Of Human Bondage, W. Somerset Maugham [historical books to read TXT] 📗

Miss Price began to criticise what Philip had done. She talked glibly of anatomy and construction, planes and lines, and of much else which Philip did not understand. She had been at the studio a long time and knew the main points which the masters insisted upon, but though she could show what was wrong with Philip’s work she could not tell him how to put it right.

“It’s awfully kind of you to take so much trouble with me,” said Philip.

“Oh, it’s nothing,” she answered, flushing awkwardly. “People did the same for me when I first came, I’d do it for anyone.”

“Miss Price wants to indicate that she is giving you the advantage of her knowledge from a sense of duty rather than on account of any charms of your person,” said Clutton.

Miss Price gave him a furious look, and went back to her own drawing. The clock struck twelve, and the model with a cry of relief stepped down from the stand.

Miss Price gathered up her things.

“Some of us go to Gravier’s for lunch,” she said to Philip, with a look at Clutton. “I always go home myself.”

“I’ll take you to Gravier’s if you like,” said Clutton.

Philip thanked him and made ready to go. On his way out Mrs. Otter asked him how he had been getting on.

“Did Fanny Price help you?” she asked. “I put you there because I know she can do it if she likes. She’s a disagreeable, ill-natured girl, and she can’t draw herself at all, but she knows the ropes, and she can be useful to a newcomer if she cares to take the trouble.”

On the way down the street Clutton said to him:

“You’ve made an impression on Fanny Price. You’d better look out.”

Philip laughed. He had never seen anyone on whom he wished less to make an impression. They came to the cheap little restaurant at which several of the students ate, and Clutton sat down at a table at which three or four men were already seated. For a franc, they got an egg, a plate of meat, cheese, and a small bottle of wine. Coffee was extra. They sat on the pavement, and yellow trams passed up and down the boulevard with a ceaseless ringing of bells.

“By the way, what’s your name?” said Clutton, as they took their seats.

“Carey.”

“Allow me to introduce an old and trusted friend, Carey by name,” said Clutton gravely. “Mr. Flanagan, Mr. Lawson.”

They laughed and went on with their conversation. They talked of a thousand things, and they all talked at once. No one paid the smallest attention to anyone else. They talked of the places they had been to in the summer, of studios, of the various schools; they mentioned names which were unfamiliar to Philip, Monet, Manet, Renoir, Pissarro, Degas. Philip listened with all his ears, and though he felt a little out of it, his heart leaped with exultation. The time flew. When Clutton got up he said:

“I expect you’ll find me here this evening if you care to come. You’ll find this about the best place for getting dyspepsia at the lowest cost in the Quarter.”

Philip walked down the Boulevard du Montparnasse. It was not at all like the Paris he had seen in the spring during his visit to do the accounts of the Hotel St. Georges—he thought already of that part of his life with a shudder—but reminded him of what he thought a provincial town must be. There was an easy-going air about it, and a sunny spaciousness which invited the mind to day-dreaming. The trimness of the trees, the vivid whiteness of the houses, the breadth, were very agreeable; and he felt himself already thoroughly at home. He sauntered along, staring at the people; there seemed an elegance about the most ordinary, workmen with their broad red sashes and their wide trousers, little soldiers in dingy, charming uniforms. He came presently to the Avenue de l’Observatoire, and he gave a sigh of pleasure at the magnificent, yet so graceful, vista. He came to the gardens of the Luxembourg: children were playing, nurses with long ribbons walked slowly two by two, busy men passed through with satchels under their arms, youths strangely dressed. The scene was formal and dainty; nature was arranged and ordered, but so exquisitely, that nature unordered and unarranged seemed barbaric. Philip was enchanted. It excited him to stand on that spot of which he had read so much; it was classic ground to him; and he felt the awe and the delight which some old don might feel when for the first time he looked on the smiling plain of Sparta.

As he wandered he chanced to see Miss Price sitting by herself on a bench. He hesitated, for he did not at that moment want to see anyone, and her uncouth way seemed out of place amid the happiness he felt around him; but he had divined her sensitiveness to affront, and since she had seen him thought it would be polite to speak to her.

“What are you doing here?” she said, as he came up.

“Enjoying myself. Aren’t you?”

“Oh, I come here every day from four to five. I don’t think one does any good if one works straight through.”

“May I sit down for a minute?” he said.

“If you want to.”

“That doesn’t sound very cordial,” he laughed.

“I’m not much of a one for saying pretty things.”

Philip, a little disconcerted, was silent as he lit a cigarette.

“Did Clutton say anything about my work?” she asked suddenly.

“No, I don’t think he did,” said Philip.

