The Golden Dream: Adventures in the Far West, R. M. Ballantyne [to read list .txt] 📗

shall have it, too;—here, waiter, a brandy-smash and a cheroot, and be aisy as to the cost; I think me bank’ll stand it.”

“What say you to a stroll!” said Ned, rising.

“By all means,” replied Captain Bunting, jumping up, and laying down his pipe. Larry preferred to remain where he was; so the two friends left him to enjoy his cheroot, and wandered away, where fancy led, to see the town. There was much to be seen. It required no theatrical representation of life to amuse one in Sacramento at that time. The whole city was a vast series of plays in earnest.

Every conceivable species of comedy and farce met the eye at every turn. Costumes the most remarkable, men the most varied and peculiar, and things the most incomprehensible and unexpected, presented themselves in endless succession. Here a canvas restaurant stood, or, rather leaned against a log-store. There a tent spread its folds in juxtaposition to a deck-cabin, which seemed to have walked ashore from a neighbouring brig, without leave, and had been let out as a grog-shop by way of punishment. Chinamen in calico jostled sailors in canvas, or diggers in scarlet flannel shirts, or dandies in broad-cloth and patent-leather, or red Indians in nothing! Bustle, and hurry, and uproar, and joviality prevailed. A good deal of drinking, too, unfortunately, went on, and the results were occasional melodramas, and sometimes serious rows.

Tragedies, too, were enacted, but these seldom met the eye; as is usually the case, they were done in the dark.

“What have we here?” cried Captain Bunting, stopping before a large placard, and reading. “‘Grand concert, this evening—wonderful singer—Mademoiselle Nelina, first appearance—Ethiopian serenaders.’ I say, Ned, we must go to this; I’ve not heard a song for ages that was worth listening to.”

“At what hour?” inquired Ned—“oh! seven o’clock; well, we can stroll back to the hotel, have a cup of coffee, and bring Larry O’Neil with us. Come along.”

That evening our three adventurers occupied the back seat of a large concert-room in one of the most crowded thoroughfares of the town, patiently awaiting the advent of the performers. The room was filled to overflowing, long before the hour for the commencement of the performances, with every species of mortal, except woman. Women were exceedingly rare creatures at that time—the meetings of all sorts were composed almost entirely of men, in their varied and motley garbs.

Considering the circumstances in which it was got up, the room was a very creditable one, destitute, indeed, of ornament, but well lighted by an enormous wooden chandelier, full of wax candles, which depended from the centre of the ceiling. At the further end of the room was a raised stage, with foot-lights in front, and three chairs in the middle of it. There was a small orchestra in front, consisting of two fiddles, a cornopian, a trombone, a clarionet, and a flute; but at first the owners of these instruments kept out of sight, wisely reserving themselves until that precise moment when the impatient audience would—as all audiences do on similar occasions—threaten to bring down the building with stamping of feet, accompanied with steam-engine-like whistles, and savage cries of “Music!”

While Ned Sinton and his friends were quietly looking round upon the crowd, Larry O’Neil’s attention was arrested by the conversation of two men who sat just in front of him. One was a rough-looking miner, in a wide-awake and red-flannel shirt; the other was a negro, in a shirt of blue-striped calico.

“Who be this Missey Nelina?” inquired the negro, turning to his companion.

“I dun know; but I was here last night, an’ I’d take my davy, I saw the little gal in the ranche of a feller away in the plains, five hundred miles to the east’ard, two months ago. Her father, poor chap, was killed by a wild horse.”

“How was dat?” inquired the negro, with an expression of great interest.

“Well, it was this way it happened,” replied the other, putting a quid of tobacco into his cheek, such as only a sailor would venture to masticate. “I was up at the diggin’s about six months, without gittin’ more gold than jist kep’ me in life—for, ye see, I was always an unlucky dog—when one day I goes down to my claim, and, at the very first lick, dug up two chunks o’ gold as big as yer fists; so I sold my claim and shovel, and came down here for a spree. Well, as I was sayin’, I come to the ranche o’ a feller called Bangi, or Bongi, or Bungi, or some sort o’ bang, with a gi at the end o’ ’t. He was clappin’ his little gal on the head, when I comed up, and said good-bye to her. I didn’t rightly hear what she said; but I was so taken with her pretty face that I couldn’t help axin’ if the little thing was his’n. ‘Yees,’ says he—for he was a Mexican, and couldn’t come round the English lingo—‘she me darter.’ I found the man was goin’ to catch a wild horse, so, says I, ‘I’ll go with ye,’ an’, says he, ‘come ’long,’ so away we went, slappin’ over the plains at a great rate, him and me, and a Yankee, a friend o’ his and three or four servants, after a drove o’ wild horses that had been seen that mornin’ near the house. Well, away we went after the wild horses. Oh! it was grand sport! The man had lent me one of his beasts, an’ it went at such a spankin’ pace, I could scarce keep my seat, and had to hold on by the saddle—not bein’ used to ridin’ much, d’ye see. We soon picked out a horse—a splendid-lookin’ feller, with curved neck, and free gallop, and wide nostrils. My eye! how he did snort and plunge, when the Mexican threw the lasso, it went right over his head the first cast, but the wild horse pulled the rope out o’ his grip. ‘It’s all up,’ thought I; but never a bit. The Mexican put spurs to his horse, an’ while at full gallop, made a dive with his body, and actually caught the end o’ the line, as it trailed over the ground, and recovered his seat again. It was done in a crack; an’, I believe, he held on by means of his spurs, which were big enough, I think, to make wheels for a small carronade. Takin’ a turn o’ the line round the horn of his saddle, he reined in a bit, and then gave the spurs for another spurt, and soon after reined in again—in fact, he jist played the wild horse like a trout, until he well-nigh choked him; an’, in an hour, or less, he was led steamin’, and startin’, and jumpin’, into the corral, where the man kept his other horses.”

