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once, in Paris, going with a friend to take the oath of allegiance to the French Republic."

"And did you take it?" cried Dupre eagerly.

"Alas, no! We met two other friends, and we all adjourned to a cafe and had something to drink. I little thought that bottle of champagne was going to cost me my life, for, of course, if I had taken the oath of allegiance, my friend, the French Minister, would have bombarded the city before he would have allowed the execution to go on."

"Then you know to what you are condemned," said the manager, with tears in his eyes.

"Oh, I know that Balmeceda thinks he is going to have me shot; but then he always was a fool, and never knew what he was talking about. I told him if he would allow you two in at the execution, and instead of having a whole squad to fire at me, order one expert marksman, if he had such a thing in his whole army, to shoot me through the heart, that I would show you, Dupre, how a man dies under such circumstances, but the villain refused. The usurper has no soul for art, or anything else, for that matter. I hope you won't mind my death. I assure you I don't mind it myself. I would much rather be shot than live in this confounded country any longer. But I have made up my mind to cheat old Balmeceda if I can, and I want you, Dupre, to pay particular attention, and not to interfere."

As Lemoine said this he quickly snatched from the sheath at the soldier's side the bayonet which hung at his hip. The soldiers were standing one to the right, and one to the left of him, with their hands interlaced over the muzzles of their guns, whose butts rested on the stone floor. They apparently paid no attention to the conversation that was going on, if they understood it, which was unlikely. Lemoine had the bayonet in his hands before either of the four men present knew what he was doing.

Grasping both hands over the butt of the bayonet, with the point towards his breast, he thrust the blade with desperate energy nearly through his body. The whole action was done so quickly that no one realised what had happened until Lemoine threw his hands up and they saw the bayonet sticking in his breast. A look of agony came in the wounded man's eyes, and his lips whitened. He staggered against the soldier at his right, who gave way with the impact, and then he tottered against the whitewashed stone wall, his right arm sweeping automatically up and down the wall as if he were brushing something from the stones. A groan escaped him, and he dropped on one knee. His eyes turned helplessly towards Dupre, and he gasped out the words--

"My God! You were right--after all."

Then he fell forward on his face and the tragedy ended.



TWO FLORENTINE BALCONIES.



Prince Padema sat desolately on his lofty balcony at Florence, and cursed things generally. Fate had indeed dealt hardly with the young man.

The Prince had been misled by the apparent reasonableness of the adage, that if you want a thing well done you should do it yourself. In committing a murder it is always advisable to have some one else to do it for you, but the Prince's plans had been several times interfered with by the cowardice or inefficiency of his emissaries, so on one unfortunate occasion he had determined to remove an objectionable man with his own hand, and realised then how easily mistakes may occur.

He had met the man face to face under a corner lamp in Venice. The recognition was mutual, and the man, fearing his noble enemy, had fled. The Prince pursued, and the man apparently tried to double upon him, and, with his cloak over his face, endeavoured to sneak past along the dark wall. When the Prince deftly ran the dagger into his vitals, he was surprised that the man made no resistance or outcry, made no effort to ward off the blow, but sunk lifeless at the Prince's feet with a groan.

Alarmed at this, the Prince bade his servant drag the body to a spot where a votive lamp set in the wall threw dim yellow rays to the pavement. Then his Highness was appalled to see that he had assassinated a scion of one of the noblest families of Venice, which was a very different thing from murdering a man of low degree whose life the law took little note of.

So the Prince had to flee from Venice, and he took up his residence in a narrow street in an obscure part of Florence.

Seldom had fate played a man so scurvy a trick, and the Prince was fully justified in his cursing, for the unfortunate episode had interrupted a most absorbing amour which, at that moment, was rapidly approaching an interesting climax.

Prince Padema had been several weeks in Florence, and those weeks had been deadly dull. "The women of Florence," he said to himself bitterly, "are not to be compared with those of Venice." But even if they had been, the necessity of keeping quiet, for a time at least, would have prevented the Prince from taking advantage of his enforced sojourn in the fair city.

On this particular evening, the Prince's sombre meditations were interrupted by a song. The song apparently came from the same building in which his suite of rooms were situated, and from an open window some distance below him. What caught his attention was the fact that the song was Venetian, and the voice that sang it was the rich mellow voice of Venice.

