Sons and Lovers, D. H. Lawrence [the little red hen read aloud .txt] 📗

old days far down into the level lands of Nottinghamshire and Leicestershire.

It was blowing so hard, high up there in the exposed place, that the only way to be safe was to stand nailed by the wind to the wall of the tower. At their feet fell the precipice where the limestone was quarried away. Below was a jumble of hills and tiny villages—Matlock, Ambergate, Stoney Middleton. The lads were eager to spy out the church of Bestwood, far away among the rather crowded country on the left. They were disgusted that it seemed to stand on a plain. They saw the hills of Derbyshire fall into the monotony of the Midlands that swept away South.

Miriam was somewhat scared by the wind, but the lads enjoyed it. They went on, miles and miles, to Whatstandwell. All the food was eaten, everybody was hungry, and there was very little money to get home with. But they managed to procure a loaf and a currant-loaf, which they hacked into pieces with shut-knives, and ate sitting on the wall near the bridge, watching the bright Derwent rushing by, and the brakes from Matlock pulling up at the inn.

Paul was now pale with weariness. He had been responsible for the party all day, and now he was done. Miriam understood, and kept close to him, and he left himself in her hands.

They had an hour to wait at Ambergate Station. Trains came, crowded with excursionists returning to Manchester, Birmingham, and London.

"We might be going there—folk easily might think we're going that far," said Paul.

They got back rather late. Miriam, walking home with Geoffrey, watched the moon rise big and red and misty. She felt something was fulfilled in her.

She had an elder sister, Agatha, who was a school-teacher. Between the two girls was a feud. Miriam considered Agatha worldly. And she wanted herself to be a school-teacher.

One Saturday afternoon Agatha and Miriam were upstairs dressing. Their bedroom was over the stable. It was a low room, not very large, and bare. Miriam had nailed on the wall a reproduction of Veronese's "St. Catherine." She loved the woman who sat in the window, dreaming. Her own windows were too small to sit in. But the front one was dripped over with honeysuckle and Virginia creeper, and looked upon the tree-tops of the oak-wood across the yard, while the little back window, no bigger than a handkerchief, was a loophole to the east, to the dawn beating up against the beloved round hills.

The two sisters did not talk much to each other. Agatha, who was fair and small and determined, had rebelled against the home atmosphere, against the doctrine of "the other cheek." She was out in the world now, in a fair way to be independent. And she insisted on worldly values, on appearance, on manners, on position, which Miriam would fain have ignored.

Both girls liked to be upstairs, out of the way, when Paul came. They preferred to come running down, open the stairfoot door, and see him watching, expectant of them. Miriam stood painfully pulling over her head a rosary he had given her. It caught in the fine mesh of her hair. But at last she had it on, and the red-brown wooden beads looked well against her cool brown neck. She was a well-developed girl, and very handsome. But in the little looking-glass nailed against the whitewashed wall she could only see a fragment of herself at a time. Agatha had bought a little mirror of her own, which she propped up to suit herself. Miriam was near the window. Suddenly she heard the well-known click of the chain, and she saw Paul fling open the gate, push his bicycle into the yard. She saw him look at the house, and she shrank away. He walked in a nonchalant fashion, and his bicycle went with him as if it were a live thing.

"Paul's come!" she exclaimed.

"Aren't you glad?" said Agatha cuttingly.

Miriam stood still in amazement and bewilderment.

"Well, aren't you?" she asked.

"Yes, but I'm not going to let him see it, and think I wanted him."

Miriam was startled. She heard him putting his bicycle in the stable underneath, and talking to Jimmy, who had been a pit-horse, and who was seedy.

"Well, Jimmy my lad, how are ter? Nobbut sick an' sadly, like? Why, then, it's a shame, my owd lad."

She heard the rope run through the hole as the horse lifted its head from the lad's caress. How she loved to listen when he thought only the horse could hear. But there was a serpent in her Eden. She searched earnestly in herself to see if she wanted Paul Morel. She felt there would be some disgrace in it. Full of twisted feeling, she was afraid she did want him. She stood self-convicted. Then came an agony of new shame. She shrank within herself in a coil of torture. Did she want Paul Morel, and did he know she wanted him? What a subtle infamy upon her! She felt as if her whole soul coiled into knots of shame.

Agatha was dressed first, and ran downstairs. Miriam heard her greet the lad gaily, knew exactly how brilliant her grey eyes became with that tone. She herself would have felt it bold to have greeted him in such wise. Yet there she stood under the self-accusation of wanting him, tied to that stake of torture. In bitter perplexity she kneeled down and prayed:

"O Lord, let me not love Paul Morel. Keep me from loving him, if I ought not to love him."

