The Man Without a Country, and Other Tales, Edward Everett Hale [best books to read for self development txt] 📗
- Author: Edward Everett Hale
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III.
And so I walked home. Better so, perhaps, after all, than in the lively sleigh, with the tinkling bells.
"It was a calm and silent night!—
Seven hundred years and fifty-three
Had Rome been growing up to might,
And now was queen of land and sea!
[pg 291]No sound was heard of clashing wars,—
Peace brooded o'er the hushed domain;
Apollo, Pallas, Jove, and Mars
Held undisturbed their ancient reign
In the solemn midnight,
Centuries ago!"
What an eternity it seemed since I started with those children singing carols. Bethlehem, Nazareth, Calvary, Rome, Roman senators, Tiberius, Paul, Nero, Clement, Ephrem, Ambrose, and all the singers,—Vincent de Paul, and all the loving wonderworkers, Milton and Herbert and all the carol-writers, Luther and Knox and all the prophets,—what a world of people had been keeping Christmas with Sam Perry and Lycidas and Harry and me; and here were Yokohama and the Japanese, the Daily Argus and its ten million tokens and their readers,—poor Fanny Woodhull and her sick mother there, keeping Christmas too! For a finite world, these are a good many "waits" to be singing in one poor fellow's ears on one Christmas-tide.
"'Twas in the calm and silent night!—
The senator of haughty Rome,
Impatient urged his chariot's flight,
From lordly revel, roiling home.
Triumphal arches gleaming swell
His breast, with thoughts of boundless sway
What recked the Roman what befell
A paltry province far away,
In the solemn midnight,
Centuries ago!
[pg 292]"Within that province far away
Went plodding home a weary boor;
A streak of light before him lay,
Fallen through a half-shut stable door
Across his path. He passed,—for naught
Told what was going on within;
How keen the stars, his only thought,
The air how calm and cold and thin,
In the solemn midnight,
Centuries ago!"
"Streak of light"—Is there a light in Lycidas's room? They not in bed! That is making a night of it! Well, there are few hours of the day or night when I have not been in Lycidas's room, so I let myself in by the night-key he gave me, ran up the stairs,—it is a horrid seven-storied, first-class lodging-house. For my part, I had as lief live in a steeple. Two flights I ran up, two steps at a time,—I was younger then than I am now,—pushed open the door which was ajar, and saw such a scene of confusion as I never saw in Mary's over-nice parlor before. Queer! I remember the first thing that I saw was wrong was a great ball of white German worsted on the floor. Her basket was upset. A great Christmas-tree lay across the rug, quite too high for the room; a large sharp-pointed Spanish clasp-knife was by it, with which they had been lopping it; there were two immense baskets of white papered presents, both upset; but what frightened me most was the centre-table. Three or four handkerchiefs on it,—towels, napkins, I know not what,—all brown and red and [pg 293] almost black with blood! I turned, heart-sick, to look into the bedroom,—and I really had a sense of relief when I saw somebody. Bad enough it was, however. Lycidas, but just now so strong and well, lay pale and exhausted on the bloody bed, with the clothing removed from his right thigh and leg, while over him bent Mary and Morton. I learned afterwards that poor Lycidas, while trimming the Christmas-tree, and talking merrily with Mary and Morton,—who, by good luck, had brought round his presents late, and was staying to tie on glass balls and apples,—had given himself a deep and dangerous wound with the point of the unlucky knife, and had lost a great deal of blood before the hemorrhage could be controlled. Just before I entered, the stick tourniquet which Morton had improvised had slipped in poor Mary's unpractised hand, at the moment he was about to secure the bleeding artery, and the blood followed in such a gush as compelled him to give his whole attention to stopping its flow. He only knew my entrance by the "Ah, Mr. Ingham," of the frightened Irish girl, who stood useless behind the head of the bed.
"O Fred," said Morton, without looking up, "I am glad you are here."
"And what can I do for you?"
"Some whiskey,—first of all."