There were other exiles, then, beside himself. He peered over the edge of the balcony perched like an eagle's nest high above the narrow stone street, and endeavoured to locate the open window from which the song came, or, better still, to catch a glimpse of the singer.

For a time he was unsuccessful, but at last his patience was rewarded. On a balcony to the right, and some distance below his own, there appeared the most beautiful girl even he had ever seen. The dark, oval face was so distinctly Venetian that he almost persuaded himself he had met her in his native town.

She stood with her hands on the top rail of the balcony, her dark hair tumbled in rich confusion over her shapely shoulders. The golden light in the evening sky touched her face with glory, as she looked towards it, of that part of it that could be seen at the end of the narrow street.

The Prince's heart beat high as he gazed upon the face that was unconscious of his scrutiny. Instantly the thought flashed over him that exile in Florence might, after all, have its compensations.

"Pietro," he whispered softly through his own open windows to the servant who was moving silently about the room, "come here for a moment, quietly."

The servant came stealthily to the edge of the window.

"You see that girl on the lower balcony," said the Prince in a whisper.

Pietro nodded.

"Find out for me who she is--why she is here--whether she has any friends. Do it silently, so as to arouse no suspicion."

Again his faithful servant nodded, and disappeared into the gloom of the room.

Next day Pietro brought to his eager master what information he had been able to glean. He had succeeded in forming the acquaintance of the Signorina's maid.

For some reason, which the maid either did not know or would not disclose, the Signorina was exiled for a time from Venice. She belonged to a good family there, but the name of the family the maid also refused to divulge. She dared not tell it, she said. They had been in Florence for several weeks, but had only taken the rooms below within the last two days. The Signorina received absolutely no one, and the maid had been cautioned to say nothing whatever about her to any person; but she had apparently succumbed in a measure to the blandishments of gallant Pietro.

The rooms had been taken because of their quiet and obscure position.

That evening the Prince was again upon his balcony, but his thoughts were not so bitter as they had been the day before. He had a bouquet of beautiful flowers beside him. He listened for the Venetian song, but was disappointed at not hearing it; and he hoped that Pietro had not been so injudicious as to arouse the suspicions of the maid, who might communicate them to her mistress. He held his breath eagerly as he heard the windows below open. The maid came out on the balcony and placed an easy-chair in the corner of it. She deftly arranged the cushions and the drapery of it, and presently the Signorina herself appeared, and with languid grace seated herself.

The Prince had now a full view of her lovely face, as the girl rested her elbow on the railing of the balcony, and her cheek upon her hand.

"You may go now, Pepita," said the girl.

The maid threw a lace shawl over the shoulders of her mistress, and departed.

The Prince leaned over the balcony and whispered, "Signorina."

The startled girl looked up and down the street, and then at the balcony which stood out against the opalescent sky, the tracery of ironwork showing like delicate etching on the luminous background.

She flushed and dropped her eyes, making no reply.

"Signorina," repeated the Prince, "I, too, am an exile. Pardon me. It is in remembrance of our lovely city;" and with that he lightly flung the bouquet, which fell at her feet on the floor of the balcony.

For a few moments the girl did not move nor raise her eyes; then she cast a quick glance through the open window into her room. After some slight hesitation she stooped gracefully and picked up the bouquet.

"Ah, beautiful Venice!" she murmured with a sigh, still not looking upwards.

The Prince was delighted with the success of his first advance, which is always the difficult step.

Evening after evening they sat there later and later. The acquaintance ripened to its inevitable conclusion--the conclusion the Prince had counted on from the first.

One evening she stood in the darkness with her cheek pressed against the wall at the corner of her balcony nearest to him; he looked over and downward at her.

"It cannot be. It cannot be," she said, with a frightened quaver in her voice, but a quaver which the Prince recognised, with his large experience, as the tone of yielding.

"It must be," he whispered down to her. "It was ordained from the first. It has to be."

The girl was weeping silently.

"It is impossible," she said at last. "My servant sleeps outside my door. Even if she did not know, your servant would, and there would be gossip--and scandal. It is impossible."

"Nothing is impossible," cried the Prince eagerly, "where true love exists. I shall lock my door, and Pietro shall know nothing about it. He never comes unless I call him. I will get a rope and throw it to your balcony. Lock you your door as I do mine. In the darkness nothing is seen."

"No, no," she murmured. "That would not do. You could not climb back again, and all would be lost."

"Oh, nonsense!" cried the young man eagerly. "It is nothing to

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