A Houseful of Girls, Sarah Tytler [self help books to read TXT] 📗

squeeze Bank of England notes through the keyholes, to prevent it.

"Hester Jennings says she would not be very much surprised if she heard of a buyer for my tulip picture; but I don't know," said Rose doubtfully, glancing at the picture, which was on an adjoining table.

"May I look at it?" asked Tom Robinson, jumping up with alacrity, probably to make a diversion in the conversation from the obnoxious[333] topic of Dora's problematical voyage to Jamaica. He had seen Rose's work at Redcross, and he could give it as his honest opinion that she had made a great advance in her art, though he did not profess to be a judge. He said, however, that he had a friend, an old St. Ambrose crony, who was an artist. They had happened to be together in Rome at a later date, had been a good deal thrown on each other's company there, and had continued to keep up a friendly intercourse. He requested permission for his friend to call and look at the little picture. He might be of use to Rose in disposing of it; he was always ready to help a fellow-artist. Tom supposed the Millars had heard his friend's name, it was pretty well known; indeed they might have seen him, for Pemberton and Lady Mary, his wife, had spent a few days with Tom at Redcross, and had been in church on the Sunday during their visit, the summer before last.

In spite of the obligations of good breeding, the Millars looked at each other in open-mouthed astonishment. Certainly they had heard of Pemberton the distinguished landscape painter, and they had been told that he had married into the peerage, as Aunt Penny had married into the county. The girls also remembered perfectly the quiet-looking young couple who had been noticed walking about with Tom Robinson the July before[334] last. People had wondered languidly who the strangers could be—whether they were cousins far removed on Tom's father's side of the house, since they did not quite answer to the style of his mother's yeomen kindred. But it was an effort to the provincial mind to identify the unobtrusive-looking pair with the Pembertons, to realize that Mr. Pemberton and his Lady Mary had actually come and stayed the better part of a week with Tom Robinson. They could hardly have been ignorant of "Robinson's," whose master was only received into the upper-class houses of the town on a species of sufferance.

The peerage must have unique rules by which to frame its standards. There was the Hon. Victoria, Mrs. Carey's niece by marriage, who, when Carey's Bank was in full bloom, would hardly be seen in the streets of Redcross, and scarcely deigned to acknowledge her own aunt-in-law. As to the familiarity of staying a night in the Bank House, she would never have dreamt of it. In this respect she did little credit to the teaching of her old governess, Miss Franklin, who had shown herself a philosopher in her own person. Perhaps, when it came to stooping at all, the peerage felt it might as soon, and with a still more gracious and graceful effect, bend low as bend slightly. Perhaps in the peerage, as in every other[335] class, there are all sorts and conditions of mind and heart.

A little clue might have been supplied to account for the eccentricity of the Pembertons, and to lessen the shock of their conduct to the Millars, if the latter had been made acquainted with one circumstance. About the time of the stay of the artist and his wife in Rome, where he had been only too glad to run up against a favourite old college chum, when the three had been making a long excursion in company beyond the Campagna, Pemberton had been suddenly attacked in a remote little town with a violent illness.

His poor young wife would have been utterly frightened and forlorn had it not been for the moral courage and untiring good offices of the third person in the company—Tom Robinson.

Tom did not appear conscious of the sensation he had created by the mention of his friend. He arranged when Mr. Pemberton should come and view Rose's picture to suit Rose's convenience, and not that of the famous and courted artist. Then he explained in all sincerity, before he took his leave, that he, Tom Robinson, was very sorry he could not have the pleasure of bringing Pemberton and introducing him personally, because a business engagement called the master of "Robinson's" back to Redcross early next morning.

[336]The party he left were quite silent and still for a moment after he had gone, till what she had heard of Mr. Pemberton went to Rose's head to such a degree that she rose, whirled round on tiptoe, and caused her spread-out frock to perform the feat which children call "making a cheese."

"Won't it be delicious to know Mr. Pemberton and get his advice—perhaps one day presume to ask him how he does his hay-fields and orchards? What will Hester Jennings say! I say, we'll have Hester to meet him; she will come for such a painter though the whole peerage would not get her to budge an inch. I wish we could tone her down a little bit, but he must just swallow her whole. She is good and clever enough to be permitted that rugged line of her own. Oh! but isn't Tom Robinson a trump? I will be slangy, Annie—as May says, it is so expressive."

"Yes, yes," chimed in May enthusiastically, in reference to the man and not to the slang. "I have known it ever since he came up like a lion—why do you laugh, Rose?—and rescued Tray—don't you remember, Dora?—from that horrid brute of a collie. Tray bit him—Mr. Robinson, I mean—not knowing that he was his best friend, and he only laughed. He was so kind about my wishing to go into his shop, like Phyllis Carey, though he would not take me. I think it must be a privilege,[337] as Miss Franklin tells Phyllis, to serve him. She says all the nice people in the shop have the greatest regard for him."

