Macleod of Dare, William Black [always you kirsty moseley .txt] 📗

the country would come to a standstill. If it was the sole and constant occupation of every adult Frenchman to run after his neighbor's wife, how could bridges be built, taxes collected, fortifications planned? Surely a Frenchman must sometimes think, if only by accident, of something other than his neighbor's wife? Macleod laughed to himself in the solitude of Castle Dare, and contemptuously flung the unfinished paper-covered novel aside.

But what was his surprise and indignation--his shame, even--on finding that this very piece in which Gertrude White was acting was all about a jealous husband, and a gay and thoughtless wife, and a villain who did not at all silently plot her ruin, but frankly confided his aspirations to a mutual friend, and rather sought for sympathy; while she, Gertrude White herself, had, before all these people, to listen to advances which, in her innocence, she was not supposed to understand. As the play proceeded, his brows grew darker and darker. And the husband, who ought to have been the guardian of his wife's honor? Well, the husband in this rather poor play was a creation that is common in modern English drama. He represented one idea at least that the English playwright has certainly not borrowed from the French stage. Moral worth is best indicated by a sullen demeanor. The man who has a pleasant manner is dangerous and a profligate; the virtuous man--the true-hearted Englishman--conducts himself as a boor, and proves the goodness of his nature by his silence and his sulks. The hero of this trumpery piece was of this familiar type. He saw the gay fascinator coming about his house; but he was too proud and dignified to interfere. He knew of his young wife becoming the byword of his friends; but he only clasped his hands on his forehead, and sought solitude, and scowled as a man of virtue should. Macleod had paid but little attention to stories of this kind when he had merely read them; but when the situation was visible--when actual people were before him--the whole thing looked more real, and his sympathies became active enough. How was it possible, he thought, for this poor dolt to fume and mutter, and let his innocent wife go her own way alone and unprotected, when there was a door in the room, and a window by way of alternative? There was one scene in which the faithless friend and the young wife were together in her drawing-room. He drew nearer to her; he spake softly to her; he ventured to take her hand. And while he was looking up appealingly to her, Macleod was regarding his face. He was calculating to himself the precise spot between the eyes where a man's knuckles would most effectually tell; and his hand was clinched, and his teeth set hard. There was a look on his face which would have warned any gay young man that when Macleod should marry, his wife would need no second champion.

But was this the atmosphere by which she was surrounded? It is needless to say that the piece was proper enough. Virtue was triumphant; vice compelled to sneak off discomfited. The indignant outburst of shame, and horror, and contempt on the part of the young wife, when she came to know what the villain's suave intentions really meant, gave Miss White an excellent opportunity of displaying her histrionic gifts; and the public applauded vehemently; but Macleod had no pride in her triumph. He was glad when the piece ended--when the honest-hearted Englishman so far recovered speech as to declare that his confidence in his wife was restored, and so far forgot his stolidity of face and demeanor as to point out to the villain the way to the door instead of kicking him thither. Macleod breathed more freely when he knew that Gertrude White was now about to go away to the shelter and quiet of her own home. He went back to his rooms, and tried to forget the precise circumstances in which he had just seen her.

But not to forget herself. A new gladness filled his heart when he thought of her--thought of her not now as a dream or a vision, but as the living and breathing woman whose musical laugh seemed still to be ringing in his ears. He could see her plainly--the face all charged with life and loveliness; the clear bright eyes that he had no longer any fear of meeting; the sweet mouth with its changing smiles. When Major Stuart came home that night he noticed a most marked change in the manner of his companion. Macleod was excited, eager, talkative; full of high spirits and friendliness; he joked his friend about his playing truant from his wife. He was anxious to know all about the major's adventures, and pressed him to have but one other cigar, and vowed that he would take him on the following evening to the only place in London where a good dinner could be had. There was gladness in his eyes, a careless satisfaction in his manner; he was ready to do anything, go anywhere. This was more like the Macleod of old. Major Stuart came to the conclusion that the atmosphere of London had had a very good effect on his friend's spirits.

When Macleod went to bed that night there were wild and glad desires and resolves in his brain that might otherwise have kept him awake but for the fatigue he had lately endured. He slept, and he dreamed; and the figure that he saw in his dreams--though she was distant, somehow--had a look of tenderness in her eyes, and she held a red rose in her hand.


CHAPTER XXII.


DECLARATION.

