Letters of Two Brides, Honoré de Balzac [i can read books TXT] 📗
- Author: Honoré de Balzac
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never frankly happy, men who cloak suspicion under bad temper, and make their women pay for an hour's peace by a morning of annoyance, who take vengeance on us for a beauty which is hateful to them because they have ceased themselves to be attractive,--all these are horrors unknown to youth. They are the penalty of unequal unions. Oh! my dear, whatever you do, don't marry Athenais to an old man!
But his smile--how I feast on it! A smile which is always there, yet always fresh through the play of subtle fancy, a speaking smile which makes of the lips a storehouse for thoughts of love and unspoken gratitude, a smile which links present joys to past. For nothing is allowed to drop out of our common life. The smallest works of nature have become part and parcel of our joy. In these delightful woods everything is alive and eloquent of ourselves. An old moss-grown oak, near the woodsman's house on the roadside, reminds us how we sat there, wearied, under its shade, while Gaston taught me about the mosses at our feet and told me their story, till, gradually ascending from science to science, we touched the very confines of creation.
There is something so kindred in our minds that they seem to me like two editions of the same book. You see what a literary tendency I have developed! We both have the habit, or the gift, of looking at every subject broadly, of taking in all its points of view, and the proof we are constantly giving ourselves of the singleness of our inward vision is an ever-new pleasure. We have actually come to look on this community of mind as a pledge of love; and if it ever failed us, it would mean as much to us as would a breach of fidelity in an ordinary home.
My life, full as it is of pleasures, would seem to you, nevertheless, extremely laborious. To begin with, my dear, you must know that Louise-Armande-Marie de Chaulieu does her own room. I could not bear that a hired menial, some woman or girl from the outside, should become initiated--literary touch again!--into the secrets of my bedroom. The veriest trifles connected with the worship of my heart partake of its sacred character. This is not jealousy; it is self-respect. Thus my room is done out with all the care a young girl in love bestows on her person, and with the precision of an old maid. My dressing-room is no chaos of litter; on the contrary, it makes a charming boudoir. My keen eye has foreseen all contingencies. At whatever hour the lord and master enters, he will find nothing to distress, surprise, or shock him; he is greeted by flowers, scents, and everything that can please the eye.
I get up in the early dawn, while he is still sleeping, and, without disturbing him, pass into the dressing-room, where, profiting by my mother's experience, I remove the traces of sleep by bathing in cold water. For during sleep the skin, being less active, does not perform its functions adequately; it becomes warm and covered with a sort of mist or atmosphere of sticky matter, visible to the eye. From a sponge-bath a woman issues ten years younger, and this, perhaps, is the interpretation of the myth of Venus rising from the sea. So the cold water restores to me the saucy charm of dawn, and, having combed and scented my hair and made a most fastidious toilet, I glide back, snake-like, in order that my master may find me, dainty as a spring morning, at his wakening. He is charmed with this freshness, as of a newly-opened flower, without having the least idea how it is produced.
The regular toilet of the day is a matter for my maid, and this takes place later in a larger room, set aside for the purpose. As you may suppose, there is also a toilet for going to bed. Three times a day, you see, or it may be four, do I array myself for the delight of my husband; which, again, dear one, is suggestive of certain ancient myths.
But our work is not all play. We take a great deal of interest in our flowers, in the beauties of the hothouse, and in our trees. We give ourselves in all seriousness to horticulture, and embosom the chalet in flowers, of which we are passionately fond. Our lawns are always green, our shrubberies as well tended as those of a millionaire. And nothing I assure you, can match the beauty of our walled garden. We are regular gluttons over our fruit, and watch with tender interest our Montreuil peaches, our hotbeds, our laden trellises, and pyramidal pear-trees.
But lest these rural pursuits should fail to satisfy my beloved's mind, I have advised him to finish, in the quiet of this retreat, some plays which were begun in his starvation days, and which are really very fine. This is the only kind of literary work which can be done in odd moments, for it requires long intervals of reflection, and does not demand the elaborate pruning essential to a finished style. One can't make a task-work of dialogue; there must be biting touches, summings-up, and flashes of wit, which are the blossoms of the mind, and come rather by inspiration than reflection. This sort of intellectual sport is very much in my line. I assist Gaston in his work, and in this way manage to accompany him even in the boldest flights of his imagination. Do you see now how it is that my winter evenings never drag?
