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temptations might be greater, the cost considerably higher, the dividing line between the "mays" and "mustn'ts" more fluctuating and less sharply drawn. Susy, thrown on the world at seventeen, with only a weak wastrel of a father to define that treacherous line for her, and with every circumstance soliciting her to overstep it, seemed to have been preserved chiefly by an innate scorn of most of the objects of human folly. "Such trash as he went to pieces for," was her curt comment on her parent's premature demise: as though she accepted in advance the necessity of ruining one's self for something, but was resolved to discriminate firmly between what was worth it and what wasn't.

This philosophy had at first enchanted Lansing; but now it began to rouse vague fears. The fine armour of her fastidiousness had preserved her from the kind of risks she had hitherto been exposed to; but what if others, more subtle, found a joint in it? Was there, among her delicate discriminations, any equivalent to his own rules? Might not her taste for the best and rarest be the very instrument of her undoing; and if something that wasn't "trash" came her way, would she hesitate a second to go to pieces for it?

He was determined to stick to the compact that they should do nothing to interfere with what each referred to as the other's "chance"; but what if, when hers came, he couldn't agree with her in recognizing it? He wanted for her, oh, so passionately, the best; but his conception of that best had so insensibly, so subtly been transformed in the light of their first month together!

His lazy strokes were carrying him slowly shoreward; but the hour was so exquisite that a few yards from the landing he laid hold of the mooring rope of Streffy's boat and floated there, following his dream.... It was a bore to be leaving; no doubt that was what made him turn things inside-out so uselessly. Venice would be delicious, of course; but nothing would ever again be as sweet as this. And then they had only a year of security before them; and of that year a month was gone.

Reluctantly he swam ashore, walked up to the house, and pushed open a window of the cool painted drawing-room. Signs of departure were already visible. There were trunks in the hall, tennis rackets on the stairs; on the landing, the cook Giulietta had both arms around a slippery hold-all that refused to let itself be strapped. It all gave him a chill sense of unreality, as if the past month had been an act on the stage, and its setting were being folded away and rolled into the wings to make room for another play in which he and Susy had no part.

By the time he came down again, dressed and hungry, to the terrace where coffee awaited him, he had recovered his usual pleasant sense of security. Susy was there, fresh and gay, a rose in her breast and the sun in her hair: her head was bowed over Bradshaw, but she waved a fond hand across the breakfast things, and presently looked up to say: "Yes, I believe we can just manage it."

"Manage what?"

"To catch the train at Milan--if we start in the motor at ten sharp."

He stared. "The motor? What motor?"

"Why, the new people's--Streffy's tenants. He's never told me their name, and the chauffeur says he can't pronounce it. The chauffeur's is Ottaviano, anyhow; I've been making friends with him. He arrived last night, and he says they're not due at Como till this evening. He simply jumped at the idea of running us over to Milan."

"Good Lord--" said Lansing, when she stopped.

She sprang up from the table with a laugh. "It will be a scramble; but I'll manage it, if you'll go up at once and pitch the last things into your trunk."

"Yes; but look here--have you any idea what it's going to cost?"

She raised her eyebrows gaily. "Why, a good deal less than our railway tickets. Ottaviano's got a sweetheart in Milan, and hasn't seen her for six months. When I found that out I knew he'd be going there anyhow."

It was clever of her, and he laughed. But why was it that he had grown to shrink from even such harmless evidence of her always knowing how to "manage"? "Oh, well," he said to himself, "she's right: the fellow would be sure to be going to Milan."

Upstairs, on the way to his dressing room, he found her in a cloud of finery which her skilful hands were forcibly compressing into a last portmanteau. He had never seen anyone pack as cleverly as Susy: the way she coaxed reluctant things into a trunk was a symbol of the way she fitted discordant facts into her life. "When I'm rich," she often said, "the thing I shall hate most will be to see an idiot maid at my trunks."

As he passed, she glanced over her shoulder, her face pink with the struggle, and drew a cigar-box from the depths. "Dearest, do put a couple of cigars into your pocket as a tip for Ottaviano."

Lansing stared. "Why, what on earth are you doing with Streffy's cigars?"

"Packing them, of course.... You don't suppose he meant them for those other people?" She gave him a look of honest wonder.

"I don't know whom he meant them for--but they're not ours...."

She continued to look at him wonderingly. "I don't see what there is to be solemn about. The cigars are not Streffy's either... you may be sure he got them out of some bounder. And there's nothing he'd hate more than to have them passed on to another."

"Nonsense. If they're not Streffy's they're much less mine. Hand them over, please, dear."