November though it was, next morning broke brilliantly over London. There was a fresh west wind blowing; there was a clear sunshine filling the thoroughfares; if one were on the lookout for picturesqueness even in Bury Street, was there not a fine touch of color where the softly red chimney-pots rose far away into the blue? It was not possible to have always around one the splendor of the northern sea.

And Macleod would not listen to a word his friend had to say concerning the important business that had brought them both to London.

"To-night, man--to-night--we will arrange it all to-night," he would say, and there was a nervous excitement about his manner for which the major could not at all account.

"Sha'n't I see you till the evening, then?" he asked.

"No," Macleod said, looking anxiously out of the window, as if he feared some thunder-storm would suddenly shut out the clear light of this beautiful morning. "I don't know--perhaps I may be back before--but at any rate we meet at seven. You will remember--seven?"

"Indeed I am not likely to forget it," his companion said, for he had been told about five-and-thirty times.

It was about eleven o'clock when Macleod left the house. There was a grateful freshness about the morning even here in the middle of London. People looked cheerful; Piccadilly was thronged with idlers come out to enjoy the sunshine; there was still a leaf or two fluttering on the trees in the square. Why should this man go eagerly tearing away northward in a hansom--with an anxious and absorbed look on his face--when everybody seemed inclined to saunter leisurely along, breathing the sweet wind, and feeling the sunlight on their cheek?

It was scarcely half-past eleven when Macleod got out of the hansom, and opened a small gate, and walked up to the door of a certain house. He was afraid she had already gone. He was afraid she might resent his calling at so unusual an hour. He was afraid--of a thousand things. And when at last the trim maid-servant told him that Miss White was within, and asked him to step into the drawing-room, it was almost as one in a dream that he followed her. As one in a dream, truly; but nevertheless he saw every object around him with a marvellous vividness. Next day he could recollect every feature of the room--the empty fireplace, the black-framed mirror, the Chinese fans, the small cabinets with their shelves of blue and white, and the large open book on the table, with a bit of tartan lying on it. These things seemed to impress themselves on his eyesight involuntarily; for he was in reality intently listening for a soft footfall outside the door. He went forward to this open book. It was a volume of a work on the Highland clans--a large and expensive work that was not likely to belong to Mr. White. And this colored figure? It was the representative of the clan Macleod: and this bit of cloth that lay on the open book was of the Macleod tartan. He withdrew quickly, as though he had stumbled on some dire secret. He went to the window. He saw only leafless trees now, and withered flowers; with the clear sunshine touching the sides of houses and walls that had in the summer months been quite invisible.

There was a slight noise behind him; he turned, and all the room seemed filled with a splendor of light and of life as she advanced to him--the clear, beautiful eyes full of gladness, the lips smiling, the hand frankly extended. And of a sudden his heart sank. Was it indeed of her,


"The glory of life, the beauty of the world,"


that he had dared to dream wild and impossible dreams? He had set out that morning with a certain masterful sense that he would face his fate. He had "taken the world for his pillow," as the Gaelic stories say. But at this sudden revelation of the incomparable grace, and self-possession, and high loveliness of this beautiful creature, all his courage and hopes fled instantly, and he could only stammer out excuses for his calling so early. He was eagerly trying to make himself out an ordinary visitor. He explained that he did not know but that she might be going to the theatre during the day. He was in London for a short time on business. It was an unconscionable hour.

"But I am so glad to see you!" she said, with a perfect sweetness, and her eyes said more than her words. "I should have been really vexed if I had heard you had passed through London without calling on us. Won't you sit down?"

As he sat down, she turned for a second, and without any embarrassment shut the big book that had been lying open on the table.

"It is very beautiful weather," she remarked--there was no tremor about _her_ fingers, at all events, as she made secure the brooch that fastened the simple morning-dress at the neck, "only it seems a pity to throw away such beautiful sunshine on withered gardens and bare trees. We have some fine chrysanthemums, though; but I confess I don't like chrysanthemums myself. They come at a wrong time. They look unnatural. They only remind one of what is gone. If we are to have winter, we ought to have it out and out. The chrysanthemums always seem to me as if they were making a pretence--trying to make you believe that there was still some life left in the dead garden."

It was very pretty talk, all this about chrysanthemums, uttered in the low-toned, and gentle, and musical voice; but somehow there was a burning impatience in his heart, and a bitter sense of hopelessness, and he felt as though he would cry out in his despair. How could he sit there and listen to talk about chrysanthemums? His hands were tightly clasped together; his heart was throbbing quickly; there was a humming in his ears, as though