At this point in the narrative, the cries for music became so deafening, that the sailor was obliged to pause, to the evident annoyance of the negro, who seemed intensely interested in what he had heard; and, also, to the regret of Larry, who had listened eagerly the whole time. In a few minutes the “music” came in, in the shape of two bald-headed Frenchmen, a wild-looking bearded German, and several lean men, who might, as far as appearance went, have belonged to almost any nation; and who would have, as far as musical ability went, been repudiated by every nation, except, perhaps, the Chinese. During the quarter of an hour in which these performers quieted the impatient audience with sweet sounds, the sailor continued his anecdote.

“Well, you see,” said he to the negro, while Larry bent forward to listen, “the Mexican mounted, and raced and spurred him for about an hour; but, just at the last, the wild horse gave a tremendous leap and a plunge, and we noticed the rider fall forward, as if he’d got a sprain. The Yankee an’ one o’ the servants ran up, and caught the horse by the head, but its rider didn’t move—he was stone dead, and was held in his seat by the spurs sticking in the saddle-cloth. The last bound must have ruptured some blood-vessel inside, for there was no sign of hurt upon him anywhere.”

“You don’ say dat?” said the negro, with a look of horror.

“’Deed do I; an’ we took the poor feller home, where his little daughter cried for him as if she’d break her heart. I asked the Yankee what we should do, but he looked at me somewhat offended like, an’ said he was a relation o’ the dead man’s wife, and could manage the affairs o’ the family without help; so I bid him good mornin’, and went my way. But I believe in my heart he was tellin’ a lie, and that he’s no right to go hawkin’ the poor gal about the country in this fashion.”

Larry was deeply interested in this narrative, and felt so strong a disposition to make further inquiries, that he made up his mind to question the sailor, and was about to address him when a small bell tinkled, the music ceased, and three Ethiopian minstrels, banjo in hand, advanced to the foot-lights, made their bow, and then seated themselves on the three chairs, with that intensity of consummate, impudent, easy familiarity peculiar to the ebony sons of song.

“Go it, darkies!” shouted an enthusiastic individual in the middle of the room.

“Three cheers for the niggers!” roared a sailor, who had just returned from a twelvemonth’s cruise at the mines, and whose delight at the prospect of once more hearing a good song was quite irrepressible.

The audience responded to the call with shouts of laughter, and a cheer that would have done your heart good to listen to, while the niggers shewed their teeth in acknowledgment of the compliment.

The first song was “Lilly Dale,” and the men, who, we need scarcely say, were fictitious negroes, sang it so well that the audience listened with breathless attention and evident delight, and encored it vociferously. The next song was “Oh! Massa, how he wopped me,” a ditty of quite a different stamp, but equally popular. It also was encored, as indeed was every song sting that evening; but the performers had counted on this. After the third song there was a hornpipe, in the performance of which the dancer’s chief aim seemed to be to shew in what a variety of complex ways he could shake himself to pieces if he chose. Then there was another trio, and then a short pause, in order duly to prepare the public mind for the reception of the great cantatrice Mademoiselle Nelina. When she was led to the foot-lights by the tallest of the three negroes, there was a momentary pause, as if men caught their breath; then there was a prolonged cheer of enthusiastic admiration. And little wonder, for the creature that appeared before these rough miners seemed more like an angelic visitant than a mortal.

There was nothing strikingly beautiful about the child, but she possessed that inexpressibly sweet character of face that takes the human heart by storm at first sight; and this, added to the fact that she was almost the only one of her sex who had been seen for many months by any of those present,—that she was fair, blue-eyed, delicate, modestly dressed, and innocent, filled them with an amount of enthusiasm that would have predisposed them to call a scream melodious, had it been uttered by Mademoiselle Nelina.

But the voice which came timidly from her lips was in harmony with her appearance. There was no attempt at execution, and the poor child was too frightened to succeed in imparting much expression to the simple ballad which she warbled; but there was an inherent richness in the tones of her voice that entranced the ear, and dwelt for weeks and months afterwards on the memory of those who heard it that night.

It is