Leonora, Arnold Bennett [best books under 200 pages .txt] 📗

resolve and of resignation. She had renounced the chance of ecstasy. She was sad, but she was not unhappy. The melancholy which filled the secret places of her soul was sweet and radiant, and she had proved the ancient truth that he who gives up all, finds all. Still in rich possession of beauty and health, she nevertheless looked forward to nothing but old age--an old age of solitude and sufferance. Hannah and Meshach were gone; John was gone; and she alone seemed to be left of the elder generations. In four days Ethel was to be married. Already for more than three months Rose had been in London, and in a fortnight Leonora was to take Millicent there. And when Ethel was married and perhaps a mother, and Rose versed and absorbed in the art and craft of obstetrics, and the name of Millicent familiar in the mouths of clubmen, what was Leonora to do then? She could not control her daughters; she could scarcely guide them. Ethel knew only one law, Fred's wish; and Rose had too much intellect, and Millicent too little heart, to submit to her. Since John's death the house had been the abode of peace and amiability, but it had also been Liberty Hall. If sometimes Leonora regretted that she could not more dominantly impress herself upon her children, she never doubted that on the whole the new republic was preferable to the old tyranny. What then had she to do? She had to watch over her girls, and especially over Rose and Milly. And as she sat in the garden with Bran at her feet, in the solitude which foreshadowed the more poignant solitude to come, she said to herself with passionate maternity: 'I shall watch over them. If anything occurs I shall always be ready.' And this blissful and transforming thought, this vehement purpose, allayed somewhat the misgivings which she had long had about Millicent, and which her recent glimpses into the factitious and erratic world of the theatre had only served to increase.

It was Milly's affair which had at length brought Leonora to the point of communicating with Arthur Twemlow. In the first weeks of widowhood, the most terrible of her life, she could not dream of writing to him. Then the sacrifice had dimly shaped itself in her mind, and while actually engaged in fighting against it she hesitated to send any message whatever. And when she realised that the sacrifice was inevitable for her, when she inwardly knew that Arthur and the splendid rushing life of New York must be renounced in obedience to the double instinct of maternity and of repentance, she could not write. She felt timorous; she was unable to frame the sentences. And she procrastinated, ruled by her characteristic quality of supineness. Once she heard that he had been over to London and gone back; she drew a deep breath as though a peril had been escaped, and procrastinated further. Then came the overtures from Lionel Belmont, or at least from his agents, to Milly. Belmont was a New Yorker, and the notion suddenly struck her of writing to Arthur for information about Belmont. It was a capricious notion, but it provided an extrinsic excuse for a letter which might be followed by another of more definite import. In the end she was obliged to yield to it. She wrote, as she had performed every act of her relationship with Arthur, unwillingly, in spite of her reason, governed by a strange and arbitrary impulse. No sooner was the letter in the pillar-box than she began to wonder what Arthur would say in his response, and how she should answer that response. She grew impatient and restless, and called at the chief Post Office in Bursley for information about the American mails. On this evening, as Leonora sat in the garden, Milly was reciting at a concert at Knype, and Ethel and Fred had accompanied her. Leonora, resisting some pressure, had declined to go with them. Assuming that Arthur wrote on the day he received her missive, his reply, she had ascertained, ought to be delivered in Hillport the next morning, but there was just a chance that it might be delivered that night. Hence she had stayed at home, expectant, and--with all her serenity--a little nervous and excited.

Carpenter emerged from the region of the stable and began to water some flower-beds in the vicinity of her seat.

'Terrible dry month we've had, ma'am,' he murmured in his quiet pastoral voice, waving the can to and fro.

She agreed perfunctorily. Her mind was divided between suspense concerning the postman, contemplation of the placid vista of the remainder of her career, and pleasure in the languorous charm of the May evening.

Bran moved his head, and rising ponderously walked round the seat towards the house. Then Carpenter, following the dog with his eyes, smiled and touched his cap. Leonora turned sharply. Arthur Twemlow himself stood on the step of the drawing-room window, and Bessie's white apron was just disappearing within.

In the first glance Leonora noticed that Arthur was considerably thinner. She was overcome by a violent emotion that contained both fear and joy. And as he approached her, agitated and unsmiling, the joy said: 'How heavenly it is to see him again!' But the fear asked: 'Why is he so worn? What have you been doing to him all these months, Leonora?' She met him in the middle of the lawn, and they shook hands timidly, clumsily, embarrassed. Carpenter, with that inborn delicacy of tact which is the mark of a simple soul, walked away out of sight, and Bran, receiving no attention, followed him.

'Were you surprised to see me?' Arthur lamely questioned.

In their hearts a thousand sensations struggled, some for expression, others for concealment; and speech, pathetically unequal to the swift crisis, was disconcerted by it almost to the verge of impotence.

