Alton Locke, Tailor and Poet: An Autobiography, Charles Kingsley [i am reading a book txt] 📗
- Author: Charles Kingsley
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So I made my first attempt at poetry—need I say that my subject was the beautiful Lillian? And need I say, too, that I was as utterly disgusted at my attempt to express her in words, as I had been at my trial with the pencil? It chanced also, that after hammering out half a dozen verses, I met with Mr. Tennyson's poems; and the unequalled sketches of women that I found there, while they had, with the rest of the book, a new and abiding influence on my mind, were quite enough to show me my own fatal incompetency in that line. I threw my verses away, never to resume them. Perhaps I proved thereby the depth of my affection. Our mightiest feelings, are always those which remain most unspoken. The most intense lovers and the greatest poets have generally, I think, written very little personal love-poetry, while they have shown in fictitious characters a knowledge of the passion too painfully intimate to be spoken of in the first person.
But to escape from my own thoughts, I could not help writing something; and to escape from my own private sorrows, writing on some matter with which I had no personal concern. And so, after much casting about for subjects, Childe Harold and the old missionary records contrived to celebrate a spiritual wedding in my brain, of which anomalous marriage came a proportionately anomalous offspring.
My hero was not to be a pirate, but a pious sea-rover, who, with a crew of saints, or at least uncommonly fine fellows, who could be very manly and jolly, and yet all be good Christians, of a somewhat vague and latitudinarian cast of doctrine (for my own was becoming rapidly so), set forth under the red-cross flag to colonize and convert one of my old paradises, a South Sea Island.
I forget most of the lines—they were probably great trash, but I hugged them to my bosom as a young mother does her first child.
'Twas sunset in the lone Pacific world,
The rich gleams fading in the western sky;
Within the still Lagoon the sails were furled,
The red-cross flag alone was flaunting high.
Before them was the low and palm-fringed shore,
Behind, the outer ocean's baffled roar.
After which valiant plunge in medias res, came a great lump of deception, after the manner of youths—of the island, and the whitehouses, and the banana groves, and above all, the single volcano towering over the whole, which
Shaking a sinful isle with thundering shocks,
Reproved the worshippers of stones and stocks.
Then how a line of foam appears on the Lagoon, which is supposed at first to be a shoal of fish, but turns out to be a troop of naked island beauties, swimming out to the ship. The decent missionaries were certainly guiltless of putting that into my head, whether they ever saw it or not—a great many things happening in the South Seas of which they find it convenient to say nothing. I think I picked it up from Wallis, or Cook, or some other plain spoken voyager.
The crew gaze in pardonable admiration, but the hero, in a long speech, reproves them for their lightmindedness, reminds them of their sacred mission, and informs them that,
The soldiers of the cross should turn their eyes
From carnal lusts and heathen vanities;
beyond which indisputable assertion I never got; for this being about the fiftieth stanza, I stopped to take breath a little; and reading and re-reading, patching and touching continually, grew so accustomed to my bantling's face, that, like a mother, I could not tell whether it was handsome or hideous, sense or nonsense. I have since found out that the true plan, for myself at least, is to write off as much as possible at a time, and then lay it by and forget it for weeks—if I can, for months. After that, on returning to it, the mind regards it as something altogether strange and new, and can, or rather ought to, judge of it as it would of the work of another pen.
But really, between conceit and disgust, fancying myself one day a great new poet, and the next a mere twaddler, I got so puzzled and anxious, that I determined to pluck up courage, go to Mackaye, and ask him to solve the problem for me.
"Hech, sirs, poetry! I've been expecting it. I suppose it's the appointed gate o' a workman's intellectual life—that same lust o' versification. Aweel, aweel,—let's hear."
Blushing and trembling, I read my verses aloud in as resonant and magniloquent a voice as I could command. I thought Mackaye's upper lip would never stop lengthening, or his lower lip protruding. He chuckled intensely at the unfortunate rhyme between "shocks" and "stocks." Indeed, it kept him in chuckling matter for a whole month afterwards; but when I had got to the shoal of naked girls, he could bear no more, and burst out—
"What the deevil! is there no harlotry and idolatry here in England, that ye maun gang speering after it in the Cannibal Islands? Are ye gaun to be like they puir aristocrat bodies, that wad suner hear an Italian dog howl, than an English nightingale sing, and winna harken to Mr. John Thomas till he calls himself Giovanni Thomasino; or do ye tak yourself for a singing-bird, to go all your days tweedle-dumdeeing out into the lift, just for the lust o' hearing your ain clan clatter? Will ye be a man or a lintic? Coral Islands? Pacific? What do ye ken about Pacifics? Are ye a Cockney or a Cannibal Islander? Dinna stand there, ye gowk, as fusionless as a docken, but tell me that! Whaur do ye live?"
"What do you mean, Mr. Mackaye?" asked I, with a doleful and disappointed visage.
"Mean—why, if God had meant ye to write aboot Pacifics, He'd ha' put ye there—and because He means ye to write aboot London town, He's put ye there—and gien ye an unco sharp taste o' the ways o't; and I'll gie ye anither. Come along wi' me."
And he seized me by the arm, and hardly giving me time to put on my hat, marched me out into the streets, and away through Clare Market to St. Giles's.
