A Great Man, Arnold Bennett [free children's online books .txt] 📗

exulted in everything, but principally in the prospective sight of her son at large on the platform delivering Shakspere to a hushed, attentive audience of other boys' parents. It was to be the apotheosis of Henry, was that night!

'Will you hear me, father?' Henry requested meekly, when he had finished the first preparations for his big day, and looked at the time, and cut a piece of skin from the palm of his hand, to the horror of his mother and aunt. 'Will you hear me, father?'

(No! I assure you he was not a detestable little prig. He had been brought up like that.)

And Mr. Knight took Staunton's Shakspere from the bookcase and opened it at _Othello_, Act I., scene iii., and Henry arose and began to explain to the signiors of Venice in what manner Desdemona had fallen in love with him and he with Desdemona; how he told Desdemona that even from his boyish days he had experienced moving accidents by flood and field, and had been sold into slavery, and all about the cannibals and the--but he came to utter grief at the word Anthropophagi.'

'An-thro-poph-a-gi,' said his father.

'It's a very difficult word, I'm sure,' said his mother.

Difficult or not, Henry mastered it, and went on to the distressful strokes his youth had suffered, and then to Desdemona's coy hint:


'Upon this hint I spoke--spake, I mean;
She loved me for the dangers I had passed,
And I loved her that she did pity them.
This only is the witchcraft I have used.
Here comes the lady; let her witness it.'


'Have a bit of toast, my pet,' Mrs. Knight suggested.

The door opened at the same moment.

'Enter Desdemona,' said a voice. 'Now do go light on the buttered toast, Othello. You know you'll be ill.'

It was Cousin Tom. He was always very late for breakfast.


CHAPTER V


MARRONS GLACES

And Tom was always being inconvenient, always producing intellectual discomfort. On this occasion there can be no doubt that if Tom had not come in just then Henry would have accepted and eaten the buttered toast, and would have enjoyed it; and his father, mother, and aunt would have enjoyed the spectacle of his bliss; and all four of them would have successfully pretended to their gullible consciences that an indiscretion had not been committed. Here it must be said that the Achilles' heel of Henry Shakspere Knight lay in his stomach. Despite his rosy cheeks and pervading robustness, despite the fact that his infancy had been almost immune from the common ailments--even measles--he certainly suffered from a form of chronic dyspepsia. Authorities differed upon the cause of the ailment. Some, such as Tom, diagnosed the case in a single word. Mr. Knight, less abrupt, ascribed the evil to Mrs. Knight's natural but too solicitous endeavours towards keeping up the strength of her crescent son. Mrs. Knight and Aunt Annie regarded it as a misfortune simply, inexplicable, unjust, and cruel. But even Mrs. Knight and Aunt Annie had perceived that there was at least an apparent connection between hot buttered toast and the recurrence of the malady. Hence, though the two women would not admit that this connection was more than a series of unfortunate coincidences, Henry had been advised to deprive himself of hot buttered toast. And here came Tom, with his characteristic inconvenience, to catch them in the very midst of their folly, and to make even Mr. Knight, that mask of stern rectitude, a guilty accessory before the fact.

'It's only this once!' Mrs. Knight protested.

'You're quite right,'said Tom. 'It's only this once.'

Henry took the piece of toast, and then, summoning for one supreme effort all the spiritual courage which he had doubtless inherited from a long line of Puritan ancestors, he nobly relinquished it.

Mr. Knight's eyes indicated to Tom that a young man who was constantly half an hour late for breakfast had no moral right to preach abstinence to a growing boy, especially on his birthday. But the worst thing about Tom was that he was never under any circumstances abashed.

'As nothing is worse than hot toast cold,' Tom imperturbably remarked, 'I'll eat it at once.' And he ate the piece of toast.

No one could possibly blame Tom. Nevertheless, every soul round the table did the impossible and blamed him. The atmosphere lost some of its festive quality.

