The Muse of the Department, Honoré de Balzac [good book club books TXT] 📗

any one who warned him of this little mishap. He wore knee-breeches, black silk stockings, and a white waistcoat till 1824. After his marriage he adopted blue trousers and boots with heels, which made Sancerre declare that he had added two inches to his stature that he might come up to his wife's chin. For ten years he was always seen in the same little bottle-green coat with large white-metal buttons, and a black stock that accentuated his cold stingy face, lighted up by gray-blue eyes as keen and passionless as a cat's. Being very gentle, as men are who act on a fixed plan of conduct, he seemed to make his wife happy by never contradicting her; he allowed her to do the talking, and was satisfied to move with the deliberate tenacity of an insect.

Dinah, adored for her beauty, in which she had no rival, and admired for her cleverness by the most gentlemanly men of the place, encouraged their admiration by conversations, for which it was subsequently asserted, she prepared herself beforehand. Finding herself listened to with rapture, she soon began to listen to herself, enjoyed haranguing her audience, and at last regarded her friends as the chorus in a tragedy, there only to give her her cues. In fact, she had a very fine collection of phrases and ideas, derived either from books or by assimilating the opinions of her companions, and thus became a sort of mechanical instrument, going off on a round of phrases as soon as some chance remark released the spring. To do her justice, Dinah was choke full of knowledge, and read everything, even medical books, statistics, science, and jurisprudence; for she did not know how to spend her days when she had reviewed her flower-beds and given her orders to the gardener. Gifted with an excellent memory, and the talent which some women have for hitting on the right word, she could talk on any subject with the lucidity of a studied style. And so men came from Cosne, from la Charite, and from Nevers, on the right bank; from Lere, Vailly, Argent, Blancafort, and Aubigny, on the left bank, to be introduced to Madame de la Baudraye, as they used in Switzerland, to be introduced to Madame de Stael. Those who only once heard the round of tunes emitted by this musical snuff-box went away amazed, and told such wonders of Dinah as made all the women jealous for ten leagues round.

There is an indescribable mental headiness in the admiration we inspire, or in the effect of playing a part, which fends off criticism from reaching the idol. An atmosphere, produced perhaps by unceasing nervous tension, forms a sort of halo, through which the world below is seen. How otherwise can we account for the perennial good faith which leads to so many repeated presentments of the same effects, and the constant ignoring of warnings given by children, such a terror to their parents, or by husbands, so familiar as they are with the peacock airs of their wives? Monsieur de la Baudraye had the frankness of a man who opens an umbrella at the first drop of rain. When his wife was started on the subject of Negro emancipation or the improvement of convict prisons, he would take up his little blue cap and vanish without a sound, in the certainty of being able to get to Saint-Thibault to see off a cargo of puncheons, and return an hour later to find the discussion approaching a close. Or, if he had no business to attend to, he would go for a walk on the Mall, whence he commanded the lovely panorama of the Loire valley, and take a draught of fresh air while his wife was performing a sonata in words, or a dialectical duet.

Once fairly established as a Superior Woman, Dinah was eager to prove her devotion to the most remarkable creations of art. She threw herself into the propaganda of the romantic school, including, under Art, poetry and painting, literature and sculpture, furniture and the opera. Thus she became a mediaevalist. She was also interested in any treasures that dated from the Renaissance, and employed her allies as so many devoted commission agents. Soon after she was married, she had become possessed of the Rougets' furniture, sold at Issoudun early in 1824. She purchased some very good things at Nivernais and the Haute-Loire. At the New Year and on her birthday her friends never failed to give her some curiosities. These fancies found favor in the eyes of Monsieur de la Baudraye; they gave him an appearance of sacrificing a few crowns to his wife's taste. In point of fact, his land mania allowed him to think of nothing but the estate of Anzy.

These "antiquities" at that time cost much less than modern furniture. By the end of five or six years the ante-room, the dining-room, the two drawing-rooms, and the boudoir which Dinah had arranged on the ground floor of La Baudraye, every spot even to the staircase, were crammed with masterpieces collected in the four adjacent departments. These surroundings, which were called _queer_ by the neighbors, were quite in harmony with Dinah. All these Marvels, so soon to be the rage, struck the imagination of the strangers introduced to her; they came expecting something unusual; and they found their expectations surpassed when, behind a bower of flowers, they saw these catacombs full of old things, piled up as Sommerard used to pile them--that "Old Mortality" of furniture. And then these finds served as so many springs which, turned on by a question, played off an essay on Jean Goujon, Michel Columb, Germain Pilon, Boulle, Van Huysum, and Boucher, the great native painter of Le Berry; on Clodion, the carver of wood, on Venetian mirrors, on Brustolone, an Italian tenor who was the Michael-Angelo of boxwood and holm oak; on the thirteenth, fourteenth, fifteenth, sixteenth, and seventeenth centuries, on the glazes of Bernard de Palissy, the enamels of Petitot, the engravings of Albrecht Durer--whom she called Dur; on illuminations on vellum, on Gothic architecture, early decorated, flamboyant and pure--enough to turn an old man's brain and fire a young man with enthusiasm.

