The Regent, Arnold Bennett [read after .txt] 📗

passengers until he had voyaged with them at least ten times. He concluded: "The captain is the representative of English law on an English ship."

And then, in the silence created by the resting orchestra, all in the saloon could hear a clear, piercing woman's voice, oratorical at first and then quickening:

"Ladies and gentlemen, I wish to talk to you to-night on the subject of the injustice of men to women." Isabel Joy was on her feet and leaning over the gallery rail. As she proceeded a startled hush changed to uproar. And in the uproar could be caught now and then a detached phrase, such as "For example, this man-governed ship."

Possibly it was just this phrase that roused the northerner in the purser. He rose and looked towards the captain's table. But the captain was not dining in the saloon that evening. Then he strode to the centre of the saloon, beneath the renowned dome which has been so often photographed for the illustrated papers, and sought to destroy Isabel Joy with a single marine glance. Having failed, he called out loudly:

"Be quiet, madam. Resume your seat."

Isabel Joy stopped for a second, gave him a glance far more homicidal than his own, and resumed her discourse.

"Steward," cried the purser, "take that woman out of the saloon."

The whole complement of first-class passengers was now standing up, and many of them saw a plate descend from on high and graze the purser's shoulder. With the celebrity of a sprinter the man of authority from Durham disappeared from the ground-floor and was immediately seen in the gallery. Accounts differed, afterwards, as to the exact order of events; but it is certain that the leader of the band lost his fiddle, which was broken by the lusty Isabel on the purser's head. It was known later that Isabel, though not exactly in irons, was under arrest in her state-room.

"She really ought to have thought of that for herself, if she's as smart as she thinks she is," said Edward Henry, privately.


VI


Though he was on the way to high success his anxieties and solicitudes seemed to increase every hour. Immediately after Isabel Joy's arrest he became more than ever a crony of the Marconi operator, and began to dispatch vivid and urgent telegrams to London, without counting the cost. On the next day he began to receive replies. (It was the most interesting voyage that the Marconi operator had had since the sinking of the _Catherine of Siena_, in which episode his promptness through the air had certainly saved two hundred lives.) Edward Henry could scarcely sleep, so intense was his longing for Sunday night--his desire to be safe in London with Isabel Joy! Nay, he could not properly eat! And then the doubt entered his mind whether after all he would get to London on Sunday night. For the _Lithuania_ was lagging. She might have been doing it on purpose to ruin him. Every day, in the auction-pool on the ship's run, it was the holder of the lower field that pocketed the money of his fellow-men. The _Lithuania_ actually descended below five hundred and forty knots in the twenty-four hours. And no authoritative explanation of this behaviour was ever given. Upon leaving New York there had been talk of reaching Fishguard on Saturday evening. But now the prophesied moment of arrival had been put forward to noon on Sunday. Edward Henry's sole consolation was that each day on the eastward trip consisted of only twenty-three hours.

Further, he was by no means free from apprehension about the personal liberty of Isabel Joy. Isabel had exceeded the programme arranged between them. It had been no part of his scheme that she should cast plates, nor even break violins on the shining crown of an august purser. The purser was angry, and he had the captain, a milder man, behind him. When Isabel Joy threatened a hunger-strike if she was not immediately released, the purser signified that she might proceed with her hunger-strike; he well knew that it would be impossible for her to expire of inanition before the arrival at Fishguard.

The case was serious, because Isabel Joy had created a precedent. Policemen and Cabinet Ministers had for many months been regarded as the lawful prey of militants, but Isabel Joy was the first of the militants to damage property and heads which belonged to persons of neither of those classes. And the authorities of the ship were assuredly inclined to hand Isabel Joy over to the police at Fishguard. What saved the situation for Edward Henry was the factor which saves most situations--namely, public opinion. When the saloon clearly realized that Isabel Joy had done what she had done with the pure and innocent aim of winning a wager, all that was Anglo-Saxon in the saloon ranged itself on the side of true sport, and the matter was lifted above mere politics. A subscription was inaugurated to buy a new fiddle, and to pay for shattered crockery. And the amount collected would have purchased, after settling for the crockery, a couple of dozen new fiddles. The unneeded balance was given to Seamen's Orphanages. The purser was approached. The captain was implored. Influence was brought to bear. In short, the wheels that are within wheels went duly round. And Miss Isabel Joy, after apologies and promises, was unconditionally released.

But she had been arrested.