'Yes,' she said. 'Very.'

'You ought not to have been,' he replied.

His tone alarmed her. 'Why?' she said. 'When did you get my letter?'

'Just after one o'clock to-day.'

'To-day?'

'I was in London. It was sent on to me from New York.'

She was relieved. When she saw him first at the window, she had a lightning vision of him tearing open her letter in New York, jumping instantly into a cab, and boarding the English steamer. This had frightened her. It was, if not exactly reassuring, at any rate less terrifying, to learn that he had flown to her only from London.

'Well,' he exclaimed, 'how's everybody? And where are the girls?'

She gave the news, and then they walked together to the seat and sat down, in silence.

'You don't look too well,' she ventured. 'You've been working too hard.'

He passed his hand across his forehead and moved on the seat so as to meet her eyes directly.

'Quite the reverse,' he said. 'I haven't been working half hard enough.'

'Not half hard enough?' she repeated mechanically.

As his eyes caught hers and held them she was conscious of an exquisite but mortal tremor; her spine seemed to give way. The old desire for youth and love, for that brilliant and tender existence in which were united virtue and the flavour of sin, dalliance and high endeavour, eternal appetite and eternal satisfaction, rushed wondrously over her. The life which she had mapped out for herself suddenly appeared miserable, inadequate, even contemptible. Was she, with her rich blood, her perfect health, her proud carriage, her indestructible beauty, and her passionate soul, to wither solitary in the cold shadow? She felt intensely, as every human heart feels sometimes, that the satisfactions of duty were chimerical, and that the only authentic bliss was to be found in a wild and utter abandonment to instinct. No matter what the cost of rapture, in self-respect or in remorse, it was worth the cost. Why did not mankind rise up and put an end to this endless crucifixion of instinct which saddened the whole earth, and say gloriously, 'Let us live'? And in a moment dalliance without endeavour, and the flavour of sin without virtue, were beautiful ideals for her. She could have put her arms round Arthur's neck and drawn him to her, and blotted out all the past and sullied all the future with one kiss. She wondered what recondite force dissuaded her from doing so. 'I have but to lift my arms and smile,' she thought.

'You've been very cruel,' said Arthur. 'I wouldn't have believed you could have been so cruel. I guess you didn't know how cruel you were. Why didn't you write before?'

'I couldn't,' she answered submissively. 'Didn't you understand?' The question was not quite ingenuous, but she meant it well.

'I understood at first,' he said. 'I knew you would want to wait. I knew how upset you'd be--I--I think I knew all you'd feel.... But it will soon be eighteen months ago.' His voice was full of emotion. Then he smiled, gravely and charmingly.' However, it's finished now, and I'm here.'

His indictment was very kind, very mild; but she could see how he had suffered, and that his wrath against her had been none the less genuine because it was the wrath of love. She grew more and more humble before his gaze so adoring and so reproachful. She knew that she had been selfish, and that she had ransomed her conscience as much at his expense as at her own. She perceived the vital inferiority of women to men--that quality of callousness which allows them to commit all cruelties in the name of self-sacrifice, and that lack of imagination by which they are blinded to the wounds they deal. Women have brief moods in which they judge themselves as men judge them, in which they escape from their sex and know the truth. Such a mood came then to Leonora. And she wished ardently to compensate Arthur for the martyrdom which she had inflicted on him. They were close to one another. The atmosphere between them was electric. And the darkness of a calm and delicious night was falling. Could she not obey her instinct, and in one bright word, one word laden with the invitation and acquiescence of femininity, atone for her sin against him? Could she not shatter the images of Rose and Milly, who loved her after their hard fashion, but who would never thank her for her watchful affection--would even resent it? Vain hope!

'Oh!' she exclaimed grievously, trying uselessly to keep the dream of joyous indulgence from fading away. 'I must tell you--I cannot leave them!'

'Leave whom?'

'The girls--Rose and Milly. I daren't. You don't know what I went through after John's death--and I can't desert them. I should have told you in my next letter.'

Her tones moved not only him but herself. He was obliged at once to receive what she said with the utmost seriousness, as something fully weighed and considered.

'Do you mean,' he demanded, 'that you won't marry me and come to New York?'

'I can't, I can't,' she replied.

He got up and walked along the garden towards the meadow, so far that in the twilight her eyes could scarcely distinguish his figure against the bushes. Then he returned.

'Just let me hear all about the girls.' He stood in front of her.

'You see,' she said entreatingly, when she had hurried through her recital, 'I couldn't leave them, could I?'

But instead of answering, he questioned her further about Milly's projects, and made suggestions, and they seemed to have been discussing the complex subject for an hour before she found a chance to reassert, plaintively: 'I couldn't leave them.'