same with you, Mr. Broad- shouldered Deep-chested Graham. In this last trip of yours, why didn't you die in the swamps instead of your photographer? Come. Confess. How heavy was he? How broad were his shoulders? How deep his chest?--wide his nostrils?--tough his resistance?"
"He weighed a hundred and thirty-five," Graham admitted ruefully. "But he looked all right and fit at the start. I think I was more surprised than he when he turned up his toes." Graham shook his head. "It wasn't because he was a light weight and small. The small men are usually the toughest, other things being equal. But you've put your finger on the reason just the same. He didn't have the physical stamina, the resistance,--You know what I mean, Dick?"
"In a way it's like the quality of muscle and heart that enables some prizefighters to go the distance--twenty, thirty, forty rounds, say," Dick concurred. "Right now, in San Francisco, there are several hundred youngsters dreaming of success in the ring. I've watched them trying out. All look good, fine-bodied, healthy, fit as fiddles, and young. And their spirits are most willing. And not one in ten of them can last ten rounds. I don't mean they get knocked out. I mean they blow up. Their muscles and their hearts are not made out of first- grade fiber. They simply are not made to move at high speed and tension for ten rounds. And some of them blow up in four or five rounds. And not one in forty can go the twenty-round route, give and take, hammer and tongs, one minute of rest to three of fight, for a full hour of fighting. And the lad who can last forty rounds is one in ten thousand--lads like Nelson, Gans, and Wolgast.
"You understand the point I am making," Paula took up. "Here are the pair of you. Neither will see forty again. You're a pair of hard- bitten sinners. You've gone through hardship and exposure that dropped others all along the way. You've had your fun and folly. You've roughed and rowdied over the world--"
"Played the wild ass," Graham laughed in.
"And drunk deep," Paula added. "Why, even alcohol hasn't burned you. You were too tough. You put the other fellows under the table, or into the hospital or the grave, and went your gorgeous way, a song on your lips, with tissues uncorroded, and without even the morning-after headache. And the point is that you are successes. Your muscles are blond-beast muscles, your vital organs are blond-beast organs. And from all this emanates your blond-beast philosophy. That's why you are brass tacks, and preach realism, and practice realism, shouldering and shoving and walking over lesser and unluckier creatures, who don't dare talk back, who, like Dick's prizefighting boys, would blow up in the first round if they resorted to the arbitrament of force."
Dick whistled a long note of mock dismay.
"And that's why you preach the gospel of the strong," Paula went on. "If you had been weaklings, you'd have preached the gospel of the weak and turned the other cheek. But you--you pair of big-muscled giants-- when you are struck, being what you are, you don't turn the other cheek--"
"No," Dick interrupted quietly. "We immediately roar, 'Knock his block off!' and then do it.--She's got us, Evan, hip and thigh. Philosophy, like religion, is what the man is, and is by him made in his own image."
And while the talk led over the world, Paula sewed on, her eyes filled with the picture of the two big men, admiring, wondering, pondering, without the surety of self that was theirs, aware of a slipping and giving of convictions so long accepted that they had seemed part of her.
Later in the evening she gave voice to her trouble.
"The strangest part of it," she said, taking up a remark Dick had just made, "is that too much philosophizing about life gets one worse than nowhere. A philosophic atmosphere is confusing--at least to a woman. One hears so much about everything, and against everything, that nothing is sure. For instance, Mendenhall's wife is a Lutheran. She hasn't a doubt about anything. All is fixed, ordained, immovable. Star-drifts and ice-ages she knows nothing about, and if she did they would not alter in the least her rules of conduct for men and women in this world and in relation to the next.
"But here, with us, you two pound your brass tacks, Terrence does a Greek dance of epicurean anarchism, Hancock waves the glittering veils of Bergsonian metaphysics, Leo makes solemn obeisance at the altar of Beauty, and Dar Hyal juggles his sophistic blastism to no end save all your applause for his cleverness. Don't you see? The effect is that there is nothing solid in any human judgment. Nothing is right. Nothing is wrong. One is left compassless, rudderless, chartless on a sea of ideas. Shall I do this? Must I refrain from that? Will it be wrong? Is there any virtue in it? Mrs. Mendenhall has her instant answer for every such question. But do the philosophers?"
Paula shook her head.
"No. All they have is ideas. They immediately proceed to talk about it, and talk and talk and talk, and with all their erudition reach no conclusion whatever. And I am just as bad. I listen and listen, and talk and talk, as I am talking now, and remain convictionless. There is no test--"
"But there is," Dick said. "The old, eternal test of truth-- Will it work? "
"Ah, now you are pounding your favorite brass tack," Paula smiled. "And Dar Hyal, with a few arm-wavings and word-whirrings, will show that all brass tacks are illusions;
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