The American, Henry James [top novels of all time .TXT] 📗

Cintré. “It is a kindness that costs nothing; it is the kindness you show to a child. It is as if you didn’t respect him.”

“Respect him? Why I think I do.”

“You think? If you are not sure, it is no respect.”

“Do you respect him?” said Newman. “If you do, I do.”

“If one loves a person, that is a question one is not bound to answer,” said Madame de Cintré.

“You should not have asked it of me, then. I am very fond of your brother.”

“He amuses you. But you would not like to resemble him.”

“I shouldn’t like to resemble anyone. It is hard enough work resembling one’s self.”

“What do you mean,” asked Madame de Cintré, “by resembling one’s self?”

“Why, doing what is expected of one. Doing one’s duty.”

“But that is only when one is very good.”

“Well, a great many people are good,” said Newman. “Valentin is quite good enough for me.”

Madame de Cintré was silent for a short time. “He is not good enough for me,” she said at last. “I wish he would do something.”

“What can he do?” asked Newman.

“Nothing. Yet he is very clever.”

“It is a proof of cleverness,” said Newman, “to be happy without doing anything.”

“I don’t think Valentin is happy, in reality. He is clever, generous, brave; but what is there to show for it? To me there is something sad in his life, and sometimes I have a sort of foreboding about him. I don’t know why, but I fancy he will have some great trouble—perhaps an unhappy end.”

“Oh, leave him to me,” said Newman, jovially. “I will watch over him and keep harm away.”

One evening, in Madame de Bellegarde’s salon, the conversation had flagged most sensibly. The marquis walked up and down in silence, like a sentinel at the door of some smooth-fronted citadel of the proprieties; his mother sat staring at the fire; young Madame de Bellegarde worked at an enormous band of tapestry. Usually there were three or four visitors, but on this occasion a violent storm sufficiently accounted for the absence of even the most devoted habitués. In the long silences the howling of the wind and the beating of the rain were distinctly audible. Newman sat perfectly still, watching the clock, determined to stay till the stroke of eleven, but not a moment longer. Madame de Cintré had turned her back to the circle, and had been standing for some time within the uplifted curtain of a window, with her forehead against the pane, gazing out into the deluged darkness. Suddenly she turned round toward her sister-in-law.

“For Heaven’s sake,” she said, with peculiar eagerness, “go to the piano and play something.”

Madame de Bellegarde held up her tapestry and pointed to a little white flower. “Don’t ask me to leave this. I am in the midst of a masterpiece. My flower is going to smell very sweet; I am putting in the smell with this gold-colored silk. I am holding my breath; I can’t leave off. Play something yourself.”

“It is absurd for me to play when you are present,” said Madame de Cintré. But the next moment she went to the piano and began to strike the keys with vehemence. She played for some time, rapidly and brilliantly; when she stopped, Newman went to the piano and asked her to begin again. She shook her head, and, on his insisting, she said, “I have not been playing for you; I have been playing for myself.” She went back to the window again and looked out, and shortly afterwards left the room. When Newman took leave, Urbain de Bellegarde accompanied him, as he always did, just three steps down the staircase. At the bottom stood a servant with his overcoat. He had just put it on when he saw Madame de Cintré coming towards him across the vestibule.

“Shall you be at home on Friday?” Newman asked.

She looked at him a moment before answering his question. “You don’t like my mother and my brother,” she said.

He hesitated a moment, and then he said softly, “No.”

She laid her hand on the balustrade and prepared to ascend the stairs, fixing her eyes on the first step.

“Yes, I shall be at home on Friday,” and she passed up the wide dusky staircase.

On the Friday, as soon as he came in, she asked him to please to tell her why he disliked her family.

“Dislike your family?” he exclaimed. “That has a horrid sound. I didn’t say so, did I? I didn’t mean it, if I did.”

“I wish you would tell me what you think of them,” said Madame de Cintré.

“I don’t think of any of them but you.”

“That is because you dislike them. Speak the truth; you can’t offend me.”

“Well, I don’t exactly love your brother,” said Newman. “I remember now. But what is the use of my saying so? I had forgotten it.”

“You are too good-natured,” said Madame de Cintré gravely. Then, as if to avoid the appearance of inviting him to speak ill of the marquis, she turned away, motioning him to sit down.

But he remained standing before her and said presently, “What is of much more importance is that they don’t like me.”

“No—they don’t,” she said.

“And don’t you think they are wrong?” Newman asked. “I don’t believe I am a man to dislike.”

“I suppose that a man who may be liked may also be disliked. And my brother—my mother,” she added, “have not made you angry?”

“Yes, sometimes.”

“You have never shown it.”

“So much the better.”

“Yes, so much the better. They think they have treated you very well.”

“I have no doubt they might have handled me much more roughly,” said Newman. “I am much obliged to them. Honestly.”

“You are generous,” said Madame de Cintré. “It’s a disagreeable position.”

“For them, you mean. Not for me.”

“For me,” said Madame de Cintré.

