Father Payne, Arthur Christopher Benson [reading tree .TXT] 📗

can't for the life of me see what happens to cause such things to be forgotten. Tennyson and Mendelssohn seem to me to have been penetrated with a sense of beauty, and to have been great craftsmen too: and their work at its best not only satisfied the most exacting and trained critics, but thrilled all the most beauty-loving spirits of the time with ineffable content, as of a dream fulfilled beyond the reach of hope. And yet all the light seems to die out of them as the years go on. The new writers and musicians, the new critics, the new audience, are all preoccupied with a different presentment of beauty. And then, very slowly, the light seems to return to the old things--at least to the best of them: but they have to suffer an eclipse, during which they are nothing but symbols of all that is hackneyed and commonplace in music and literature. I think things are either beautiful or not: I can't believe in a real shifting of taste, a merely relative and temporary beauty. If it only happened to the second-rate kinds of goodness, it would be intelligible--but it seems to involve the best as well. What do you think, Gladwin?"

Gladwin, who had been dreamily regarding the wine in his glass, gave a little start almost of pain, as if a thorn had pricked him. He glanced round the table, and then said in his gentlest voice, "Well, Payne, I don't quite know from what point of view you are speaking--from the point of view of serious investigation, or of edification, or of mere curiosity? I should have to be sure of that. But, speaking hurriedly and perhaps intemperately, I should be inclined to think that there was a sort of natural revolt against a convention, a spontaneous disgust at deference being taken for granted. Isn't it like what takes place in politics--though, of course, I know nothing about politics--the way, I mean, in which the electors get simply tired of a political party being in power, and give the other side a chance of doing better? I mean that the gross and unintelligent laudation of any artist who arrives at what is called assured fame, naturally turns one's mind on to the critical consciousness of his imperfections. I don't say it's noble or right--in fact, I think it is probably ungenerous--but I think it is natural."

"Yes, there is a good deal in that," said Father Payne, "but ought not the trained critics to withstand it?"

"The trained critic," said Gladwin, "the man who sells his opinion of a work of art for money, is, of course, the debased outcome of a degrading system. If you press me, I should consider that both the extravagant laudation and the equally extravagant reaction are entirely vulgar and horrible. Personally, I am not easily pleased: but then what does it matter whether I am pleased or not?"

"But you sometimes bring yourself to form, and even express, an opinion?" said Father Payne with a smile.

"An opinion--an opinion"--said Gladwin, shaking his head, "I don't know that I ever get so far as that. One has a kind of feeling, no doubt; but it is so far underground, that one hardly knows what its operations may be."

"'Well said, old mole! Canst work i' the earth so fast? A worthy pioneer!'" said Payne, laughing.

Gladwin gave a quick smile: "A good quotation!" he said, "that was very ready! I congratulate you on that! But there's more of the mole than the pioneer about my work, such as it is!"

Gladwin drifted about the next day like a tired fairy.

He had a long conference with Father Payne, and at dinner he seemed aloof, and hardly spoke at all. He vanished the next day with an air of relief. "Well, what did you think of our guest?" said Father Payne to me, meeting me in the garden before dinner.

"Well," I said, "he seemed to me an unhappy, heavily-burdened man--but he was evidently extraordinarily able."

"Yes," said Father Payne, "that's about it. His mind is too big for him to carry. He sees everything, understands everything, and passes judgment on everything. But he hasn't enough vitality. It must be an awful curse to have no illusions--to see the inferiority of everything so clearly. He's awfully lonely, and I must try to see more of him. But it is very difficult. I used to amuse him, and he appointed me, in a way he has, a sort of State Jester--Royal Letters Patent, you know. But then he began to detect the commonness of my mind and taste, and, one by one, all the avenues of communication became closed. If I liked a book which he disliked, and praised it to him, he became inflicted with a kind of mental nausea: and it's impossible to see much of a man, with any real comfort, when you realise that you are constantly turning him faint and sick. I had a dreary time with him yesterday. He produced some critical essays of his own, which he was thinking of making into a book. They were awfully dry, like figs which have been kept too long--not a drop of juice in them. They were hideously acute, I saw that. But there wasn't any reason why they should have been written. They were mere dissections: I suggested that he should call them 'Depreciations,' and he shivered, and I felt a brute. But that didn't last long, because he has a way of putting you in your place. I felt like something in a nightmare he was having. He annexes you, and he disapproves of you at the same time. I am awfully sorry for him, but I can't help him. The moment I try, I run up against his disapproval, and my vulgar spirit revolts. He's an aristocrat, through and through. He comes and hoists his flag over a place. I felt all yesterday as if I were a rather unwelcome guest in his house, you know. It's a stifling atmosphere. I can't breathe or speak, because I instantly feel myself suspected of crudity! The truth is that Gladwin thinks you can live upon light, and forgets that you also want air."

