Valley of the Croen, Lee Tarbell [year 7 reading list .TXT] 📗

golden replica of the life-sized woman of gold seemed to leap out of his reaching hands, and clung against the metallic waist of the golden woman as a lodestone to the mother lode.

Even as Barto's hands touched the statue, he slumped, lay there outstretched, his fingertips touching the metal hem of the golden skirt; and whether he was unconscious from unsupportable ecstasy or for what mad reason, I did not know, but I did not want to know.

Undeterred by Jake's condition, the two men following in his steps also reached out hands to touch the golden metal—and fell flat on their faces beside Jake Barto, unconscious, or dead!

I stood, numb and with a terrific compulsion running through my nerves, which I resisted with all my will. I drew my eyes from the strangely pleasant magnetic lure of the metal woman with an effort and examined that strange chamber.

The walls were covered with a crystalline glittering substance, like molten glass sprayed on and allowed to harden. Behind this glasseous protective surface, paintings and carvings spread a fantasy of strange form and color, but the light was too dim to make much of it, except that it was alien to my experience, and exceedingly well done, speaking of a culture second to none.

Beyond the central form of the strange golden statue, was the dais which I had noticed at once, and now my eyes picked out the fact that on it was also a glasseous protective sheath about a form—another statue, I thought.

Thoughtfully I prowled along the rim of the room, examining the wall frescoes foot by foot, seeing on them a strange depiction of semi-human forms, of crab-men and crab-women, of snake-men and snake-women, of men half-goat and half-man, of creatures hardly human with great jaws that looked like rock-cutters, with hands like moles on short powerful arms, fish people with finned legs and arms, their hands engaged in catching great fish and placing them in nets, a nightmare of weird half-human shapes that gradually brought to me a message that I could not accept.

If that rock painting was telling a true story and not some allegorical fantasy—these people who had built this place had been a race who knew the secrets of life so intimately they could manipulate the unborn child into shapes intended to give it powers and physical attributes fitting it for amphibious life, for the underground boring life of a mole, for the tending of flocks in the goat-legged men—the whole gamut of these monstrous diversions from the normal human seemed to me designed—purposely—to build a race which, like ants, has a shape fitted to its trade.

I threw off the illusion of a deformed past race the wall art gave me, and passed on to examine the crystalline pillar on the dais. I stood a long time, before the dais, drinking in the beauty of the form locked within the prisoning glass.

No human, no earth woman—she was different from anything I had ever even imagined.

Female, vaguely human in form she was, with an unearthly beauty; but four-armed, with a forehead that went up and up and ended in a single tall horn, as on the fabled unicorn.

Her eyes were closed, if she had eyes beneath the heavy purple-veined lids, so like the petals of some night-flower, pungent with perfume.

Naked the figure was, except for a belt of what looked iron chain around the waist, black and corroded with time, holding her with a great bolt and link to the side of that crystalline prison.

Her hair, black as night, was pressed tight to the skull by the pressure of the crystal, which must have been poured about her in a molten or liquid state.

As I stood there agaze at the strangeness and wonder of her, a voice at my shoulder made me whirl in surprise. A soft, silky familiar voice:

"Do you find the dead Goddess so fascinating, stranger from the world of men?"

It was the girl of the forest, no longer in hunting garb, but dressed in Turkish trousers, vest and slippers with upturned toes. Jewels glittered about her waist and neck and arms, her wrists jangled with heavy bangles, in her ears two great pendants swayed—her eyelids were darkened and her lips reddened. She was a ravishing houri of the harem, and I gasped a little at the change.

"Have you put on such clothes for my benefit?" I asked, for I really thought perhaps she had.

She frowned and stamped her foot in sudden anger.

"I come here to save you from what has happened to your friends, and you insult me. Don't you want to live? Do you want to become what they are going to become?" She pointed to the bodies of Jake and Noldi and Polter.

I turned where she pointed, to see a thing that very nearly made me scream out in revulsion.

I shuddered, shrank back; for several creatures were bending over the three, lifting them, bearing them away.

It was the strange, revolting difference from men in them that caused my fear. Once they may have been men, their far-off ancestors, perhaps—or in some other more recent way their bodies had been transformed, made over into creatures not human, not beast, not ghoul. What they were was not thinkable or acceptable by me. I turned my face away, shuddering.

They were men such as the wall-paintings pictured, something that had been made from the main stock of mankind, changed unthinkably into a creature who bore his tools of his trade in his own bone and flesh. Mole-men, men with short heavy arms and wide-clawed hands, made for digging through hard earth. They bore my friends away on their hairy-naked shoulders, and I stood too shocked to say a word. Three mole-men, accompanied by three tall, pale-white figures, figures inexpressibly alien—even through the heavy white robes—that moved with an odd hopping step that no human limb could manage, turned their paper-white, long, expressionless faces toward me for an instant, then were gone, on the trail of the mole-man. Beneath those robes must have been a body as attenuated as a skeleton, as different as an insect's from man's. Within those odd egg-shaped heads must have been a mind as alien to mine as an ant's mind.

