The Triumphs of Eugène Valmont, Robert Barr [best e reader for academics txt] 📗

what he expected to find in the carriage that would cast any light on the case.

'Nothing,' was his brief reply.

'Then why do you come?'[209]

'Merely to corroborate the conclusions I have already arrived at.'

'And might I ask what those conclusions are?'

'Certainly,' replied the detective, with a touch of lassitude in his voice. 'I beg to call your attention, first, to the fact that this train stands between two platforms, and can be entered from either side. Any man familiar with the station for years would be aware of that fact. This shows how Mr. Kipson entered the train just before it started.'

'But the door on this side is locked,' I objected, trying it.

'Of course. But every season ticket-holder carries a key. This accounts for the guard not seeing him, and for the absence of a ticket. Now let me give you some information about the influenza. The patient's temperature rises several degrees above normal, and he has a fever. When the malady has run its course, the temperature falls to three-quarters of a degree below normal. These facts are unknown to you, I imagine, because you are a doctor.'

I admitted such was the case.

'Well, the consequence of this fall in temperature is that the convalescent's mind turns towards thoughts of suicide. Then is the time he should be watched by his friends. Then was the time Mr. Barrie Kipson's friends did not watch him. You remember the 21st, of course. No? It was a most depressing day. Fog all around and mud under foot. Very good. He resolves on suicide. He wishes to be unidentified, if possible, but forgets his season ticket. My experience is that a man about to commit a crime always forgets something.'

'But how do you account for the disappearance of the money?'

'The money has nothing to do with the matter. If he was a deep man, and knew the stupidness of Scotland Yard, he probably sent the notes to an enemy. If not, they may have been given to a friend. Nothing is more calculated to prepare the mind for self-destruction than the prospect of a night ride on the Scotch express, and the view from the windows of the train as it passes through the northern part of London is particularly conducive to thoughts of annihilation.'

'What became of the weapon?'

'That is just the point on which I wish to satisfy myself. Excuse me for a moment.'

Mr. Sherlaw Kombs drew down the window on the right hand side, and examined the top of the casing minutely with a magnifying glass. Presently he heaved a sigh of relief, and drew up the sash.

'Just as I expected,' he remarked, speaking more to himself than to me. 'There is a slight dent on the top of the window-frame. It is of such a nature as to be made only by the trigger of a pistol falling from the nerveless hand of a suicide. He intended to throw the weapon far out of the window, but had not the strength. It might have fallen into the carriage. As a matter of fact, it bounced away from the line and lies among the grass about ten feet six inches from the outside rail. The only[210] question that now remains is where the deed was committed, and the exact present position of the pistol reckoned in miles from London, but that, fortunately, is too simple to even need explanation.'

'Great heavens, Sherlaw!' I cried. 'How can you call that simple? It seems to me impossible to compute.'

We were now flying over Northern London, and the great detective leaned back with every sign of ennui, closing his eyes. At last he spoke wearily:

'It is really too elementary, Whatson, but I am always willing to oblige a friend. I shall be relieved, however, when you are able to work out the ABC of detection for yourself, although I shall never object to helping you with the words of more than three syllables. Having made up his mind to commit suicide, Kipson naturally intended to do it before he reached Brewster, because tickets are again examined at that point. When the train began to stop at the signal near Pegram, he came to the false conclusion that it was stopping at Brewster. The fact that the shot was not heard is accounted for by the screech of the air-brake, added to the noise of the train. Probably the whistle was also sounding at the same moment. The train being a fast express would stop as near the signal as possible. The air-brake will stop a train in twice its own length. Call it three times in this case. Very well. At three times the length of this train from the signal-post towards London, deducting half the length of the train, as this carriage is in the middle, you will find the pistol.'

'Wonderful!' I exclaimed.

'Commonplace,' he murmured.

At this moment the whistle sounded shrilly, and we felt the grind of the air-brakes.

'The Pegram signal again,' cried Kombs, with something almost like enthusiasm. 'This is indeed luck. We will get out here, Whatson, and test the matter.'

As the train stopped, we got out on the right-hand side of the line. The engine stood panting impatiently under the red light, which changed to green as I looked at it. As the train moved on with increasing speed, the detective counted the carriages, and noted down the number. It was now dark, with the thin crescent of the moon hanging in the western sky throwing a weird half-light on the shining metals. The rear lamps of the train disappeared around a curve, and the signal stood at baleful red again. The black magic of the lonesome night in that strange place impressed me, but the detective was a most practical man. He placed his back against the signal-post, and paced up the line with even strides, counting his steps. I walked along the permanent way beside him silently. At last he stopped, and took a tape-line from his pocket. He ran it out until the ten feet six inches were unrolled, scanning the figures in the wan light of the new moon. Giving me the end, he placed his[211] knuckles on the metals, motioning me to proceed down the embankment. I stretched out the line, and then sank my hand in the damp grass to mark the spot.

'Good God!' I cried, aghast, 'what is this?'

'It is the pistol,' said Kombs quietly.

It was!!