“He’s no good, you know. He thinks he’s a genius, but he isn’t. He’s too lazy, for one thing. Genius is an infinite capacity for taking pains. The only thing is to peg away. If one only makes up one’s mind badly enough to do a thing one can’t help doing it.”

She spoke with a passionate strenuousness which was rather striking. She wore a sailor hat of black straw, a white blouse which was not quite clean, and a brown skirt. She had no gloves on, and her hands wanted washing. She was so unattractive that Philip wished he had not begun to talk to her. He could not make out whether she wanted him to stay or go.

“I’ll do anything I can for you,” she said all at once, without reference to anything that had gone before. “I know how hard it is.”

“Thank you very much,” said Philip, then in a moment: “Won’t you come and have tea with me somewhere?”

She looked at him quickly and flushed. When she reddened her pasty skin acquired a curiously mottled look, like strawberries and cream that had gone bad.

“No, thanks. What d’you think I want tea for? I’ve only just had lunch.”

“I thought it would pass the time,” said Philip.

“If you find it long you needn’t bother about me, you know. I don’t mind being left alone.”

At that moment two men passed, in brown velveteens, enormous trousers, and basque caps. They were young, but both wore beards.

“I say, are those art-students?” said Philip. “They might have stepped out of the Vie de Boheme.”

“They’re Americans,” said Miss Price scornfully. “Frenchmen haven’t worn things like that for thirty years, but the Americans from the Far West buy those clothes and have themselves photographed the day after they arrive in Paris. That’s about as near to art as they ever get. But it doesn’t matter to them, they’ve all got money.”

Philip liked the daring picturesqueness of the Americans’ costume; he thought it showed the romantic spirit. Miss Price asked him the time.

“I must be getting along to the studio,” she said. “Are you going to the sketch classes?”

Philip did not know anything about them, and she told him that from five to six every evening a model sat, from whom anyone who liked could go and draw at the cost of fifty centimes. They had a different model every day, and it was very good practice.

“I don’t suppose you’re good enough yet for that. You’d better wait a bit.”

“I don’t see why I shouldn’t try. I haven’t got anything else to do.”

They got up and walked to the studio. Philip could not tell from her manner whether Miss Price wished him to walk with her or preferred to walk alone. He remained from sheer embarrassment, not knowing how to leave her; but she would not talk; she answered his questions in an ungracious manner.

A man was standing at the studio door with a large dish into which each person as he went in dropped his half franc. The studio was much fuller than it had been in the morning, and there was not the preponderance of English and Americans; nor were women there in so large a proportion. Philip felt the assemblage was more the sort of thing he had expected. It was very warm, and the air quickly grew fetid. It was an old man who sat this time, with a vast gray beard, and Philip tried to put into practice the little he had learned in the morning; but he made a poor job of it; he realised that he could not draw nearly as well as he thought. He glanced enviously at one or two sketches of men who sat near him, and wondered whether he would ever be able to use the charcoal with that mastery. The hour passed quickly. Not wishing to press himself upon Miss Price he sat down at some distance from her, and at the end, as he passed her on his way out, she asked him brusquely how he had got on.

“Not very well,” he smiled.

“If you’d condescended to come and sit near me I could have given you some hints. I suppose you thought yourself too grand.”

“No, it wasn’t that. I was afraid you’d think me a nuisance.”

“When I do that I’ll tell you sharp enough.”

Philip saw that in her uncouth way she was offering him help.

“Well, tomorrow I’ll just force myself upon you.”

“I don’t mind,” she answered.

Philip went out and wondered what he should do with himself till dinner. He was eager to do something characteristic. Absinthe! of course it was indicated, and so, sauntering towards the station, he seated himself outside a cafe and ordered it. He drank with nausea and satisfaction. He found the taste disgusting, but the moral effect magnificent; he felt every inch an art-student; and since he drank on an empty stomach his spirits presently grew very high. He watched the crowds, and felt all men were his brothers. He was happy. When he reached Gravier’s the table at which Clutton sat was full, but as soon as he saw Philip limping along he called out to him. They made room. The dinner was frugal, a plate of soup, a dish of meat, fruit, cheese, and half a bottle of wine; but Philip paid no attention to what he ate. He took note of the men at the table. Flanagan was there again: he was an American, a short, snub-nosed youth with a jolly face and a laughing mouth. He wore a Norfolk jacket of bold pattern, a blue stock round his neck, and a tweed cap of fantastic shape. At that time impressionism reigned in the Latin Quarter, but its victory over the older schools was still recent; and Carolus-Duran, Bouguereau, and their like were set up against Manet, Monet, and Degas. To appreciate these was still a sign of grace. Whistler was an influence strong with the English and his compatriots, and the discerning collected Japanese prints. The old masters were tested by new standards. The esteem in which Raphael had been