Our servants have such an easy time, that never once since we were married have we had to reprimand any of them. When questioned about us, they have had wit enough to draw on their imaginations, and have given us out as the companion and secretary of a lady and gentleman supposed to be traveling. They never go out without asking permission, which they know will not be refused; they are contented too, and see plainly that it will be their own fault if there is a change for the worse. The gardeners are allowed to sell the surplus of our fruits and vegetables. The dairymaid does the same with the milk, the cream, and the fresh butter, on condition that the best of the produce is reserved for us. They are well pleased with their profits, and we are delighted with an abundance which no money and no ingenuity can procure in that terrible Paris, where it costs a hundred francs to produce a single fine peach.
All this is not without its meaning, my dear. I wish to fill the place of society to my husband; now society is amusing, and therefore his solitude must not be allowed to pall on him. I believed myself jealous in the old days, when I merely allowed myself to be loved; now I know real jealousy, the jealousy of the lover. A single indifferent glance unnerves me. From time to time I say to myself, "Suppose he ceased to love me!" And a shudder goes through me. I tremble before him, as the Christian before his God.
Alas! Renee, I am still without a child. The time will surely come--it must come--when our hermitage will need a father's and a mother's care to brighten it, when we shall both pine to see the little frocks and pelisses, the brown or golden heads, leaping, running through our shrubberies and flowery paths. Oh! it is a cruel jest of Nature's, a flowering tree that bears no fruit. The thought of your lovely children goes through me like a knife. My life has grown narrower, while yours has expanded and shed its rays afar. The passion of love is essentially selfish, while motherhood widens the circle of our feelings. How well I felt this difference when I read your kind, tender letter! To see you thus living in three hearts roused my envy. Yes, you are happy; you have had wisdom to obey the laws of social life, whilst I stand outside, an alien.
Children, dear and loving children, can alone console a woman for the loss of her beauty. I shall soon be thirty, and at that age the dirge within begins. What though I am still beautiful, the limits of my woman's reign are none the less in sight. When they are reached, what then? I shall be forty before he is; I shall be old while he is still young. When this thought goes to my heart, I lie at his feet for an hour at a time, making him swear to tell me instantly if ever he feels his love diminishing.
But he is a child. He swears, as though the mere suggestion were an absurdity, and he is so beautiful that--Renee, you understand--I believe him.
Good-bye, sweet one. Shall we ever again let years pass without writing? Happiness is a monotonous theme, and that is, perhaps, the reason why, to souls who love, Dante appears even greater in the _Paradiso_ than in the _Inferno_. I am not Dante; I am only your friend, and I don't want to bore you. You can write, for in your children you have an ever-growing, every-varying source of happiness, while mine... No more of this. A thousand loves.
LIII. MME. DE L'ESTORADE TO MME. GASTON
My dear Louise,--I have read and re-read your letter, and the more deeply I enter into its spirit, the clearer does it become to me that it is the letter, not of a woman, but of a child. You are the same old Louise, and you forget, what I used to repeat over and over again to you, that the passion of love belongs rightly to a state of nature, and has only been purloined by civilization. So fleeting is its character, that the resources of society are powerless to modify its primitive condition, and it becomes the effort of all noble minds to make a man of the infant Cupid. But, as you yourself admit, such love ceases to be natural.
Society, my dear abhors sterility; but substituting a lasting sentiment for the mere passing frenzy of nature, it has succeeded in creating that greatest of all human inventions--the family, which is the enduring basis of all organized society. To the accomplishment of this end, it has sacrificed the individual, man as well as woman; for we must not shut our eyes to the fact that a married man devotes his energy, his power, and all his possession to his wife. Is it not she who reaps the benefit of all his care? For whom, if not for her, are the luxury and wealth, the position and distinction, the comfort and the gaiety of the home?
Oh! my sweet, once again you have taken the wrong turning in life. To be adored is a young girl's dream, which may survive a few springtimes; it cannot be that of the mature woman, the wife and mother. To a woman's vanity it is, perhaps, enough to know that she can command adoration if she likes. If you would live the life of a wife and mother, return, I beg of you, to Paris. Let me repeat my warning: It is not misfortune which you have to dread, as others do--it is happiness.
