Robert Falconer, George MacDonald [beach read .TXT] 📗

What a success that would have been! Night after night he came pale and worn from the conflict, found his grandmother and Shargar composed, and in the quietness of despair sat down beside them to his Latin version.

He little thought, that every night, at the moment when he stirred to leave the upper room, a pale-faced, red-eyed figure rose from its seat on the top of the stair by the door, and sped with long-legged noiselessness to resume its seat by the grandmother before he should enter. Shargar saw that Robert was unhappy, and the nearest he could come to the sharing of his unhappiness was to take his place outside the door within which he had retreated. Little, too, did Shargar, on his part, think that Robert, without knowing it, was pleading for him inside-pleading for him and for all his race in the weeping that would not be comforted.

Robert had not the vaguest fancy that God was with him-the spirit of the Father groaning with the spirit of the boy in intercession that could not be uttered. If God had come to him then and comforted him with the assurance of individual favour-but the very supposition is a taking of his name in vain-had Robert found comfort in the fancied assurance that God was his friend in especial, that some private favour was granted to his prayers, that, indeed, would have been to be left to his own inventions, to bring forth not fruits meet for repentance, but fruits for which repentance alone is meet. But God was with him, and was indeed victorious in the boy when he rose from his knees, for the last time, as he thought, saying, 'I cannot yield-I will pray no more.'-With a burst of bitter tears he sat down on the bedside till the loudest of the storm was over, then dried his dull eyes, in which the old outlook had withered away, and trod unknowingly in the silent footsteps of Shargar, who was ever one corner in advance of him, down to the dreary lessons and unheeded prayers; but, thank God, not to the sleepless night, for some griefs bring sleep the sooner.

My reader must not mistake my use of the words especial and private, or suppose that I do not believe in an individual relation between every man and God, yes, a peculiar relation, differing from the relation between every other man and God! But this very individuality and peculiarity can only be founded on the broadest truths of the Godhood and the manhood.

Mrs. Falconer, ere she went to sleep, gave thanks that the boys had been at their prayers together. And so, in a very deep sense, they had.

And well they might have been; for Shargar was nearly as desolate as Robert, and would certainly, had his mother claimed him now, have gone on the tramp with her again. Wherein could this civilized life show itself to him better than that to which he had been born? For clothing he cared little, and he had always managed to kill his hunger or thirst, if at longer intervals, then with greater satisfaction. Wherein is the life of that man who merely does his eating and drinking and clothing after a civilized fashion better than that of the gipsy or tramp? If the civilized man is honest to boot, and gives good work in return for the bread or turtle on which he dines, and the gipsy, on the other hand, steals his dinner, I recognize the importance of the difference; but if the rich man plunders the community by exorbitant profits, or speculation with other people's money, while the gipsy adds a fowl or two to the produce of his tinkering; or, once again, if the gipsy is as honest as the honest citizen, which is not so rare a case by any means as people imagine, I return to my question: Wherein, I say, is the warm house, the windows hung with purple, and the table covered with fine linen, more divine than the tent or the blue sky, and the dipping in the dish? Why should not Shargar prefer a life with the mother God had given him to a life with Mrs. Falconer? Why should he prefer geography to rambling, or Latin to Romany? His purposelessness and his love for Robert alone kept him where he was.

