None Other Gods, Robert Hugh Benson [book recommendations for young adults .TXT] 📗

plaster statue of a saint above the prie-dieu.

"It's all right, isn't it?" said Frank sleepily.

"And there's another Johnnie's name on the door. The Rev. S. Augustine, or something."

He tip-toed back to the fire, lifted his tails, and stood warming himself with a complacent but nervous smile.

(Frank regarded him with wonder.)

"What do all the Johnnies do here?" asked the Major presently. "Have a rare old time, I expect. I bet they've got cellars under here all right. Just like those chaps in comic pictures, ain't it?"

(Frank decided it was no use to try to explain.)

The Major babbled on a minute or two longer, requiring no answer, and every now and then having his roving eye caught by some new marvel. He fingered a sprig of yew that was twisted into a crucifix hung over the bed. ("Expect it's one of those old relics," he said, "some lie or other.") He humorously dressed up the statue of the saint in a pocket-handkerchief, and said: "Let us pray," in a loud whisper, with one eye on the door. And all the while there still lay on him apparently the impression that if he talked loud or made any perceptible sound he would be turned out again.

He was just beginning a few steps of a noiseless high-kicking dance when there was a tap at the door, and he collapsed into an attitude of weak-kneed humility. Dom Hildebrand came in.

"If you're ready," he said, "we might go down to supper."

* * * * *


Frank relates in his diary that of all else in the monastery, apart from the church, the refectory and its manners impressed him most. (How easy it is to picture it when one has once seen the ceremonies!)

He sat at a center table, with the Major opposite (looking smaller than ever), before a cloth laid with knife, spoon and forks. All round the walls on a low dais, with their backs against them, sat a row of perhaps forty monks, of every age, kind and condition. The tables were bare wood, laid simply with utensils and no cloths, with a napkin in each place. At the end opposite the door there sat at a table all alone a big, portly, kindly-faced man, of a startlingly fatherly appearance, clean-shaven, gray-haired, and with fine features. This was the Abbot. Above him hung a crucifix, with the single word "_Sitio_" beneath it on a small black label.

The meal began, however, with the ceremony of singing grace. The rows of monks stood out, with one in the middle, facing the Abbot, each with his hood forward and his hands hidden in his scapular. It was sung to a grave tone, with sudden intonations, by the united voices in unison--blessing, response, collect, psalm and the rest. (Frank could not resist one glance at the Major, whose face of consternation resembled that of a bird in the company of sedate cats.)

Then each went to his place, and, noiselessly, the orderly meal began and continued to the reading first of the gospel, and then of a history, from a pulpit built high in the wall. All were served by lay brothers, girded with aprons; almost every movement, though entirely natural, seemed ordered by routine and custom, and was distinguished by a serious sort of courtesy that made the taking of food appear, for once, as a really beautiful, august, and almost sacramental ceremony. The great hall, too, with its pointed roof, its tiled floor, its white-wood scrubbed tables, and its tall emblazoned windows, seemed exactly the proper background--a kind of secular sanctuary. The food was plain and plentiful: soup, meat, cheese and fruit; and each of the two guests had a small decanter of red wine, a tiny loaf of bread, and a napkin. The monks drank beer or water.

Then once more followed grace, with the same ceremonial.

When this was ended, Frank turned to see where Father Hildebrand was, supposing that all would go to their rooms; but as he turned he saw the Abbot coming down alone. He moved on, this great man, with that same large, fatherly air, but as he passed the two guests, he inclined slightly towards them, and Frank, with a glance to warn the Major, understanding that they were to follow, came out of his place and passed down between the lines of the monks, still in silence.

The Abbot went on, turned to the right, and as he moved along the cloister, loud sonorous chanting began behind. So they went, on and on, up the long lighted corridor, past door after door, as in some church procession. Yet all was obviously natural and familiar.

They turned in at last beneath an archway to the left, went through a vestibule, past a great stone of a crowned Woman with a Child in her arms, and as they entered the church, the Abbot dipped his finger into a stoop and presented it to Frank. Frank touched the drop of water, made the sign of the cross, and presented again his damp finger to the Major, who looked at him with a startled eye.

The Abbot indicated the front row of the seats in the nave, and Frank went into it, to watch the procession behind go past, flow up the steps, and disappear into the double rows of great stalls that lined the choir.