Listen to me, my child! It is the simple things of life--bread, air, silence--of which we do not tire; they have no piquancy which can create distaste; it is highly-flavored dishes which irritate the palate, and in the end exhaust it. Were it possible that I should to-day be loved by a man for whom I could conceive a passion, such as yours for Gaston, I would still cling to the
But his smile--how I feast on it! A smile which is always there, yet always fresh through the play of subtle fancy, a speaking smile which makes of the lips a storehouse for thoughts of love and unspoken gratitude, a smile which links present joys to past. For nothing is allowed to drop out of our common life. The smallest works of nature have become part and parcel of our joy. In these delightful woods everything is alive and eloquent of ourselves. An old moss-grown oak, near the woodsman's house on the roadside, reminds us how we sat there, wearied, under its shade, while Gaston taught me about the mosses at our feet and told me their story, till, gradually ascending from science to science, we touched the very confines of creation.
There is something so kindred in our minds that they seem to me like two editions of the same book. You see what a literary tendency I have developed! We both have the habit, or the gift, of looking at every subject broadly, of taking in all its points of view, and the proof we are constantly giving ourselves of the singleness of our inward vision is an ever-new pleasure. We have actually come to look on this community of mind as a pledge of love; and if it ever failed us, it would mean as much to us as would a breach of fidelity in an ordinary home.
My life, full as it is of pleasures, would seem to you, nevertheless, extremely laborious. To begin with, my dear, you must know that Louise-Armande-Marie de Chaulieu does her own room. I could not bear that a hired menial, some woman or girl from the outside, should become initiated--literary touch again!--into the secrets of my bedroom. The veriest trifles connected with the worship of my heart partake of its sacred character. This is not jealousy; it is self-respect. Thus my room is done out with all the care a young girl in love bestows on her person, and with the precision of an old maid. My dressing-room is no chaos of litter; on the contrary, it makes a charming boudoir. My keen eye has foreseen all contingencies. At whatever hour the lord and master enters, he will find nothing to distress, surprise, or shock him; he is greeted by flowers, scents, and everything that can please the eye.
I get up in the early dawn, while he is still sleeping, and, without disturbing him, pass into the dressing-room, where, profiting by my mother's experience, I remove the traces of sleep by bathing in cold water. For during sleep the skin, being less active, does not perform its functions adequately; it becomes warm and covered with a sort of mist or atmosphere of sticky matter, visible to the eye. From a sponge-bath a woman issues ten years younger, and this, perhaps, is the interpretation of the myth of Venus rising from the sea. So the cold water restores to me the saucy charm of dawn, and, having combed and scented my hair and made a most fastidious toilet, I glide back, snake-like, in order that my master may find me, dainty as a spring morning, at his wakening. He is charmed with this freshness, as of a newly-opened flower, without having the least idea how it is produced.
The regular toilet of the day is a matter for my maid, and this takes place later in a larger room, set aside for the purpose. As you may suppose, there is also a toilet for going to bed. Three times a day, you see, or it may be four, do I array myself for the delight of my husband; which, again, dear one, is suggestive of certain ancient myths.
But our work is not all play. We take a great deal of interest in our flowers, in the beauties of the hothouse, and in our trees. We give ourselves in all seriousness to horticulture, and embosom the chalet in flowers, of which we are passionately fond. Our lawns are always green, our shrubberies as well tended as those of a millionaire. And nothing I assure you, can match the beauty of our walled garden. We are regular gluttons over our fruit, and watch with tender interest our Montreuil peaches, our hotbeds, our laden trellises, and pyramidal pear-trees.
But lest these rural pursuits should fail to satisfy my beloved's mind, I have advised him to finish, in the quiet of this retreat, some plays which were begun in his starvation days, and which are really very fine. This is the only kind of literary work which can be done in odd moments, for it requires long intervals of reflection, and does not demand the elaborate pruning essential to a finished style. One can't make a task-work of dialogue; there must be biting touches, summings-up, and flashes of wit, which are the blossoms of the mind, and come rather by inspiration than reflection. This sort of intellectual sport is very much in my line. I assist Gaston in his work, and in this way manage to accompany him even in the boldest flights of his imagination. Do you see now how it is that my winter evenings never drag?