Something anomalous in the prayer arrested her. She lifted her head and pondered. How could it be wrong to love him? Love was God's gift. And yet it caused her shame. That was because of him, Paul Morel. But, then, it was not his affair, it was her own, between herself and God. She was to be a sacrifice. But it was God's sacrifice, not Paul Morel's or her own. After a few minutes she hid her face in the pillow again, and said:

"But, Lord, if it is Thy will that I should love him, make me love him—as Christ would, who died for the souls of men. Make me love him splendidly, because he is Thy son."

She remained kneeling for some time, quite still, and deeply moved, her black hair against the red squares and the lavender-sprigged squares of the patchwork-quilt. Prayer was almost essential to her. Then she fell into that rapture of self-sacrifice, identifying herself with a God who was sacrificed, which gives to so many human souls their deepest bliss.

When she went downstairs Paul was lying back in an arm-chair, holding forth with much vehemence to Agatha, who was scorning a little painting he had brought to show her. Miriam glanced at the two, and avoided their levity. She went into the parlour to be alone.

It was teatime before she was able to speak to Paul, and then her manner was so distant he thought he had offended her.

Miriam discontinued her practice of going each Thursday evening to the library in Bestwood. After calling for Paul regularly during the whole spring, a number of trifling incidents and tiny insults from his family awakened her to their attitude towards her, and she decided to go no more. So she announced to Paul one evening she would not call at his house again for him on Thursday nights.

"Why?" he asked, very short.

"Nothing. Only I'd rather not."

"Very well."

"But," she faltered, "if you'd care to meet me, we could still go together."

"Meet you where?"

"Somewhere—where you like."

"I shan't meet you anywhere. I don't see why you shouldn't keep calling for me. But if you won't, I don't want to meet you."

So the Thursday evenings which had been so precious to her, and to him, were dropped. He worked instead. Mrs. Morel sniffed with satisfaction at this arrangement.

He would not have it that they were lovers. The intimacy between them had been kept so abstract, such a matter of the soul, all thought and weary struggle into consciousness, that he saw it only as a platonic friendship. He stoutly denied there was anything else between them. Miriam was silent, or else she very quietly agreed. He was a fool who did not know what was happening to himself. By tacit agreement they ignored the remarks and insinuations of their acquaintances.

"We aren't lovers, we are friends," he said to her. "We know it. Let them talk. What does it matter what they say?"

Sometimes, as they were walking together, she slipped her arm timidly into his. But he always resented it, and she knew it. It caused a violent conflict in him. With Miriam he was always on the high plane of abstraction, when his natural fire of love was transmitted into the fine stream of thought. She would have it so. If he were jolly and, as she put it, flippant, she waited till he came back to her, till the change had taken place in him again, and he was wrestling with his own soul, frowning, passionate in his desire for understanding. And in this passion for understanding her soul lay close to his; she had him all to herself. But he must be made abstract first.

Then, if she put her arm in his, it caused him almost torture. His consciousness seemed to split. The place where she was touching him ran hot with friction. He was one internecine battle, and he became cruel to her because of it.

One evening in midsummer Miriam called at the house, warm from climbing. Paul was alone in the kitchen; his mother could be heard moving about upstairs.

"Come and look at the sweet-peas," he said to the girl.

They went into the garden. The sky behind the townlet and the church was orange-red; the flower-garden was flooded with a strange warm light that lifted every leaf into significance. Paul passed along a fine row of sweet-peas, gathering a blossom here and there, all cream and pale blue. Miriam followed, breathing the fragrance. To her, flowers appealed with such strength she felt she must make them part of herself. When she bent and breathed a flower, it was as if she and the flower were loving each other. Paul hated her for it. There seemed a sort of exposure about the action, something too intimate.

When he had got a fair bunch, they returned to the house. He listened for a moment to his mother's quiet movements upstairs, then he said:

"Come here, and let me pin them in for you." He arranged them two or three at a time in the bosom of her dress, stepping back now and then to see the effect. "You know," he said, taking the pin out of his mouth, "a woman ought always to arrange her flowers before her glass."

Miriam laughed. She thought flowers ought to be pinned in one's dress without any care. That Paul should take pains to fix her flowers for her was his whim.

He was rather offended at her laughter.

"Some women do—those who look decent," he said.

Miriam laughed again, but mirthlessly, to hear him thus mix her up with women in a general way. From most men she would have ignored it. But from him it hurt her.

He had nearly finished arranging the flowers when he heard his mother's footstep on the stairs. Hurriedly he pushed in the last pin and turned away.

"Don't let mater know," he said.

Miriam picked up her books and stood in the doorway looking with chagrin at the beautiful sunset. She would call for Paul no more, she said.

"Good-evening, Mrs. Morel," she said, in a deferential way. She sounded as if she felt she had no right to be there.

"Oh, is it you, Miriam?" replied Mrs. Morel coolly.

But Paul insisted on everybody's accepting his friendship with the girl, and Mrs. Morel was too wise to have any open rupture.

It was