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which the same bodies lived together on both halves of a shift were something to snicker about. They verged on the antisocial, but could be arranged if the batteries of Medicorps tests could be satisfied.

Perhaps it had been the very intensity of Helen's shame on learning of this marriage, the nauseous display of conformity so typical of his wife, that had first given Bill the idea of seeking out Clara, who had dared convention to make such a peculiar marriage. Over the years, Helen had continued blaming all their troubles on the fact that both egos of himself were living with, and intimate with, both egos of herself.

So Bill had started cutting down on his drugs, the curiosity having become an obsession. What was this other part of Helen like, this Clara who was unconventional enough to want to marry only Bill's own hypoalter, in spite of almost certain public shame?

He had first seen Clara's face when it formed on a visiophone, the first time he had forced Conrad to shift prematurely. It was softer than Helen's. The delicate contours were less purposefully, set, gayer.

"Clara Manz?" Bill had sat there staring at the visiophone for several seconds, unable to continue. His great fear that she would immediately report him must have been naked on his face.

He had watched an impish suspicion grow in the tender curve of her lips and her oblique glance from the visiophone. She did not speak.

"Mrs. Manz," he finally said, "I would like to meet you in the park across from your home."

To this awkward opening he owed the first time he had heard Clara laugh. Her warm, clear laughter, teasing him, tumbled forth like a cloud of gay butterflies.

"Are you afraid to see me here at home because my husband might walk in on us?"

Bill had been put completely at ease by this bantering indication that Clara knew who he was and welcomed him as an intriguing diversion. Quite literally, the one person who could not walk in on them, as the ancients thought of it, was his own hypoalter, Conrad Manz.

Bill finished retouching his makeup and hurried to leave the apartment. But this time, as he passed the table where Mary's dinner was set out, he decided to write a few words to the child, no matter how empty they sounded to himself. The note he left explained that he had some early work to do at the microfilm library where he worked.

Just as Bill was leaving the apartment, the visiophone buzzed. In his hurry Bill flipped the switch before he thought. Too late, his hand froze and the implications of this call, an hour before anyone would normally be home, shot a shaft of terror through him.

But it was not the image of a medicop that formed on the screen. The woman introduced herself as Mrs. Harris, one of Mary's teachers.

It was strange that she should have thought he might be home. The shift for children was half a day earlier than that for adults, so the parents could have half their rest day free. This afternoon would be for Mary the first classes of her shift, but the teacher must have guessed something was wrong with the shifting schedules in Mary's family. Or had the child told her?

Mrs. Harris explained rather dramatically that Mary was being neglected. What could he say; to her? That he was a criminal breaking drug regulations in the most flagrant manner? That nothing, not even the child appointed to him, meant more to him than his wife's own hypoalter? Bill finally ended the hopeless and possibly dangerous conversation by turning off the receiver and leaving the apartment.

Bill realized that now, for both him and Clara, the greatest joy had been those first few times together. The enormous threat of a Medicorps retaliation took the pleasure from their contact and they came together desperately because, having tasted this fantastic non-conformity and the new undrugged intimacy, there was no other way for them. Even now as he drove through the traffic toward where she would be waiting, he was not so much concerned with meeting Clara in their fear-poisoned present as with the vivid, aching remembrance of what those meetings once had really been like.

He recalled an evening they had spent lying on the summer lawn of the park, looking out at the haze-dimmed stars. It had been shortly after Clara joined him in cutting down on the drugs, and the clear memory of their quiet laughter so captured his mind now that Bill almost tangled his car in the traffic.

In memory he kissed her again and, as it had then, the newly cut grass mixed with the exciting fragrance of her skin. After the kiss they continued a mock discussion of the ancient word "sin." Bill pretended to be trying to explain the meaning of the word to her, sometimes with definitions that kept them laughing and sometimes with demonstrational kisses that stopped their laughter.

He could remember Clara's face turned to him in the evening light with an outrageous parody of interest. He could hear himself saying, "You see, the ancients would say we are not sinning because they would disagree with the medicops that you and Helen are two completely different people, or that Conrad and I are not the same person."

Clara kissed him with an air of tentative experimentation. "Mmm, no. I can't say I care for that interpretation."

"You'd rather be sinning?"

"Definitely."

"Well, if the ancients did agree with the medicops that we are distinct from our alters, Helen and Conrad, then they would say we are sinning—but not for the same reasons the Medicorps would give."

"That," asserted Clara, "is where I get lost. If this sinning business is going to be worth anything at all, it has to be something you can identify."

Bill cut his car out of the main stream of traffic and toward the park, without interrupting his memory.

"Well, darling, I don't want to confuse you, but the medicops would say we are sinning only because you are my wife's hypoalter, and I am your husband's hyperalter—in other words, for the very reason the ancients would say we are not sinning. Furthermore, if either of us were with anyone else, the medicops would think it was perfectly all right, and so would Conrad and Helen. Provided, of course, I took a hyperalter and you took a hypoalter only."

"Of course," Clara said, and Bill hurried over the gloomy fact.