Journalistic London will not soon forget the sensation that was caused by the record of the investigations of Sherlaw Kombs, as printed at length in the next day's Evening Blade. Would that my story ended here. Alas! Kombs contemptuously turned over the pistol to Scotland Yard. The meddlesome officials, actuated, as I always hold, by jealousy, found the name of the seller upon it. They investigated. The seller testified that it had never been in the possession of Mr Kipson, as far as he knew. It was sold to a man whose description tallied with that of a criminal long watched by the police. He was arrested, and turned Queen's evidence in the hope of hanging his pal. It seemed that Mr. Kipson, who was a gloomy, taciturn man, and usually came home in a compartment by himself, thus escaping observation, had been murdered in the lane leading to his house. After robbing him, the miscreants turned their thoughts towards the disposal of the body—a subject that always occupies a first-class criminal mind before the deed is done. They agreed to place it on the line, and have it mangled by the Scotch Express, then nearly due. Before they got the body half-way up the embankment the express came along and stopped. The guard got out and walked along the other side to speak with the engineer. The thought of putting the body into an empty first-class carriage instantly occurred to the murderers. They opened the door with the deceased's key. It is supposed that the pistol dropped when they were hoisting the body in the carriage.

The Queen's evidence dodge didn't work, and Scotland Yard ignobly insulted my friend Sherlaw Kombs by sending him a pass to see the villains hanged.

[212]

2. The Adventure of the Second Swag

The time was Christmas Eve, 1904. The place was an ancient, secluded manor house, built so far back in the last century as 1896. It stood at the head of a profound valley; a valley clothed in ferns waist deep, and sombrely guarded by ancient trees, the remnants of a primeval forest. From this mansion no other human habitation could be seen. The descending road which connected the king's highway with the stronghold was so sinuous and precipitate that more than once the grim baronet who owned it had upset his automobile in trying to negotiate the dangerous curves. The isolated situation and gloomy architecture of this venerable mansion must have impressed the most casual observer with the thought that here was the spot for the perpetration of dark deeds, were it not for the fact that the place was brilliantly illumined with electricity, while the silence was emphasised rather than disturbed by the monotonous, regular thud of an accumulator pumping the subtle fluid into a receptive dynamo situated in an outhouse to the east.

The night was gloomy and lowering after a day of rain, but the very sombreness of the scene made the brilliant stained glass windows stand out like the radiant covers of a Christmas number. Such was the appearance presented by 'Undershaw', the home of Sir Arthur Conan Doyle, situated among the wilds of Hindhead, some forty or fifty miles from London. Is it any wonder that at a spot so remote from civilisation law should be set at defiance, and that the one lone policeman who perambulates the district should tremble as he passed the sinister gates of 'Undershaw'?

In a large room of this manor house, furnished with a luxuriant elegance one would not have expected in a region so far from humanising influences, sat two men. One was a giant in stature, whose broad brow and smoothly shaven strong chin gave a look of determination to his countenance, which was further enhanced by the heavy black moustache which covered his upper lip. There was something of the dragoon in his upright and independent bearing. He had, in fact, taken part in more than one fiercely fought battle, and was a member of several military clubs; but it was plain to be seen that his ancestors had used war clubs, and had transmitted to him the physique of a Hercules. One did not need to glance at the Christmas number of the Strand, which he held in his hand, nor read the name printed there in large letters, to know that he was face to face with Sir Arthur Conan Doyle.

His guest, an older man, yet still in the prime of life, whose beard was tinged with grey, was of less warlike bearing than the celebrated novelist, belonging, as he evidently did, to the civil and not the military section of life. He had about him the air of a prosperous man of affairs, shrewd,[213] good-natured, conciliatory, and these two strongly contrasting personages are types of the men to whom England owes her greatness. The reader of the Christmas number will very probably feel disappointed when he finds, as he supposes, merely two old friends sitting amicably in a country house after dinner. There seems, to his jaded taste, no element of tragedy in such a situation. These two men appear comfortable enough, and respectable enough. It is true that there is whisky and soda at hand, and the box of cigars is open, yet there are latent possibilities of passion under the most placid natures, revealed only to writers of fiction in our halfpenny Press. Let the reader wait, therefore, till he sees these two men tried as by fire under a great temptation, and then let him say whether even the probity of Sir George Newnes comes scathless from the ordeal.

'Have you brought the swag, Sir George?' asked the novelist, with some trace of anxiety in his voice.

'Yes,' replied the great publisher; 'but before proceeding to the count would it not be wise to give orders that will insure our being left undisturbed?'

'You are right,' replied Doyle, pressing an electric button.

When the servant appeared he said: 'I am not at home to anyone. No matter who calls, or what excuse is given, you must permit none to approach this room.'

When the servant had withdrawn, Doyle took the further precaution of thrusting in place one of the huge bolts which ornamented the massive oaken door studded with iron knobs. Sir George withdrew from the tail pocket of his dress coat two canvas bags, and, untying the strings, poured the rich red gold on the smooth table.

'I think you