Our servants have such an easy time, that never once since we were married have we had to reprimand any of them. When questioned about us, they have had wit enough to draw on their imaginations, and have given us out as the companion and secretary of a lady and gentleman supposed to be traveling. They never go out without asking permission, which they know will not be refused; they are contented too, and see plainly that it will be their own fault if there is a change for the worse. The gardeners are allowed to sell the surplus of our fruits and vegetables. The dairymaid does the same with the milk, the cream, and the fresh butter, on condition that the best of the produce is reserved for us. They are well pleased with their profits, and we are delighted with an abundance which no money and no ingenuity can procure in that terrible Paris, where it costs a hundred francs to produce a single fine peach.
All this is not without its meaning, my dear. I wish to fill the place of society to my husband; now society is amusing, and therefore his solitude must not be allowed to pall on him. I believed myself jealous in the old days, when I merely allowed myself to be loved; now I know real jealousy, the jealousy of the lover. A single indifferent glance unnerves me. From time to time I say to myself, "Suppose he ceased to love me!" And a shudder goes through me. I tremble before him, as the Christian before his God.
Alas! Renee, I am still without a child. The time will surely come--it must come--when our hermitage will need a father's and a mother's care to brighten it, when we shall both pine to see the little frocks and pelisses, the brown or golden heads, leaping, running through our shrubberies and flowery paths. Oh! it is a cruel jest of Nature's, a flowering tree that bears no fruit. The thought of your lovely children goes through me like a knife. My life has grown narrower, while yours has expanded and shed its rays afar. The passion of love is essentially selfish, while motherhood widens the circle of our feelings. How well I felt this difference when I read your kind, tender letter! To see you thus living in three hearts roused my envy. Yes, you are happy; you have had wisdom to obey the laws of social life, whilst I stand outside, an alien.
Children, dear and loving children, can alone console a woman for the loss of her beauty. I shall soon be thirty, and at that age the dirge within begins. What though I am still beautiful, the limits of my woman's reign are none the less in sight. When they are reached, what then? I shall be forty before he is; I shall be old while he is still young. When this thought goes to my heart, I lie at his feet for an hour at a time, making him swear to tell me instantly if ever he feels his love diminishing.
But he is a child. He swears, as though the mere suggestion were an absurdity, and he is so beautiful that--Renee, you understand--I believe him.
Good-bye, sweet one. Shall we ever again let years pass without writing? Happiness is a monotonous theme, and that is, perhaps, the reason why, to souls who love, Dante appears even greater in the _Paradiso_ than in the _Inferno_. I am not Dante; I am only your friend, and I don't want to bore you. You can write, for in your children you have an ever-growing, every-varying source of happiness, while mine... No more of this. A thousand loves.
LIII. MME. DE L'ESTORADE TO MME. GASTON
My dear Louise,--I have read and re-read your letter, and the more deeply I enter into its spirit, the clearer does it become to me that it is the letter, not of a woman, but of a child. You are the same old Louise, and you forget, what I used to repeat over and over again to you, that the passion of love belongs rightly to a state of nature, and has only been purloined by civilization. So fleeting is its character, that the resources of society are powerless to modify its primitive condition, and it becomes the effort of all noble minds to make a man of the infant Cupid. But, as you yourself admit, such love ceases to be natural.
Society, my dear abhors sterility; but substituting a lasting sentiment for the mere passing frenzy of nature, it has succeeded in creating that greatest of all human inventions--the family, which is the enduring basis of all organized society. To the accomplishment of this end, it has sacrificed the individual, man as well as woman; for we must not shut our eyes to the fact that a married man devotes his energy, his power, and all his possession to his wife. Is it not she who reaps the benefit of all his care? For whom, if not for her, are the luxury and wealth, the position and distinction, the comfort and the gaiety of the home?
Oh! my sweet, once again you have taken the wrong turning in life. To be adored is a young girl's dream, which may survive a few springtimes; it cannot be that of the mature woman, the wife and mother. To a woman's vanity it is, perhaps, enough to know that she can command adoration if she likes. If you would live the life of a wife and mother, return, I beg of you, to Paris. Let me repeat my warning: It is not misfortune which you have to dread, as others do--it is happiness.
Listen to me, my child! It is the simple things of life--bread, air, silence--of which we do not tire; they have no piquancy which can create distaste; it is highly-flavored dishes which irritate the palate, and in the end exhaust it. Were it possible that I should to-day be loved by a man for whom I could conceive a passion, such as yours for Gaston, I would still cling to the
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