"Why do your people take my companions?" I managed, when I had regained my composure.

"They are not my people; they are of the enemies of the Dead Goddess." The girl gestured to the figure in the crystal pillar. "My people have no time for them, but neither have we power over them. They go their way, and we go ours. Once, long ago, it was different, but time has made us a people divided."

"What will become of the three men?"

"They will become workmen of one kind or another. Everyone works, in their life-way. But it is not our way! They guard our land from such intruders; we let them. It is an ancient pact we have with them."

"Why did they not seize me, I am an intruder as much as the others?"

"Because I signed to them to let you stay. You did not see, whatever-your-name-is...."

"Call me Carlin Keele, Carl for short. What is your name, and what is your race, and why are you so different from people as I know them?"

"My name is Nokomee, as I told you before. You are still confused from the magic that led you here. I have saved you once, and now we are even; my debt to you is paid. You will never see your friends again, and if you do, you will be sorry that you saw them, for they will have become beasts of burden. Now go, before it is too late. This is not your kind of country."

Something in her eyes, something in the sharp peremptory tone she used, told me the truth.

"You don't really want me to go, Nokomee. I don't want to go. Many things make me want to stay—your beauty is not the least attraction. I could learn so much that my people do not know, that yours seem to know."

"I would not want my beauty to lead you to your death." Nokomee did not smile, she only looked at me, and I saw there a deep loneliness, a tender need for companionship and sympathy that had never been filled in her life. She looked at me, and her lower lip trembled a little, her eyes suddenly averted from mine.

"Nokomee, there is so much we would have to tell each other, you of your life, and I of the great country of which you have never heard. Would you not like to see the great cities of my country?"

She shook her head, turned on me with sudden fierce words:

"When you came and struck down that hideous cross-eyed man, my heart went out to you in gratitude. Go, while my heart remains soft, it is not so often that the heart of a Zerv is soft toward any outlander. Go, I cannot protect you from this place."

"I will stay," I said.

"Stubborn fool!" She stamped her foot prettily, imperiously, vexed at my refusal to go out of that weird place the way I had entered. "Stay then, but do not expect me to keep off the slaves of the Goddess. This place can be most evil to those who do not know what it is, nor why it is secret."

She turned, walked behind the great dais of the crystal sarcophagus, and I followed just in time to see her disappear behind a hanging curtain of leather. I hastened after, my hand on my gun, for I had no wish to be left alone where I had seen my three companions stricken down with no enemy in sight.

Behind the curtain a passage led, along the passage were several doors. She sped past these lightly, almost running. I followed, she must have heard me, but she did not look back. The doors along the passage were curtained. Through the gaps of the curtain I could see they were empty of life. The curtains were rotted as if long unused, dirty and blotched with mould staining the leather.

Though she had spoken to me in Korean, and I had answered in the same tongue, I knew she was no native, for she spoke it differently, perhaps no better than myself. I was no judge; what she used may have been a dialect different from that I had heard previously.

I followed as she emerged from the long tunnel into the blaze of sunlight. She stood for a moment letting her eyes adjust to the glare. I stumbled to her side, half-blinded, stood looking down at the scene which seemed to engross her.

Gradually it came clear, like a television screen coming into perfect tune—the immense inner valley that the mountain of cloud-like snow enclosed. In the center of the encircled valley a lake shimmered blue as the sky, and about that lake was a city.

My eyes refused, at first, to accept what they were seeing. My mind rebelled, but after a minute of staring and making sure—I gasped.

Alien to this earth it was, but beautiful! Towers, and round-based dwellings braced together in one single unit of structural strength, a designed whole such as our architects dream of and never achieve. Walled with white marble, the city was a fortress, but a lovely fortress. Yet there was a coldness, an angularity, that told me these Zervs, as Nokomee had called her race, lacked true sympathy for life forms, lacked emotion as we know it in art. Yet it was beautiful, if repellent because so alien, so pure in design, so lacking in the sympathetic understanding of man's nature. This was a city no earthman could ever call home. It lacked something. There were no dogs, no strolling women or running children, it lay silent and waiting—for what?

Nokomee waved a hand.

"Titanis, our first earth colony. But it is no longer ours. The Schrees have taken it from us. That is why it is silent."

I did not understand. There were plodding lines of people, disciplined, carrying burdens, no bigger than ants at this distance. There was an ominous horror about the quiet beauty of the place. It was somehow like a beautiful woman lying just slain. Yet I could see no wounds of war, no reason for the feeling that I had, like the sudden shrinking one might have at sight of the stump of a man's arm just amputated.

I looked into Nokomee's face, and there were tears in her eyes. My heart sank. I felt a vast sympathy for her sorrow, though I could not understand.

"We planned so much with our new freedom here in your wilderness. Then came the raiders, to freeze our Queen in her sleep, to drive us into your forests, to make of us that remained mindless slaves and maimed horrors. I cannot bear it,