The Mysteries of Udolpho, Ann Ward Radcliffe [best ereader for graphic novels TXT] 📗

we shall see no woods, or hills, or fields, at Venice, for that it is built in the very middle of the sea.”

Emily agreed with the talkative Annette, that this young man was making a change for the worse, and could not forbear silently lamenting, that he should be drawn from the innocence and beauty of these scenes, to the corrupt ones of that voluptuous city.

When she was alone, unable to sleep, the landscapes of her native home, with Valancourt, and the circumstances of her departure, haunted her fancy; she drew pictures of social happiness amidst the grand simplicity of nature, such as she feared she had bade farewell to for ever; and then, the idea of this young Piedmontese, thus ignorantly sporting with his happiness, returned to her thoughts, and, glad to escape a while from the pressure of nearer interests, she indulged her fancy in composing the following lines.

THE PIEDMONTESE

Ah, merry swain, who laugh’d along the vales,
And with your gay pipe made the mountains ring,
Why leave your cot, your woods, and thymy gales,
And friends belov’d, for aught that wealth can bring?
He goes to wake o’er moonlight seas the string,
Venetian gold his untaught fancy hails!
Yet oft of home his simple carols sing,
And his steps pause, as the last Alp he scales.
Once more he turns to view his native scene—
Far, far below, as roll the clouds away,
He spies his cabin ’mid the pine-tops green,
The well-known woods, clear brook, and pastures gay;
And thinks of friends and parents left behind,
Of sylvan revels, dance, and festive song;
And hears the faint reed swelling in the wind;
And his sad sighs the distant notes prolong!
Thus went the swain, till mountain-shadows fell,
And dimm’d the landscape to his aching sight;
And must he leave the vales he loves so well!
Can foreign wealth, and shows, his heart delight?
No, happy vales! your wild rocks still shall hear
His pipe, light sounding on the morning breeze;
Still shall he lead the flocks to streamlet clear,
And watch at eve beneath the western trees.
Away, Venetian gold—your charm is o’er!
And now his swift step seeks the lowland bow’rs,
Where, through the leaves, his cottage light once more
Guides him to happy friends, and jocund hours.
Ah, merry swain! that laugh along the vales,
And with your gay pipe make the mountains ring,
Your cot, your woods, your thymy-scented gales—
And friends belov’d, more joy than wealth can bring!

CHAPTER II

Titania. If you will patiently dance in our round,
And see our moonlight revels, go with us.
                    MIDSUMMER NIGHT’S DREAM

Early on the following morning, the travellers set out for Turin. The luxuriant plain, that extends from the feet of the Alps to that magnificent city, was not then, as now, shaded by an avenue of trees nine miles in length; but plantations of olives, mulberry and palms, festooned with vines, mingled with the pastoral scenery, through with the rapid Po, after its descent from the mountains, wandered to meet the humble Doria at Turin. As they advanced towards this city, the Alps, seen at some distance, began to appear in all their awful sublimity; chain rising over chain in long succession, their higher points darkened by the hovering clouds, sometimes hid, and at others seen shooting up far above them; while their lower steeps, broken into fantastic forms, were touched with blue and purplish tints, which, as they changed in light and shade, seemed to open new scenes to the eye. To the east stretched the plains of Lombardy, with the towers of Turin rising at a distance; and beyond, the Apennines, bounding the horizon.

The general magnificence of that city, with its vistas of churches and palaces, branching from the grand square, each opening to a landscape of the distant Alps or Apennines, was not only such as Emily had never seen in France, but such as she had never imagined.

Montoni, who had been often at Turin, and cared little about views of any kind, did not comply with his wife’s request, that they might survey some of the palaces; but staying only till the necessary refreshments could be obtained, they set forward for Venice with all possible rapidity. Montoni’s manner, during this journey, was grave, and even haughty; and towards Madame Montoni he was more especially reserved; but it was not the reserve of respect so much as of pride and discontent. Of Emily he took little notice. With Cavigni his conversations were commonly on political or military topics, such as the convulsed state of their country rendered at this time particularly interesting, Emily observed, that, at the mention of any daring exploit, Montoni’s eyes lost their sullenness, and seemed instantaneously to gleam with fire; yet they still retained somewhat of a lurking cunning, and she sometimes thought that their fire partook more of the glare of malice than the brightness of valour, though the latter would well have harmonised with the high chivalric air of his figure, in which Cavigni, with all his gay and gallant manners, was his inferior.

On entering the Milanese, the gentlemen exchanged their French hats for the Italian cap of scarlet cloth, embroidered; and Emily was somewhat surprised to observe, that Montoni added to his the military plume, while Cavigni retained only the feather: which was usually worn with such caps: but she at length concluded, that Montoni assumed this ensign of a soldier for convenience, as a means of passing with more safety through a country over-run with parties of the military.

Over the beautiful plains of this country the devastations of war were frequently visible. Where the lands had not been suffered to lie uncultivated, they were often tracked with the steps of the spoiler; the vines were torn down from the branches that had supported them, the olives trampled upon the ground, and even the groves of mulberry trees had been hewn by the enemy to light fires that destroyed the hamlets and villages of their owners. Emily turned her eyes with a sigh from these painful vestiges of contention, to the Alps of the Grison, that overlooked them to the north, whose awful solitudes seemed to offer to persecuted man a secure asylum.