Tom Knight was nineteen, thin, pale, and decidedly tall; and his fair hair still curled slightly on the top of his head. In twelve years his development, too, had amounted to a miracle, or would have amounted to a miracle had there been anyone present sufficiently interested to observe and believe in it. Miracles, however, do not begin to exist until at least one person believes, and the available credence in the household had been monopolized by Tom's young cousin. The great difference between Tom and Henry was that Tom had faults, whereas Henry had none--yet Tom was the elder by seven years and ought to have known better! Mr. Knight had always seen Tom's faults, but it was only since the advent of Henry that Mrs. Knight, and particularly Aunt Annie, had begun to see them. Before Henry arrived, Tom had been Aunt Annie's darling. The excellent spinster took pains never to show that Henry had supplanted him; nevertheless, she showed it all the time. Tom's faults flourished and multiplied. There can be no question that he was idle, untruthful, and unreliable. In earliest youth he had been a merry prank; he was still a prank, but not often merry. His spirit seemed to be overcast; and the terrible fact came out gradually that he was not 'nicely disposed.' His relatives failed to understand him, and they gave him up like a puzzle. He was self-contradictory. For instance, though a shocking liar, he was lavish of truth whenever truth happened to be disconcerting and inopportune. He it was who told the forewoman of his uncle's millinery department, in front of a customer, that she had a moustache. His uncle threshed him. 'She _has_ a moustache, anyhow!' said this Galileo when his uncle had finished. Mr. Knight wished Tom to go into the drapery, but Tom would not. Tom wanted to be an artist; he was always drawing. Mr. Knight had only heard of artists; he had never seen one. He thought Tom's desire for art was mere wayward naughtiness. However, after Tom had threatened to burn the house down if he was not allowed to go to an art-school, and had carried out his threat so far as to set fire to a bale of cotton-goods in the cellar, Mr. Knight yielded to the whim for the sake of peace and a low temperature. He expansively predicted ultimate disaster for Tom. But at the age of eighteen and a half, Tom, with his habit of inconvenience, simply fell into a post as designer to a firm of wholesale stationers. His task was to design covers for coloured boxes of fancy notepaper, and his pay was two guineas a week. The richness of the salary brought Mr. Knight to his senses; it staggered, sobered, and silenced him. Two guineas a week at eighteen and a half! It was beyond the verge of the horizons of the drapery trade. Mr. Knight had a shop-walker, aged probably thirty-eight and a half, who was receiving precisely two guineas a week, and working thirty hours a week longer than Tom.

On the strength of this amazing two guineas, Tom, had he chosen, might easily have regained the long-lost esteem of his relatives. But he did not choose. He became more than ever a mystery to them, and a troubling mystery, not a mystery that one could look squarely in the face and then pass by. His ideals, if they could be called ideals, were always in collision with those of the rest of the house. Neither his aunts nor his uncle could ever be quite sure that he was not enjoying some joke which they were not enjoying. Once he had painted Aunt Annie's portrait. 'Never let me see that thing again!' she exclaimed when she beheld it complete. She deemed it an insult, and she was not alone in her opinion. 'Do you call this art?' said Mr. Knight. 'If this is art, then all I can say is I'm glad I wasn't brought up to understand art, as you call it.' Nevertheless, somehow the painting was exhibited at South Kensington in the national competition of students works, and won a medal. 'Portrait of my Aunt,' Tom had described it in the catalogue, and Aunt Annie was furious a second time. 'However,' she said, 'no one'll recognise me, that's one comfort!' Still, the medal weighed heavily; it was a gold medal. Difficult to ignore its presence in the house!

Tom's crowning sin was that he was such a bad example to Henry. Henry worshipped him, and the more Tom was contemned the more Henry worshipped.

'You'll surely be very late, Tom,' Mrs. Knight ventured to remark at half-past nine.

Mr. Knight had descended into the shop, and Aunt Annie also.

'Oh no,' said Tom--'not more than is necessary.' And then he glanced at Henry. 'Look here, my bold buccaneer, you've got nothing to do just now, have you? You can stroll along with me a bit, and we'll see if we can buy you a twopenny toy for a birthday present.'

Tom always called Henry his 'bold buccaneer.' He had picked up the term of endearment from the doctor with the black bag twelve years ago. Henry had his cap on in two seconds, and Mrs. Knight beamed at this unusual proof of kindly thought on Tom's part.

In the street Tom turned westwards instead of to the City, where his daily work lay.

'Aren't you going to work to-day?' Henry asked in surprise.

'No,' said Tom. 'I told my benevolent employers last night that it was your birthday to-day, and I asked whether I could have a holiday. What do you think they answered?'

'You didn't ask them,' said Henry.

'They answered that I could have forty holidays. And they requested me to wish you, on behalf of the firm, many happy returns of the day.'

'Don't rot,' said Henry.

It was a beautiful morning, sunny, calm, inspiriting, and presently Tom began to hum. After a time Henry perceived that Tom was humming the same phrase again and again: 'Some streets are longer than others. Some streets are longer than others.'

'_Don't rot_, Tom,' Henry pleaded.

The truth was that Tom was intoning a sentence from Henry's prize essay on streets. Tom had read the essay and pronounced it excellent, and till this very moment on the pavement of Oxford Street Henry had imagined Tom's verdict to be serious. He now knew that it was not serious.

Tom continued to chant, with pauses: 'Some streets are longer than others.... Very few streets are straight.... But we read in the Bible of the street which is called Straight.... Oxford Street is nearly straight.... A street is what you go along.... It has a road and two footpaths.'

Henry would have given his penknife not to have written that essay. The worst of Tom was that he could make anything look silly without saying that it was silly--a trick that Henry envied.

Tom sang further: 'In the times before the French Revolution the streets of Paris had no pavements ... _e.g._, they were all road.... It was no infrequent occurrence for people to be maimed for life, or even seriously injured, against