The next evening, having given up his praying, Robert sat with his Sallust before him. But the fount of tears began to swell, and the more he tried to keep it down, the more it went on swelling till his throat was filled with a lump of pain. He rose and left the room. But he could not go near the garret. That door too was closed. He opened the house door instead, and went out into the street. There, nothing was to be seen but faint blue air full of moonlight, solid houses, and shining snow. Bareheaded he wandered round the corner of the house to the window whence first he had heard the sweet sounds of the pianoforte. The fire within lighted up the crimson curtains, but no voice of music came forth. The window was as dumb as the pale, faintly befogged moon overhead, itself seeming but a skylight through which shone the sickly light of the passionless world of the dead. Not a form was in the street. The eyes of the houses gleamed here and there upon the snow. He leaned his elbow on the window-sill behind which stood that sealed fountain of lovely sound, looked up at the moon, careless of her or of aught else in heaven or on earth, and sunk into a reverie, in which nothing was consciously present but a stream of fog-smoke that flowed slowly, listlessly across the face of the moon, like the ghost of a dead cataract. All at once a wailful sound arose in his head. He did not think for some time whether it was born in his brain, or entered it from without. At length he recognized the Flowers of the Forest, played as only the soutar could play it. But alas! the cry responsive to his bow came only from the auld wife-no more from the bonny leddy! Then he remembered that there had been a humble wedding that morning on the opposite side of the way; in the street department of the jollity of which Shargar had taken a small share by firing a brass cannon, subsequently confiscated by Mrs. Falconer. But this was a strange tune to play at a wedding! The soutar half-way to his goal of drunkenness, had begun to repent for the fiftieth time that year, had with his repentance mingled the memory of the bonny leddy ruthlessly tortured to death for his wrong, and had glided from a strathspey into that sorrowful moaning. The lament interpreted itself to his disconsolate pupil as he had never understood it before, not even in the stubble-field; for it now spoke his own feelings of waste misery, forsaken loneliness. Indeed Robert learned more of music in those few minutes of the foggy winter night and open street, shut out of all doors, with the tones of an ancient grief and lamentation floating through the blotted moonlight over his ever-present sorrow, than he could have learned from many lessons even of Miss St. John. He was cold to the heart, yet went in a little comforted.

Things had gone ill with him. Outside of Paradise, deserted of his angel, in the frost and the snow, the voice of the despised violin once more the source of a sad comfort! But there is no better discipline than an occasional descent from what we count well-being, to a former despised or less happy condition. One of the results of this taste of damnation in Robert was, that when he was in bed that night, his heart began to turn gently towards his old master. How much did he not owe him, after all! Had he not acted ill and ungratefully in deserting him? His own vessel filled to the brim with grief, had he not let the waters of its bitterness overflow into the heart of the soutar? The wail of that violin echoed now in Robert's heart, not for Flodden, not for himself, but for the debased nature that drew forth the plaint. Comrades in misery, why should they part? What right had he to forsake an old friend and benefactor because he himself was unhappy? He would go and see him the very next night. And he would make friends once more with the much 'suffering instrument' he had so wrongfully despised.


CHAPTER II.

THE STROKE.

The following night, he left his books on the table, and the house itself behind him, and sped like a grayhound to Dooble Sanny's shop, lifted the latch, and entered.

By the light of a single dip set on a chair, he saw the shoemaker seated on his stool, one hand lying on the lap of his leathern apron, his other hand hanging down by his side, and the fiddle on the ground at his feet. His wife stood behind him, wiping her eyes with her blue apron. Through all its accumulated dirt, the face of the soutar looked ghastly, and they were eyes of despair that he lifted to the face of the youth as he stood holding the latch in his hand. Mrs. Alexander moved towards Robert, drew him in, and gently closed the door behind him, resuming her station like a sculptured mourner behind her motionless husband.

'What on airth's the maitter wi' ye, Sandy?' said Robert.

'Eh, Robert!' returned the shoemaker, and a tone of affection tinged the mournfulness with which he uttered the strange words-'eh, Robert! the Almichty will gang his ain gait, and I'm in his grup noo.'

'He's had a stroke,' said his wife, without removing her apron from her eyes.

'I hae gotten my pecks (blows),' resumed the soutar, in a despairing voice, which gave yet more effect to the fantastic eccentricity of conscience which from the midst of so many grave faults chose such a one as especially bringing the divine displeasure upon him: 'I hae gotten my pecks for cryin' doon my ain auld wife to set up your bonny leddy. The tane's gane a' to aise an' stew (ashes and dust), an' frae the tither,' he went on, looking down on the violin at his feet as if it had been something dead in its youth-'an' frae the tither I canna draw a cheep, for my richt han' has forgotten her cunnin' Man, Robert, I canna lift it frae my side.'

'Ye maun gang to yer bed,' said Robert, greatly concerned.

'Ow, ay, I maun gang to my bed, and syne to the kirkyaird, and syne to hell, I ken that weel eneuch. Robert, I lea my fiddle to you. Be guid to the auld wife, man-better nor I hae been. An auld wife's better nor nae fiddle.'

He stooped, lifted the violin with his left hand, gave it to Robert, rose, and made for the door. They helped him up the creaking stair, got him half-undressed, and laid him in his bed. Robert put the violin on the top of a press within sight of the sufferer, left him groaning, and ran for the doctor. Having seen him set out for the patient's dwelling, he ran home to his grandmother.

Now while Robert was