"The ancients, on the other hand, would say we are sinning because we are making love to someone we are not married to."

"But what's the matter with that? Everybody does it."

"The ancient Moderns didn't. Or, that is, they often did, but...."

Clara brought her full lips hungrily to his. "Darling, I think the ancient Moderns had the right idea, though I don't see how they ever arrived at it."

Bill grinned. "It was just an invention of theirs, along with the wheel and atomic energy."

That evening was long gone by as Bill stopped the little taxi beside the park and left it there for the next user. He walked across the lawns toward the statue where he and Clara always met. The very thought of entering one's own hypoalter's house was so unnerving that Bill brought himself to do it only by first meeting Clara near the statue. As he walked between the trees, Bill could not again capture the spirit of that evening he had been remembering. The Medicorps was too close. It was impossible to laugh that way now.

Bill arrived at the statue, but Clara was not there. He waited impatiently while a livid sunset coagulated between the branches of the great trees. Clara should have been there first. It was easier for her, because she was leaving her shift, and without doing it prematurely.

The park was like a quiet backwater in the eddying rush of the evening city. Bill felt conspicuous and vulnerable in the gloaming light. Above all, he felt a new loneliness, and he knew that now Clara felt it, too. They needed each other as each had been, before fear had bleached their feeling to white bones of desperation.

They were not taking their drugs as prescribed, and for that they would be horribly punished. That was the only unforgivable sin in their world. By committing it, he and Clara had found out what life could be, in the same act that would surely take life from them. Their powerful emotions they had found in abundance simply by refusing to take the drugs, and by being together briefly each fifth day in a dangerous breach of all convention. The closer their discovery and the greater their terror, the more desperately they needed even their terror, and the more impossible became the delight of their first meetings.

Telegraphing bright beads of sound, a night bird skimmed the sunset lawns to the looming statue and skewed around its monolithic base. The bird's piping doubled and then choked off as it veered frantically from Bill. After a while, far off through the park, it released a fading protest of song.

Above Bill, the towering statue of the great Alfred Morris blackened against the sunset. The hollowed granite eyes bore down on him out of an undecipherable dark ... the ancient, implacable face of the Medicorps. As if to pronounce a sentence on his present crimes by a magical disclosure of the weight of centuries, a pool of sulfurous light and leaf shadows danced on the painted plaque at the base of the statue.

On this spot in the Gregorian year 1996, Alfred Morris announced to an assembly of war survivors the hypothalamic block. His stirring words were, "This new drug selectively halts at the thalamic brain the upward flow of unconscious stimuli and the downward flow of unconscious motivations. It acts as a screen between the cerebrum and the psychosomatic discharge system. Using hypothalamic block, we will not act emotively, we will initiate acts only from the logical demands of situations."

This announcement and the subsequent wholehearted action of the war-weary people made the taking of hypothalamic block obligatory. This put an end to the powerful play of unconscious mind in the public and private affairs of the ancient world. It ended the great paranoid wars and saved mankind.

In the strange evening light, the letters seemed alive, a centuries-old condemnation of any who might try to go back to the ancient pre-pharmacy days. Of course, it was not really possible to go back. Without drugs, everybody and all society would fall apart.

The ancients had first learned to keep endocrine deviates such as the diabetic alive with drugs. Later they learned with other drugs to "cure" the far more prevalent disease, schizophrenia, that was jamming their hospitals. The big change came when the ancients used these same drugs on everyone to control the private and public irrationality of their time and stop the wars.

In this new, drugged world, the schizophrene thrived better than any, and the world became patterned on him. But, just as the diabetic was still diabetic, the schizophrene was still himself, plus the drugs. Meanwhile, everyone had forgotten what it was the drugs did to you—that the emotions experienced were blurred emotions, that insight was at an isolated level of rationality because the drugs kept true feelings from ever emerging.

How inconceivable it would be to Helen and the other people of his world to live on as little drug as possible ... to experience the conflicting emotions, the interplay of passion and logic that almost tore you apart! Sober, the ancients called it, and they lived that way most of the time, with only the occasional crude and clublike effects of alcohol or narcotics to relieve their chronic anxiety.

By taking as little hypothalamic block as possible, he and Clara were able to desire their fantastic attachment, to delight in an absolutely illogical situation unheard of in their society. But the society would judge their refusal to take hypothalamic block in only one sense. The weight of this judgment stood before him in the smoldering words, "It ended the great paranoid wars and saved mankind."

When Clara did appear, she was searching myopically in the wrong vicinity of the statue. He did not call to her at once, letting the sight of her smooth out the tensions in him, convert all the conflicts into this one intense longing to be with her.

Her halting search for him was deeply touching, like that of a tragic little puppet in a darkening dumbshow. He saw suddenly how like puppets the two of them were. They were moved by the strengthening wires of a new life of feeling to batter clumsily at an implacable stage setting that would finally leave them as bits of wood and paper.

Then suddenly in his arms Clara was at the same time hungrily moving and tense with fear of discovery. Little sounds of love and fear choked each other in her throat.

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