The travellers frequently distinguished troops of soldiers moving at a distance; and they experienced, at the little inns on the road, the scarcity of provision and other inconveniences, which are a part of the consequence of intestine war; but they had never reason to be much alarmed for their immediate safety, and they passed on to Milan with little interruption of any kind, where they staid not to survey the grandeur of the city, or even to view its vast cathedral, which was then building.

Beyond Milan, the country wore the aspect of a ruder devastation; and though everything seemed now quiet, the repose was like that of death, spread over features, which retain the impression of the last convulsions.

It was not till they had passed the eastern limits of the Milanese, that the travellers saw any troops since they had left Milan, when, as the evening was drawing to a close, they descried what appeared to be an army winding onward along the distant plains, whose spears and other arms caught the last rays of the sun. As the column advanced through a part of the road, contracted between two hillocks, some of the commanders, on horseback, were distinguished on a small eminence, pointing and making signals for the march; while several of the officers were riding along the line directing its progress, according to the signs communicated by those above; and others, separating from the vanguard, which had emerged from the pass, were riding carelessly along the plains at some distance to the right of the army.

As they drew nearer, Montoni, distinguishing the feathers that waved in their caps, and the banners and liveries of the bands that followed them, thought he knew this to be the small army commanded by the famous captain Utaldo, with whom, as well as with some of the other chiefs, he was personally acquainted. He, therefore, gave orders that the carriages should draw up by the side of the road, to await their arrival, and give them the pass. A faint strain of martial music now stole by, and, gradually strengthening as the troops approached, Emily distinguished the drums and trumpets, with the clash of cymbals and of arms, that were struck by a small party, in time to the march.

Montoni being now certain that these were the bands of the victorious Utaldo, leaned from the carriage window, and hailed their general by waving his cap in the air; which compliment the chief returned by raising his spear, and then letting it down again suddenly, while some of his officers, who were riding at a distance from the troops, came up to the carriage, and saluted Montoni as an old acquaintance. The captain himself soon after arriving, his bands halted while he conversed with Montoni, whom he appeared much rejoiced to see; and from what he said, Emily understood that this was a victorious army, returning into their own principality; while the numerous waggons, that accompanied them, contained the rich spoils of the enemy, their own wounded soldiers, and the prisoners they had taken in battle, who were to be ransomed when the peace, then negociating between the neighbouring states, should be ratified. The chiefs on the following day were to separate, and each, taking his share of the spoil, was to return with his own band to his castle. This was therefore to be an evening of uncommon and general festivity, in commemoration of the victory they had accomplished together, and of the farewell which the commanders were about to take of each other.

Emily, as these officers conversed with Montoni, observed with admiration, tinctured with awe, their high martial air, mingled with the haughtiness of the noblesse of those days, and heightened by the gallantry of their dress, by the plumes towering on their caps, the armorial coat, Persian sash, and ancient Spanish cloak. Utaldo, telling Montoni that his army were going to encamp for the night near a village at only a few miles distance, invited him to turn back and partake of their festivity, assuring the ladies also, that they should be pleasantly accommodated; but Montoni excused himself, adding, that it was his design to reach Verona that evening; and, after some conversation concerning the state of the country towards that city, they parted.

The travellers proceeded without any interruption; but it was some hours after sunset before they arrived at Verona, whose beautiful environs were therefore not seen by Emily till the following morning; when, leaving that pleasant town at an early hour, they set off for Padua, where they embarked on the Brenta for Venice. Here the scene was entirely changed; no vestiges of war, such as had deformed the plains of the Milanese, appeared; on the contrary, all was peace and elegance. The verdant banks of the Brenta exhibited a continued landscape of beauty, gaiety, and splendour. Emily gazed with admiration on the villas of the Venetian noblesse, with their cool porticos and colonnades, overhung with poplars and cypresses of majestic height and lively verdure; on their rich orangeries, whose blossoms perfumed the air, and on the luxuriant willows, that dipped their light leaves in the wave, and sheltered from the sun the gay parties whose music came at intervals on the breeze. The Carnival did, indeed, appear to extend from Venice along the whole line of these enchanting shores; the river was gay with boats passing to that city, exhibiting the fantastic diversity of a masquerade in the dresses of the people within them; and, towards evening, groups of dancers frequently were seen beneath the trees.

Cavigni, meanwhile, informed her of the names of the noblemen to whom the several villas they passed belonged, adding light sketches of their characters, such as served to amuse rather than to inform, exhibiting his own wit instead of the delineation of truth. Emily was sometimes diverted by his conversation; but his gaiety did not entertain Madame Montoni, as it had formerly done; she was frequently grave, and Montoni retained his usual reserve.

Nothing could exceed Emily’s admiration on her first view of Venice, with its islets, palaces, and towers rising out of the sea, whose clear surface reflected the tremulous picture in all its colours. The sun, sinking in the west, tinted the waves and the lofty mountains of Friuli, which skirt the northern shores of the Adriatic, with a saffron glow, while on the marble porticos and colonnades of St. Mark were thrown the rich lights and shades of evening. As they glided on, the grander features of this city appeared more distinctly: its terraces, crowned with airy yet majestic fabrics, touched, as they now were, with the splendour of the setting sun, appeared as if they had been called up from the ocean by the wand