There was still silence--and longer silence, till Frank understood....


(IV)

His eyes grew accustomed to the gloom little by little, and he began to be able to make out the magnificence of the place he was in. Behind him stretched the immense nave, its roof and columns lost in darkness, its sides faintly illuminated by the glimmer of single oil-lamps, each in a small screened-off chapel. But in front of him was the greater splendor.

From side to side across the entrance to the choir ran the rood-screen, a vast erection of brown oak and black iron, surmounted by a high loft, from which glimmered down sheaves of silvered organ pipes, and, higher yet, in deep shadow, he could make out three gigantic figures, of which the center one was nailed to a cross. Beyond this began the stalls--dark and majestic, broken by carving--jutting heads of kings and priests leaning forward as if to breathe in the magnetism of that immense living silence generated by forty men at their prayers. At the further end there shone out faintly the glory of the High Altar, almost luminous, it seemed, in the light of the single red spark that hung before it. Frank could discern presently the gilded figures that stood among the candlesticks behind, the throne and crucifix, the mysterious veiling curtains of the Tabernacle.... Finally, in the midst of the choir, stood a tall erection which he could not understand.

* * * * *


An extraordinary peace seemed to descend and envelop him as he looked--a kind of crown and climax of various interior experiences that were falling on him now--for the last few weeks. (It is useless trying to put it into words. I shall hope to do my best presently by quoting Frank himself.) There was a sense of home-coming; there was a sense of astonishing sanity; there was a sense of an enormous objective peace, meeting and ratifying that interior peace which was beginning to be his. It appeared to him, somehow, as if for the first time he experienced without him that which up to now he had chiefly found within. Certainly there had been moments of this before--not merely emotional, you understand--when heart and head lay still from their striving, and the will reposed in Another Will. But this was the climax: it summed up all that he had learned in the last few months; it soothed the last scars away, it explained and answered--and, above all, correlated--his experiences. No doubt it was the physical, as well as the spiritual, atmosphere of this place, the quiet corridors, the warmth and the plainness and the solidity, even the august grace of the refectory--all these helped and had part in the sensation. Yet, if it is possible for you to believe it, these were no more than the vessels from which the heavenly fluid streamed; vessels, rather, that contained a little of that abundance that surged up here as in a fountain....

Frank started a little at a voice in his ear.

"When's it going to begin?" whispered the Major in a hoarse, apprehensive voice.


(V)

A figure detached itself presently from the dark mass of the stalls and came down to where they were sitting. Frank perceived it was Father Hildebrand.

"We're singing Mattins of the Dead, presently," he said in a low voice. "It's All Souls' Eve. Will you stay, or shall I take you to your room?"

The Major stood up with alacrity.

"I'll stay, if I may," said Frank.

"Very well. Then I'll take Mr. Trustcott upstairs."

* * * * *


Half an hour later the ceremony began.

Here, I simply despair of description. I know something of what Frank witnessed and perceived, for I have been present myself at this affair in a religious house; but I do not pretend to be able to write it down.

First, however, there was the external, visible, audible service: the catafalque, a bier-like erection, all black and yellow, guarded by yellow flames on yellow candles--the grave movements, the almost monstrous figures, the rhythm of the ceremonies, and the wail of, the music of forty voices singing as one--all that is understood....

But the inner side of these things--the reverse of which these things are but a coarse lining, the substance of which this is a shadow--that is what passes words and transcends impressions.

It seemed to Frank that one section, at any rate, of that enormous truth at which he had clutched almost blindly when he had first made his submission to the Church--one chamber in that House of Life--was now flung open before him, and he saw in it men as trees walking.... He was tired and excited, of course; he was intensely imaginative; but there are some experiences that a rise of temperature cannot explain and that an imagination cannot originate....

For it seemed to him that here he was aware of an immeasurable need to which those ministrations were addressed, and this whole was countless in its units and clamant in its silence. It was as a man might see the wall of his room roll away, beyond which he had thought only the night to lie, and discern a thronging mass of faces crying for help, pressing upon him, urging, yet all without sound or word. He attempts in his diary to use phrases for all this--he speaks of a pit in which is no water, of shadows and forms that writhe and plead, of a light of glass mingled with fire; and yet of an inevitability, of a Justice which there is no questioning and a Force that there is no resisting. And, on the other side, there was this help given by men