"There are two bottles," said Mary, who was holding the candle,—"in the cupboard behind his dressing-glass." [pg 294]
I took Bridget with me, struck a light in the dressing-room (how she blundered about the match), and found the cupboard door locked! Key doubtless in Mary's pocket,—probably in pocket of "another dress." I did not ask. Took my own bunch, willed tremendously that my account-book drawer key should govern the lock, and it did. If it had not, I should have put my fist through the panels. Bottle of bedbug poison; bottle marked "bay rum"; another bottle with no mark; two bottles of Saratoga water. "Set them all on the floor, Bridget." A tall bottle of Cologne. Bottle marked in MS. What in the world is it? "Bring that candle, Bridget." "Eau destillée. Marron, Montreal." What in the world did Lycidas bring distilled water from Montreal for? And then Morton's clear voice in the other room, "As quick as you can, Fred." "Yes! in one moment. Put all these on the floor, Bridget." Here they are at last. "Bourbon whiskey." "Corkscrew, Bridget."
"Indade, sir, and where is it?" "Where? I don't know. Run down as quick as you can, and bring it. His wife cannot leave him." So Bridget ran, and the first I heard was the rattle as she pitched down the last six stairs of the first flight headlong. Let us hope she has not broken her leg. I meanwhile am driving a silver pronged fork into the Bourbon corks, and the blade of my own penknife on the other side.
"Now, Fred," from George within. (We all call [pg 295] Morton "George.") "Yes, in one moment," I replied. Penknife blade breaks off, fork pulls right out, two crumbs of cork come with it. Will that girl never come?
I turned round; I found a goblet on the wash-stand; I took Lycidas's heavy clothes-brush, and knocked off the neck of the bottle. Did you ever do it, reader, with one of those pressed glass bottles they make now? It smashed like a Prince Rupert's drop in my hand, crumbled into seventy pieces,—a nasty smell of whiskey on the floor,—and I, holding just the hard bottom of the thing with two large spikes running worthless up into the air. But I seized the goblet, poured into it what was left in the bottom, and carried it in to Morton as quietly as I could. He bade me give Lycidas as much as he could swallow; then showed me how to substitute my thumb for his, and compress the great artery. When he was satisfied that he could trust me, he began his work again, silently; just speaking what must be said to that brave Mary, who seemed to have three hands because he needed them. When all was secure, he glanced at the ghastly white face, with beads of perspiration on the forehead and upper lip, laid his finger on the pulse, and said: "We will have a little more whiskey. No, Mary, you are overdone already; let Fred bring it." The truth was that poor Mary was almost as white as Lycidas. She would not faint,—that was the only reason she did not,—and at the moment I wondered [pg 296] that she did not fall. I believe George and I were both expecting it, now the excitement was over. He called her Mary and me Fred, because we were all together every day of our lives. Bridget, you see, was still nowhere.
So I retired for my whiskey again,—to attack that other bottle. George whispered quickly as I went, "Bring enough,—bring the bottle." Did he want the bottle corked? Would that Kelt ever come up stairs? I passed the bell-rope as I went into the dressing-room, and rang as hard as I could ring. I took the other bottle, and bit steadily with my teeth at the cork, only, of course, to wrench the end of it off. George called me, and I stepped back. "No," said he, "bring your whiskey."
Mary had just rolled gently back on the floor. I went again in despair. But I heard Bridget's step this time. First flight, first passage; second flight, second passage. She ran in in triumph at length, with a screw-driver!
"No!" I whispered,—"no. The crooked thing you draw corks with," and I showed her the bottle again. "Find one somewhere and don't come back without it." So she vanished for the second time.
"Frederic!" said Morton. I think he never called me so before. Should I risk the clothes-brush again? I opened Lycidas's own drawers,—papers, boxes, everything in order,—not a sign of a tool.
"Frederic!" "Yes," I said. But why did I [pg 297] say "Yes"? "Father of Mercy, tell me what to do."
And my mazed eyes, dim with tears,—did you ever shed tears from excitement?—fell on an old razor-strop of those days of shaving, made by C. WHITTAKER, SHEFFIELD. The "Sheffield" stood in black letters out from the rest like a vision. They make cork screws in Sheffield too. If this Whittaker had only made a corkscrew! And what is a "Sheffield wimble?"
Hand in my pocket,—brown paper parcel.
"Where are you, Frederic?" "Yes," said I, for the last time. Twine off! brown paper off. And I learned that the "Sheffield wimble" was one of those things whose name you never heard before, which people sell you in Thames Tunnel, where a hoof-cleaner, a gimlet, a screw-driver, and a corkscrew fold into one handle.
"Yes," said I, again. "Pop," said the cork "Bubble, bubble, bubble," said the whiskey. Bottle in one hand, full tumbler in
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