The Antiquary — Complete, Walter Scott [best novels for beginners .TXT] 📗

was a syren, or a bird of Paradise; her father a triton, or a sea-gull; and Oldbuck alternately a porpoise and a cormorant. These agreeable imaginations were varied by all the usual vagaries of a feverish dream;—the air refused to bear the visionary, the water seemed to burn him—the rocks felt like down pillows as he was dashed against them—whatever he undertook, failed in some strange and unexpected manner—and whatever attracted his attention, underwent, as he attempted to investigate it, some wild and wonderful metamorphosis, while his mind continued all the while in some degree conscious of the delusion, from which it in vain struggled to free itself by awaking;—feverish symptoms all, with which those who are haunted by the night-hag, whom the learned call Ephialtes, are but too well acquainted. At length these crude phantasmata arranged themselves into something more regular, if indeed the imagination of Lovel, after he awoke (for it was by no means the faculty in which his mind was least rich), did not gradually, insensibly, and unintentionally, arrange in better order the scene of which his sleep presented, it may be, a less distinct outline. Or it is possible that his feverish agitation may have assisted him in forming the vision.

Leaving this discussion to the learned, we will say, that after a succession of wild images, such as we have above described, our hero, for such we must acknowledge him, so far regained a consciousness of locality as to remember where he was, and the whole furniture of the Green Chamber was depicted to his slumbering eye. And here, once more, let me protest, that if there should be so much old-fashioned faith left among this shrewd and sceptical generation, as to suppose that what follows was an impression conveyed rather by the eye than by the imagination, I do not impugn their doctrine. He was, then, or imagined himself, broad awake in the Green Chamber, gazing upon the flickering and occasional flame which the unconsumed remnants of the faggots sent forth, as, one by one, they fell down upon the red embers, into which the principal part of the boughs to which they belonged had crumbled away. Insensibly the legend of Aldobrand Oldenbuck, and his mysterious visits to the inmates of the chamber, awoke in his mind, and with it, as we often feel in dreams, an anxious and fearful expectation, which seldom fails instantly to summon up before our mind’s eye the object of our fear. Brighter sparkles of light flashed from the chimney, with such intense brilliancy as to enlighten all the room. The tapestry waved wildly on the wall, till its dusky forms seemed to become animated. The hunters blew their horns—the stag seemed to fly, the boar to resist, and the hounds to assail the one and pursue the other; the cry of deer, mangled by throttling dogs—the shouts of men, and the clatter of horses’ hoofs, seemed at once to surround him—while every group pursued, with all the fury of the chase, the employment in which the artist had represented them as engaged. Lovel looked on this strange scene devoid of wonder (which seldom intrudes itself upon the sleeping fancy), but with an anxious sensation of awful fear. At length an individual figure among the tissued huntsmen, as he gazed upon them more fixedly, seemed to leave the arras and to approach the bed of the slumberer. As he drew near, his figure appeared to alter. His bugle-horn became a brazen clasped volume; his hunting-cap changed to such a furred head-gear as graces the burgomasters of Rembrandt; his Flemish garb remained but his features, no longer agitated with the fury of the chase, were changed to such a state of awful and stern composure, as might best portray the first proprietor of Monkbarns, such as he had been described to Lovel by his descendants in the course of the preceding evening. As this metamorphosis took place, the hubbub among the other personages in the arras disappeared from the imagination of the dreamer, which was now exclusively bent on the single figure before him. Lovel strove to interrogate this awful person in the form of exorcism proper for the occasion; but his tongue, as is usual in frightful dreams, refused its office, and clung, palsied, to the roof of his mouth. Aldobrand held up his finger, as if to impose silence upon the guest who had intruded on his apartment, and began deliberately to unclasp the venerable, volume which occupied his left hand. When it was unfolded, he turned over the leaves hastily for a short space, and then raising his figure to its full dimensions, and holding the book aloft in his left hand, pointed to a passage in the page which he thus displayed. Although the language was unknown to our dreamer, his eye and attention were both strongly caught by the line which the figure seemed thus to press upon his notice, the words of which appeared to blaze with a supernatural light, and remained riveted upon his memory. As the vision shut his volume, a strain of delightful music seemed to fill the apartment—Lovel started, and became completely awake. The music, however, was still in his ears, nor ceased till he could distinctly follow the measure of an old Scottish tune.

He sate up in bed, and endeavoured to clear his brain of the phantoms which had disturbed it during this weary night. The beams of the morning sun streamed through the half-closed shutters, and admitted a distinct light into the apartment. He looked round upon the hangings,—but the mixed groups of silken and worsted huntsmen were as stationary as tenter-hooks could make them, and only trembled slightly as the early breeze, which found its way through an open crevice of the latticed window, glided along their surface. Lovel leapt out of bed, and, wrapping himself in a morning-gown, that had been considerately laid by his bedside, stepped towards the window, which commanded a view of the sea, the roar of whose billows announced it still disquieted by the storm of the preceding evening, although the morning was fair and serene. The window of a turret, which projected at an angle with the wall, and thus came to be very near Lovel’s apartment, was half-open, and from that quarter he heard again the same music which had probably broken short his dream. With its visionary character it had lost much of its charms—it was now nothing more than an air on the harpsichord, tolerably well performed—such is the caprice of imagination as affecting the fine arts. A female voice sung, with some taste and great simplicity, something between a song and a hymn, in words to the following effect:—

“Why sitt’st thou by that ruin’d hall, Thou aged carle so stern and grey? Dost thou its former pride recall, Or ponder how it passed away? “Know’st thou not me!” the Deep Voice cried, “So long enjoyed, so oft misused— Alternate, in thy fickle pride, Desired, neglected, and accused? “Before my breath, like, blazing flax, Man and his marvels pass away; And changing empires wane and wax, Are founded, flourish and decay. “Redeem mine hours—the space is brief— While in my glass the sand-grains shiver, And measureless thy joy or grief, When Time and thou shalt part for ever!”

While the verses were yet singing, Lovel had returned