"Just as you like. But it does seem a waste; and, of course, the other people will never have one of them.... The gardener and Giulietta's lover will see to that!"

Lansing looked away from her at the waves of lace and muslin from which she emerged like a rosy Nereid. "How many boxes of them are left?"

"Only four."

"Unpack them, please."

Before she moved there was a pause so full of challenge that Lansing had time for an exasperated sense of the disproportion between his anger and its cause. And this made him still angrier.

She held out a box. "The others are in your suitcase downstairs. It's locked and strapped."

"Give me the key, then."

"We might send them back from Venice, mightn't we? That lock is so nasty: it will take you half an hour."

"Give me the key, please." She gave it.

He went downstairs and battled with the lock, for the allotted half-hour, under the puzzled eyes of Giulietta and the sardonic grin of the chauffeur, who now and then, from the threshold, politely reminded him how long it would take to get to Milan. Finally the key turned, and Lansing, broken-nailed and perspiring, extracted the cigars and stalked with them into the deserted drawing room. The great bunches of golden roses that he and Susy had gathered the day before were dropping their petals on the marble embroidery of the floor, pale camellias floated in the alabaster tazzas between the windows, haunting scents of the garden blew in on him with the breeze from the lake. Never had Streffy's little house seemed so like a nest of pleasures. Lansing laid the cigar boxes on a console and ran upstairs to collect his last possessions. When he came down again, his wife, her eyes brilliant with achievement, was seated in their borrowed chariot, the luggage cleverly stowed away, and Giulietta and the gardener kissing her hand and weeping out inconsolable farewells.

"I wonder what she's given them?" he thought, as he jumped in beside her and the motor whirled them through the nightingale-thickets to the gate.


IV.

CHARLIE STREFFORD'S villa was like a nest in a rose-bush; the Nelson Vanderlyns' palace called for loftier analogies.

Its vastness and splendour seemed, in comparison, oppressive to Susy. Their landing, after dark, at the foot of the great shadowy staircase, their dinner at a dimly-lit table under a ceiling weighed down with Olympians, their chilly evening in a corner of a drawing room where minuets should have been danced before a throne, contrasted with the happy intimacies of Como as their sudden sense of disaccord contrasted with the mutual confidence of the day before.

The journey had been particularly jolly: both Susy and Lansing had had too long a discipline in the art of smoothing things over not to make a special effort to hide from each other the ravages of their first disagreement. But, deep down and invisible, the disagreement remained; and compunction for having been its cause gnawed at Susy's bosom as she sat in her tapestried and vaulted bedroom, brushing her hair before a tarnished mirror.

"I thought I liked grandeur; but this place is really out of scale," she mused, watching the reflection of a pale hand move back and forward in the dim recesses of the mirror. "And yet," she continued, "Ellie Vanderlyn's hardly half an inch taller than I am; and she certainly isn't a bit more dignified.... I wonder if it's because I feel so horribly small to-night that the place seems so horribly big."

She loved luxury: splendid things always made her feel handsome and high ceilings arrogant; she did not remember having ever before been oppressed by the evidences of wealth.

She laid down the brush and leaned her chin on her clasped hands.... Even now she could not understand what had made her take the cigars. She had always been alive to the value of her inherited scruples: her reasoned opinions were unusually free, but with regard to the things one couldn't reason about she was oddly tenacious. And yet she had taken Streffy's cigars! She had taken them--yes, that was the point--she had taken them for Nick, because the desire to please him, to make the smallest details of his life easy and agreeable and luxurious, had become her absorbing preoccupation. She had committed, for him, precisely the kind of little baseness she would most have scorned to commit for herself; and, since he hadn't instantly felt the difference, she would never be able to explain it to him.

She stood up with a sigh, shook out her loosened hair, and glanced around the great frescoed room. The maid-servant had said something about the Signora's having left a letter for her; and there it lay on the writing-table, with her mail and Nick's; a thick envelope addressed in Ellie's childish scrawl, with a glaring "Private" dashed across the corner.

"What on earth can she have to say, when she hates writing so," Susy mused.

She broke open the envelope, and four or five stamped and sealed letters fell from it. All were addressed, in Ellie's hand, to Nelson Vanderlyn Esqre; and in the corner of each was faintly pencilled a number and a date: one, two, three, four--with a week's interval between the dates.

"Goodness--" gasped Susy, understanding.

She had dropped into an armchair near the table, and for a long time she sat staring at the numbered letters. A sheet of paper covered with Ellie's writing had fluttered out among them, but she let it lie; she knew so well what it would say! She knew all about her friend, of course; except poor old Nelson, who didn't, But she had never imagined that Ellie would dare to use her in this way. It
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