It was a foul, chilly, foggy Saturday night. From the butchers' and greengrocers' shops the gas lights flared and flickered, wild and ghastly, over haggard groups of slip-shod dirty women, bargaining for scraps of stale meat and frost-bitten vegetables, wrangling about short weight and bad quality. Fish-stalls and fruit-stalls lined the edge of the greasy pavement, sending up odours as foul as the language of sellers and buyers. Blood and sewer-water crawled from under doors and out of spouts, and reeked down the gutters among offal, animal and vegetable, in every stage of putrefaction. Foul vapours rose from cowsheds and slaughter houses, and the doorways of undrained alleys, where the inhabitants carried the filth out on their shoes from the back-yard into the court, and from the court up into the main street; while above, hanging like cliffs over the streets—those narrow, brawling torrents of filth, and poverty, and sin,—the houses with their teeming load of life were piled up into the dingy, choking night. A ghastly, deafening sickening sight it was. Go, scented Belgravian! and see what London is! and then go to the library which God has given thee—one often fears in vain—and see what science says this London might be!
"Ay," he muttered to himself, as he strode along, "sing awa; get yoursel wi' child wi' pretty fancies and gran' words, like the rest o' the poets, and gang to hell for it."
"To hell, Mr. Mackaye?"
"Ay, to a verra real hell, Alton Locke, laddie—a warse ane than ony fiends' kitchen, or subterranean Smithfield that ye'll hear o' in the pulpits—the hell on earth o' being a flunkey, and a humbug, and a useless peacock, wasting God's gifts on your ain lusts and pleasures—and kenning it—and not being able to get oot o' it, for the chains o' vanity and self-indulgence. I've warned ye. Now look there—"
He stopped suddenly before the entrance of a miserable alley—
"Look! there's not a soul down that yard but's either beggar, drunkard, thief, or warse. Write anent that! Say how you saw the mouth o' hell, and the twa pillars thereof at the entry—the pawnbroker's shop o' one side, and the gin palace at the other—twa monstrous deevils, eating up men, and women, and bairns, body and soul. Look at the jaws o' the monsters, how they open and open, and swallow in anither victim and anither. Write anent that."
"What jaws, Mr. Mackaye?"
"They faulding-doors o' the gin shop, goose. Are na they a mair damnable man-devouring idol than ony red-hot statue o' Moloch, or wicker Gogmagog, wherein thae auld Britons burnt their prisoners? Look at thae bare-footed bare-backed hizzies, with their arms roun' the men's necks, and their mouths full o' vitriol and beastly words! Look at that Irishwoman pouring the gin down the babbie's throat! Look at that rough o' a boy gaun out o' the pawn shop, where he's been pledging the handkerchief he stole the morning, into the gin shop, to buy beer poisoned wi' grains o' paradise, and cocculus indicus, and saut, and a' damnable, maddening, thirst-breeding, lust-breeding drugs! Look at that girl that went in wi' a shawl on her back and cam' out wi'out ane! Drunkards frae the breast!—harlots frae the cradle! damned before they're born! John Calvin had an inkling o' the truth there, I'm a'most driven to think, wi' his reprobation deevil's doctrines!"
"Well—but—Mr. Mackaye, I know nothing about these poor creatures."
"Then ye ought. What do ye ken anent the Pacific? Which is maist to your business?—thae bare-backed hizzies that play the harlot o' the other side o' the warld, or these—these thousands o' bare-backed hizzies that play the harlot o' your ain side—made out o' your ain flesh and blude? You a poet! True poetry, like true charity, my laddie, begins at hame. If ye'll be a poet at a', ye maun be a cockney poet; and while the cockneys be what they be, ye maun write, like Jeremiah of old, o' lamentation and mourning and woe, for the sins o' your people. Gin you want to learn the spirit o' a people's poet, down wi' your Bible and read thae auld Hebrew prophets; gin ye wad learn the style, read your Burns frae morning till night; and gin ye'd learn the matter, just gang after your nose, and keep your eyes open, and ye'll no miss it."
"But all this is so—so unpoetical."
"Hech! Is there no the heeven above them there, and the hell beneath them? and God frowning, and the deevil grinning? No poetry there! Is no the verra idea of the classic tragedy defined to be, man conquered by circumstance? Canna ye see it there? And the verra idea of the modern tragedy, man conquering circumstance?—and I'll show you that, too—in mony a garret where no eye but the gude God's enters, to see the patience, and the fortitude, and the self-sacrifice, and the luve stronger than death, that's shining in thae dark places o' the earth. Come wi' me, and see."
We went on through a back street or two, and then into a huge, miserable house, which, a hundred years ago, perhaps, had witnessed the luxury, and rung to the laughter of some one great fashionable family, alone there in their glory. Now every room of it held its family, or its group of families—a phalanstery of all the fiends;—its grand staircase, with the carved balustrades rotting and crumbling away piecemeal, converted into a common sewer for all its inmates. Up stair after stair we went, while wails of children, and curses of men, steamed out upon the hot stifling rush of air from every doorway, till, at the topmost story, we knocked at a garret door. We entered. Bare it was of furniture, comfortless, and freezing cold; but, with the exception of the plaster dropping from the roof, and the broken windows, patched with rags and paper, there was a scrupulous neatness about the whole, which contrasted strangely with the filth and slovenliness outside. There was no bed in the room—no table. On a broken chair by the chimney sat a miserable old woman, fancying that she was warming her hands over embers which had long been cold, shaking her head, and muttering to herself, with palsied lips, about the guardians and the workhouse; while upon a few rags on the
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