"It seems rather a ghastly business," I said.

"Yes," said Father Payne, "it's a wretched business! That combination of great sensitiveness and great self-righteousness is the most melancholy thing I know. You have to get rid of one or the other--and yet that is how Gladwin is made. Now, I have plenty of opinions of my own, but I don't consider them final or absolute. It ends, of course, in poor Gladwin knowing about a hundredth part of what is going on in the world, and thinking that it's d--d bad. Of course it is, if you neglect the other ninety-nine parts altogether!"


XLIV


OF WORSHIP

It was one of those perfectly fine and radiant days of early summer, with a touch of easterly about the breeze, which means perhaps a drier air, and always seems to bring out the true colours of our countryside, as with a touch of ethereal golden-tinged varnish. The humid rain-washed days, so common in England, are beautiful enough, with their rolling cloud-ranges and their soft mistiness: but the clear sparkle of this brighter weather, summer without its haze, intensifying each tone of colour and sharply defining each several tint, has a special beauty of form as well as of hue.

I walked with Father Payne far among the fields. He was at first in a silent mood, observing and enjoying. We passed a field carpeted with buttercups, and he said, "That's a beautiful touch, 'the flower-enamelled field'--it isn't just washed with colour, it is like hammered work of beaten gold, like the letters in old missals!" Presently he burst out into talk: "I don't want to say anything affected," he began, "but a day like this, out in the country, gives me a stronger feeling of what I can only describe as _worship_ than anything else in the world, because the scene holds the beauty of life so firmly up before you. Worship means the sense of the unmistakable presence of beauty, I am sure--a beauty great and overwhelming, which one has had no part in making--'The sea is His, and He made it, and His hands prepared the dry land. O come, let us worship and fall down, and kneel before the Lord our Maker'--it's that exactly--a sense of joyful abasement in the presence of something great and infinitely beautiful. I do wish that were more clearly stated and understood and believed. Religion, as we know it in its technical sense, is so faint-hearted about it all! It has limited worship to things beautiful enough, arches and music and ceremony: and it is so afraid of vagueness, so considerate of man's feeble grasp and small outlook, that it is afraid of recognising all the channels by which that sense is communicated, for fear of weakening a special effect. I'll tell you two or three of the experiences I mean. You know old Mrs. Chetwynd, who is fading away in that little cottage beyond the churchyard. She is poor, old, ill. She can hardly be said to have a single pleasure, as you and I reckon pleasures. She just lies there in that poky room waiting for death, always absolutely patient and affectionate and sweet-tempered, grateful for everything, never saying a hard or cross word. Well, I go to see her sometimes--not as often as I ought. She shakes hands with that old knotted-looking hand of hers which has grown soft enough now after its endless labours. She talks a little--she is interested in all the news, she doesn't regret things, or complain, or think it hard that she can't be out and about. After I have been with her for two minutes, with her bright old eyes looking at me out of such a thicket, so to speak, of wrinkles,--her face simply hacked and seamed by life,--I feel myself in the presence of something very divine indeed,--a perfectly pure, tender, joyful, human spirit, suffering the last extremity of discomfort and infirmity, and yet entirely radiant and undimmed. It is then that I feel inclined to kneel down before God, and thank Him humbly for having made and shown me so utterly beautiful a thing as that poor old woman's courage and sweetness. I feel as I suppose the devout Catholic feels before the reserved Sacrament in the shrine--in the presence of a divine mystery; and I rejoice silently that God is what He is, and that I see Him for once unveiled.

"And then the sight of a happy and contented child, kind and spirited and affectionate, like little Molly Akers, never making a fuss, or seeming to want things for herself, or cross, or tiresome--that gives me the same feeling! Then flowers often give me the same feeling, with their cleanness and fresh beauty and pure outline and sweet scent--so useless in a way, often so unregarded, and yet so content just to be what they are, so apart from every stain and evil passion.

"And then in the middle of that you see a man like Barlow stumbling home tipsy to his frightened wife and children, or you read a bad case in the papers, or a letter from a man of virtue finding fault with everybody and slinging pious Billingsgate about: or I lose my own temper about something, and feel I have made a hash of my life--and then I wonder what is the foul poison that has got into things, and what is the dismal ugliness that seems smeared all over life, so that the soul seems like a beautiful bird caught in a slime-pit, and trying