“Not when their sins are forgiven!” said Newman. “They don’t think I am as good as they are. I do. But we shan’t quarrel about it.”

“I can’t even agree with you without saying something that has a disagreeable sound. The presumption was against you. That you probably don’t understand.”

Newman sat down and looked at her for some time. “I don’t think I really understand it. But when you say it, I believe it.”

“That’s a poor reason,” said Madame de Cintré, smiling.

“No, it’s a very good one. You have a high spirit, a high standard; but with you it’s all natural and unaffected; you don’t seem to have stuck your head into a vise, as if you were sitting for the photograph of propriety. You think of me as a fellow who has had no idea in life but to make money and drive sharp bargains. That’s a fair description of me, but it is not the whole story. A man ought to care for something else, though I don’t know exactly what. I cared for money-making, but I never cared particularly for the money. There was nothing else to do, and it was impossible to be idle. I have been very easy to others, and to myself. I have done most of the things that people asked me—I don’t mean rascals. As regards your mother and your brother,” Newman added, “there is only one point upon which I feel that I might quarrel with them. I don’t ask them to sing my praises to you, but I ask them to let you alone. If I thought they talked ill of me to you, I should come down upon them.”

“They have let me alone, as you say. They have not talked ill of you.”

“In that case,” cried Newman, “I declare they are only too good for this world!”

Madame de Cintré appeared to find something startling in his exclamation. She would, perhaps, have replied, but at this moment the door was thrown open and Urbain de Bellegarde stepped across the threshold. He appeared surprised at finding Newman, but his surprise was but a momentary shadow across the surface of an unwonted joviality. Newman had never seen the marquis so exhilarated; his pale, unlighted countenance had a sort of thin transfiguration. He held open the door for someone else to enter, and presently appeared old Madame de Bellegarde, leaning on the arm of a gentleman whom Newman had not seen before. He had already risen, and Madame de Cintré rose, as she always did before her mother. The marquis, who had greeted Newman almost genially, stood apart, slowly rubbing his hands. His mother came forward with her companion. She gave a majestic little nod at Newman, and then she released the strange gentleman, that he might make his bow to her daughter.

“My daughter,” she said, “I have brought you an unknown relative, Lord Deepmere. Lord Deepmere is our cousin, but he has done only to-day what he ought to have done long ago—come to make our acquaintance.”

Madame de Cintré smiled, and offered Lord Deepmere her hand. “It is very extraordinary,” said this noble laggard, “but this is the first time that I have ever been in Paris for more than three or four weeks.”

“And how long have you been here now?” asked Madame de Cintré.

“Oh, for the last two months,” said Lord Deepmere.

These two remarks might have constituted an impertinence; but a glance at Lord Deepmere’s face would have satisfied you, as it apparently satisfied Madame de Cintré, that they constituted only a naïveté. When his companions were seated, Newman, who was out of the conversation, occupied himself with observing the newcomer. Observation, however, as regards Lord Deepmere’s person; had no great range. He was a small, meagre man, of some three and thirty years of age, with a bald head, a short nose and no front teeth in the upper jaw; he had round, candid blue eyes, and several pimples on his chin. He was evidently very shy, and he laughed a great deal, catching his breath with an odd, startling sound, as the most convenient imitation of repose. His physiognomy denoted great simplicity, a certain amount of brutality, and probable failure in the past to profit by rare educational advantages. He remarked that Paris was awfully jolly, but that for real, thorough-paced entertainment it was nothing to Dublin. He even preferred Dublin to London. Had Madame de Cintré ever been to Dublin? They must all come over there some day, and he would show them some Irish sport. He always went to Ireland for the fishing, and he came to Paris for the new Offenbach things. They always brought them out in Dublin, but he couldn’t wait. He had been nine times to hear La Pomme de Paris. Madame de Cintré, leaning back, with her arms folded, looked at Lord Deepmere with a more visibly puzzled face than she usually showed to society. Madame de Bellegarde, on the other hand, wore a fixed smile. The marquis said that among light operas his favorite was the Gazza Ladra. The marquise then began a series of inquiries about the duke and the cardinal, the old countess and Lady Barbara, after listening to which, and to Lord Deepmere’s somewhat irreverent responses, for a quarter of an hour, Newman rose to take his leave. The marquis went with him three steps into the hall.

“Is he Irish?” asked Newman, nodding in the direction of the visitor.

“His mother was the daughter of Lord Finucane,” said the marquis; “he has great Irish estates. Lady Bridget, in the complete absence of male heirs, either direct or collateral—a most extraordinary circumstance—came in for everything. But Lord Deepmere’s title is English and his English property is immense. He is a charming young man.”

Newman answered nothing, but he detained the marquis as the latter was beginning gracefully to recede. “It is a good time for me to thank you,” he said, “for sticking so punctiliously to our bargain, for doing so much to help me on with your sister.”

The marquis stared. “Really, I have done nothing that I can boast of,” he said.

“Oh don’t be modest,” Newman answered, laughing. “I can’t flatter myself that I am doing so well simply by