Kenilworth, Walter Scott [children's books read aloud txt] 📗

Accordingly, he remained perfectly quiet all the time that the hammer continued to sound, being about the space usually employed in fixing a horse-shoe. But the instant the sound ceased, Tressilian, instead of interposing the space of time which his guide had required, started up with his sword in his hand, ran round the thicket, and confronted a man in a farrier's leathern apron, but otherwise fantastically attired in a bear-skin dressed with the fur on, and a cap of the same, which almost hid the sooty and begrimed features of the wearer. “Come back, come back!” cried the boy to Tressilian, “or you will be torn to pieces; no man lives that looks on him.” In fact, the invisible smith (now fully visible) heaved up his hammer, and showed symptoms of doing battle.

But when the boy observed that neither his own entreaties nor the menaces of the farrier appeared to change Tressilian's purpose, but that, on the contrary, he confronted the hammer with his drawn sword, he exclaimed to the smith in turn, “Wayland, touch him not, or you will come by the worse!—the gentleman is a true gentleman, and a bold.”

“So thou hast betrayed me, Flibbertigibbet?” said the smith; “it shall be the worse for thee!”

“Be who thou wilt,” said Tressilian, “thou art in no danger from me, so thou tell me the meaning of this practice, and why thou drivest thy trade in this mysterious fashion.”

The smith, however, turning to Tressilian, exclaimed, in a threatening tone, “Who questions the Keeper of the Crystal Castle of Light, the Lord of the Green Lion, the Rider of the Red Dragon? Hence!—avoid thee, ere I summon Talpack with his fiery lance, to quell, crush, and consume!” These words he uttered with violent gesticulation, mouthing, and flourishing his hammer.

“Peace, thou vile cozener, with thy gipsy cant!” replied Tressilian scornfully, “and follow me to the next magistrate, or I will cut thee over the pate.”

“Peace, I pray thee, good Wayland!” said the boy. “Credit me, the swaggering vein will not pass here; you must cut boon whids.” [“Give good words.”—SLANG DIALECT.]

“I think, worshipful sir,” said the smith, sinking his hammer, and assuming a more gentle and submissive tone of voice, “that when so poor a man does his day's job, he might be permitted to work it out after his own fashion. Your horse is shod, and your farrier paid—what need you cumber yourself further than to mount and pursue your journey?”

“Nay, friend, you are mistaken,” replied Tressilian; “every man has a right to take the mask from the face of a cheat and a juggler; and your mode of living raises suspicion that you are both.”

“If you are so determined; sir,” said the smith, “I cannot help myself save by force, which I were unwilling to use towards you, Master Tressilian; not that I fear your weapon, but because I know you to be a worthy, kind, and well-accomplished gentleman, who would rather help than harm a poor man that is in a strait.”

“Well said, Wayland,” said the boy, who had anxiously awaited the issue of their conference. “But let us to thy den, man, for it is ill for thy health to stand here talking in the open air.”

“Thou art right, Hobgoblin,” replied the smith; and going to the little thicket of gorse on the side nearest to the circle, and opposite to that at which his customer had so lately crouched, he discovered a trap-door curiously covered with bushes, raised it, and, descending into the earth, vanished from their eyes. Notwithstanding Tressilian's curiosity, he had some hesitation at following the fellow into what might be a den of robbers, especially when he heard the smith's voice, issuing from the bowels of the earth, call out, “Flibertigibbet, do you come last, and be sure to fasten the trap!”

“Have you seen enough of Wayland Smith now?” whispered the urchin to Tressilian, with an arch sneer, as if marking his companion's uncertainty.

“Not yet,” said Tressilian firmly; and shaking off his momentary irresolution, he descended into the narrow staircase, to which the entrance led, and was followed by Dickie Sludge, who made fast the trap-door behind him, and thus excluded every glimmer of daylight. The descent, however, was only a few steps, and led to a level passage of a few yards' length, at the end of which appeared the reflection of a lurid and red light. Arrived at this point, with his drawn sword in his hand, Tressilian found that a turn to the left admitted him and Hobgoblin, who followed closely, into a small, square vault, containing a smith's forge, glowing with charcoal, the vapour of which filled the apartment with an oppressive smell, which would have been altogether suffocating, but that by some concealed vent the smithy communicated with the upper air. The light afforded by the red fuel, and by a lamp suspended in an iron chain, served to show that, besides an anvil, bellows, tongs, hammers, a quantity of ready-made horse-shoes, and other articles proper to the profession of a farrier, there were also stoves, alembics, crucibles, retorts, and other instruments of alchemy. The grotesque figure of the smith, and the ugly but whimsical features of the boy, seen by the gloomy and imperfect light of the charcoal fire and the dying lamp, accorded very well with all this mystical apparatus, and in that age of superstition would have made some impression on the courage of most men.

But nature had endowed Tressilian with firm nerves, and his education, originally good, had been too sedulously improved by subsequent study to give way to any imaginary terrors; and after giving a glance around him, he again demanded of the artist who he was, and by what accident he came to know and address him by his name.

“Your worship cannot but remember,” said the smith, “that about three years since, upon Saint Lucy's Eve, there came a travelling juggler to a certain hall in Devonshire, and exhibited his skill before a worshipful knight and a fair company.—I see from your worship's countenance, dark as this place is, that my memory has not done me wrong.”

“Thou hast said enough,” said Tressilian, turning away, as wishing to hide from the speaker the painful train of recollections which his discourse had unconsciously awakened.

“The juggler,” said the smith, “played his part so bravely that the clowns and clown-like squires in the company held his art to be little less than magical; but there was one maiden of fifteen, or thereby, with the fairest face I ever looked upon, whose rosy cheek grew pale, and her bright eyes dim, at the sight of the wonders exhibited.”

“Peace, I command thee, peace!” said Tressilian.

“I mean your worship no offence,” said the fellow; “but I have cause to remember how, to relieve the young maiden's fears, you condescended to point out the mode in which these deceptions were practised, and to baffle the poor juggler by laying bare the mysteries of his art, as ably as if you had been a brother of his order.—She was indeed so fair a maiden that, to win a smile of her, a man might well—”

“Not a word more of her, I charge thee!” said Tressilian.