Madame de la Baudraye, possessed with the idea of waking up Sancerre, tried to form a so-called literary circle. The Presiding Judge, Monsieur Boirouge, who happened to have a house and garden on his hands, part of the Popinot-Chandier property, favored the notion of this _coterie_. The wily Judge talked over the rules of the society with Madame de la Baudraye; he proposed to figure as one of the founders, and to let the house for fifteen years to the literary club. By the time it had existed a year the members were playing dominoes, billiards, and bouillotte, and drinking mulled wine, punch, and liqueurs. A few elegant little suppers were then given, and some masked balls during the Carnival. As to literature--there were the newspapers. Politics and business were discussed. Monsieur de la Baudraye was constantly there--on his wife's account, as she said jestingly.

This result deeply grieved the Superior Woman, who despaired of Sancerre, and collected the wit of the neighborhood in her own drawing-room. Nevertheless, and in spite of the efforts of Messieurs de Chargeboeuf, Gravier, and de Clagny, of the Abbe Duret and the two chief magistrates, of a young doctor, and a young Assistant Judge--all blind admirers of Dinah's--there were occasions when, weary of discussion, they allowed themselves an excursion into the domain of agreeable frivolity which constitutes the common basis of worldly conversation. Monsieur Gravier called this "from grave to gay." The Abbe Duret's rubber made another pleasing variety on the monologues of the oracle. The three rivals, tired of keeping their minds up to the level of the "high range of discussion"--as they called their conversation--but not daring to confess it, would sometimes turn with ingratiating hints to the old priest.

"Monsieur le Cure is dying for his game," they would say.

The wily priest lent himself very readily to the little trick. He protested.

"We should lose too much by ceasing to listen to our inspired hostess!" and so he would incite Dinah's magnanimity to take pity at last on her dear Abbe.

This bold manoeuvre, a device of the Sous-prefet's, was repeated with so much skill that Dinah never suspected her slaves of escaping to the prison yard, so to speak, of the cardtable; and they would leave her one of the younger functionaries to harry.

One young landowner, and the dandy of Sancerre, fell away from Dinah's good graces in consequence of some rash demonstrations. After soliciting the honor of admission to this little circle, where he flattered himself he could snatch the blossom from the constituted authorities who guarded it, he was so unfortunate as to yawn in the middle of an explanation Dinah was favoring him with--for the fourth time, it is true--of the philosophy of Kant. Monsieur de la Thaumassiere, the grandson of the historian of Le Berry, was thenceforth regarded as a man entirely bereft of soul and brains.

The three devotees _en titre_ each submitted to these exorbitant demands on their mind and attention, in hope of a crowning triumph, when at last Dinah should become human; for neither of them was so bold as to imagine that Dinah would give up her innocence as a wife till she should have lost all her illusions. In 1826, when she was surrounded by adorers, Dinah completed her twentieth year, and the Abbe Duret kept her in a sort of fervid Catholicism; so her worshipers had to be content to overwhelm her with little attentions and small services, only too happy to be taken for the carpet-knights of this sovereign lady, by strangers admitted to spend an evening or two at La Baudraye.

"Madame de la Baudraye is a fruit that must be left to ripen." This was the opinion of Monsieur Gravier, who was waiting.

As to the lawyer, he wrote letters four pages long, to which Dinah replied in soothing speech as she walked, leaning on his arm, round and round the lawn after dinner.

Madame de la Baudraye, thus guarded by three passions, and always under the eye of her pious mother, escaped the malignity of slander. It was so evident to all Sancerre that no two of these three men would ever leave the third alone with Madame de la Baudraye, that their jealousy was a comedy to the lookers-on.

To reach Saint-Thibault from Caesar's Gate there is a way much shorter than that by the ramparts, down what is known in mountainous districts as a _coursiere_, called at Sancerre _le Casse-cou_, or Break-neck Alley. The name is significant as applied to a path down the steepest part of the hillside, thickly strewn with stones, and shut in by the high banks of the vineyards on each side. By way of the Break-neck the distance from Sancerre to La Baudraye is much abridged. The ladies of the place, jealous of the Sappho of Saint-Satur, were wont to walk on the Mall, looking down this Longchamp of the bigwigs, whom they would stop and engage in conversation--sometimes the Sous-prefet and sometimes the Public Prosecutor--and who would listen with every sign of impatience or uncivil absence of mind. As the turrets of La Baudraye are visible from the Mall, many a younger man came to contemplate the abode of Dinah while envying the ten or twelve privileged persons who might spend their afternoons with the Queen of the neighborhood.

Monsieur de la Baudraye was not slow to discover the advantage he, as Dinah's husband, held over his wife's adorers, and he made use of them without any disguise, obtaining a remission of taxes, and gaining two lawsuits. In every litigation he used the Public Prosecutor's name with