"I am so sorry and ashamed that I ever drew caricatures of him," said Rose, in pensive penitence. "I think, whenever I am able, I must paint his portrait, as I see him now, to make up for it."

"And ask him to have it hung above the oak staircase in the shop," suggested Annie, a little satirically. But she added immediately, "Though it broke no bones to dwell on his lack of height and his foxy complexion, I am rather sorry now that I did it, because I have ceased to think that these objectionable details deserved to be made of any consequence. On the contrary, I own to the infatuation of beginning to see that there is something fine in them. I suppose I shall be calling Tom Robinson's hair golden, or tawny, or chestnut soon, and his inches the proper height for a man. It is true," broke off Annie, with sudden, unaccountable perversity, "I do hate great lumbering flaxen-haired giants." She blushed furiously after she had indulged in the last digression, and hastened to resume the main thread of the conversation. "As for Tom Robinson's having little to say, I declare that my present impression is that he says quite enough, and very much to the purpose too. It was so nice and like a gentleman of him not to[338] propose immediately to buy Rose's picture when she talked rashly of her anxiety that it should find a purchaser."

"I don't think Cyril Carey, with all his airs, would have shown so much delicacy in the old days," said Rose.

"Or that Ned Hewett, though Ned has such a kind heart, would have been able to avoid blundering into some such offer," remarked May.

There was one person who remained absolutely silent while the others sang Tom Robinson's praises, and it might be her silence which called her sisters' attention to her.

"I wonder what you would have, Dora?" said Rose, with several shades of superciliousness in her voice and in her lifted-up nose.

"I cannot understand how you could be such a cruel, hard-hearted girl," May actually reproached her devoted slave.

"There is such a thing as being too particular," Annie had the coolness to say. "I am sure I do not go in for indiscriminate marriages or for falling in love," she added with lofty decision. "It has always been a mystery to me what poor Fanny Russell could see to care for, or to do anything save laugh at, in Cyril Carey. I hope the elderly 'competition wallah,' or commissioner, or whatever he is, whom she is going to marry, has more sense[339] as well as more money. For her marriage was arranged, though the news had not reached England, mother writes, before the tidings of Colonel Russell's death came. But when a man who can act as Tom Robinson has acted crosses a woman's path and pays her the compliment of asking her to be his wife, I do think she should be careful what she answers."

Dora stared as if she were losing her senses. Were they laughing at her still? Could they be in earnest? If so, how was it possible for them to be so flagrantly inconsistent and unjust? She could only utter a single exclamation. But as the worm will turn, the exclamation was emphatic and indignant enough. "Well!" she cried, in utter amazement and incipient rebellion. "Well!" and she returned the challenging gaze of the circle with a counter-challenge, before which all eyes except Annie's fell.

Annie had the audacity to look Dora in the face and echo the "Well!" nay, to say further, "You never heard of anything so disgraceful as for us to turn upon you and find fault with you for refusing Tom Robinson, when all the time it was we who laughed at him, and scouted his shop, keeping you up to the point of dismissing him without delay? Quite true, Dora, dear; but then it was you, and not us, whom he was proposing to marry! and a[340] girl old enough to receive such a proposal should have the wit to judge for herself—should she not? She ought to cultivate the penetration to look beneath the surface in so important a matter, and then fewer lamentable mistakes would be made. However, nobody could expect you to put force on your inclinations, and he does not bear you malice."

Annie did not regard her share in the matter so cheerfully and lightly when she was in the privacy of a ward of St. Ebbe's, where she had begged to sit up with an unconscious patient, just to keep her hand in and compose her feelings.

"What mischievous little wretches we were," she reflected, as she deftly changed the wet cloth on the sick woman's hot forehead. "How happy he might have made Dora, and how happy she might have made him! She is so single-minded and tender-hearted, that she could hardly have failed to see his merits, if we had given him the chance, let her alone, and left the pair to themselves. Then, if the worst were to come to the worst," and Annie frowned with anxiety and grief, as well as with wholesome humiliation, "if poor father and mother cannot get along, and none of us girls can help them effectually, his house might have been their home, where he would never have let them feel other than honoured guests. He would have[341] been a son to them. But the mischief is done, and there is no help for it. If Dora and he were an ordinary couple, it might be mended; but now she will not look at him when we none of us have a penny, because she refused him when we were in comfortable circumstances; and he will not renew his suit with the thought in his mind that it would look and feel to her as if any favour he has magnanimously conferred on us, were a mere bribe to compel her to listen to him. So, Annie Millar, this is a pretty kettle of fish, of which you have been chief cook! There is the greater reason for you to make up your mind from this moment to devote yourself wholly to your family, and let nothing—nothing," she protested with suspicious vehemence, "come between you and them."

"What is it, you poor soul?" the young nurse responded quickly to a movement of the helpless ailing creature beside her. "Do you know there is somebody here? Will it ease you to have your head raised on my arm, do you think? You cannot hear or answer, but we'll try