And then early on Sunday morning the ship met a storm that had a sad influence on divine service; a storm of the eminence that scares even the brass-buttoned occupants of liners' bridges. The rumour went round the ship that the captain would not call at Fishguard in such weather. Edward Henry was ready to yield up his spirit in this fearful crisis, which endured two hours. The captain did call at Fishguard, in pouring rain, and men came aboard selling Sunday newspapers that were full of Isabel's arrest on the steamer, and of the nearing triumph of her arrival in London before midnight. And newspaper correspondents also came aboard, and all the way on the tender, and in the sheds, and in the train, Edward Henry and Isabel Joy were subjected to the journalistic experiments of hardy interviewers. The train arrived at Paddington at 9 P.M. Isabel had won by three hours. The station was a surging throng of open-mouthed curiosities. Edward Henry would not lose sight of his priceless charge, but he sent Harrier to despatch a telegram to Nellie, whose wifely interest in his movements he had till then either forgotten or ignored.

And even now his mind was not free. He saw in front of him still twenty-four hours of anguish.


VII


The next night, just before the curtain went up, he stood on the stage of the Regent Theatre, and it is a fact that he was trembling--not with fear but with simple excitement.

Through what a day he had passed! There had been the rehearsal in the morning; it had gone off very well, save that Rose Euclid had behaved impossibly, and that the Cunningham girl, the hit of the piece but ousted from her part, had filled the place with just lamentations and recriminations.

And then had followed the appalling scene with Rose Euclid. Rose, leaving the theatre for lunch, had beheld workmen removing her name from the electric sign and substituting that of Isabel Joy! She was a woman and an artist, and it would have been the same had she been a man and an artist. She would not submit to this inconceivable affront. She had resigned her _role_. She had ripped her contract to bits and flung the bits to the breeze. Upon the whole Edward Henry had been glad. He had sent for Miss Cunningham, who was Rose's understudy, had given her her instructions, called another rehearsal for the afternoon, and effected a saving of nearly half Isabel Joy's fantastic salary. Then he had entered into financial negotiations with four evening papers and managed to buy, at a price, their contents-bills for the day. So that all the West End was filled with men and boys wearing like aprons posters which bore the words: "Isabel Joy to appear at the Regent to-night." A great and an original stroke!

And now he gazed through the peep-hole of the curtain upon a crammed and half-delirious auditorium. The assistant stage-manager ordered him off. The curtain went up on the drama in hexameters. He waited in the wings, and spoke soothingly to Isabel Joy, who, looking juvenile in the airy costume of the Messenger, stood flutteringly agog for her cue.... He heard the thunderous crashing roar that met her entrance. He did not hear her line. He walked forth to the glazed balcony at the front of the house, where in the _entr'actes_ dandies smoked cigarettes baptized with girlish names. He could see Piccadilly Circus, and he saw Piccadilly Circus thronged with a multitude of loafers who were happy in the mere spectacle of Isabel Joy's name glowing on an electric sign. He went back at last to the managerial room. Marrier was there, hero-worshipping.

"Got the figures yet?" he asked.

Marrier beamed.

"Two hundred and sixty pounds. As long as it keeps up it means a profit of getting on for two hundred a naight!"

"But, dash it, man, the house only holds two hundred and thirty."

"But my good sir," said Marrier, "they're paying ten shillings a piece to stand up in the dress-circle."

Edward Henry dropped into a chair at the desk. A telegram was lying there, addressed to himself.

"What's this?" he demanded.

"Just cam."

He opened it and read:

* * * * *

"I absolutely forbid this monstrous outrage on a work of art.--TRENT."

* * * * *

"Bit late in the day, isn't he?" said Edward Henry, showing the telegram to Marrier.

"Besides," Marrier observed, "he'll come round when he knows what his royalties are."

"Well," said Edward Henry, "I'm going to bed." And he gave a devastating yawn.


VIII


One afternoon Edward Henry sat in the king of all the easy-chairs in the drawing-room of his house in Trafalgar Road, Bursley. Although the month was September, and the weather warm even for September, a swansdown quilt lay spread upon his knees. His face was pale--his hands were paler; but his eye was clear and his visage enlightened. His beard had grown to nearly its original dimensions. On a chair by his side were a number of letters to which he had just dictated answers. At a neighbouring table a young clerk was using a typewriter. Stretched at full length on the sofa was Robert Machin, engaged in the perusal of the second edition of that day's _Signal_. Of late Robert, having exhausted nearly all available books, had been cultivating during his holidays an interest in journalism, and he would give great accounts, in the nursery, of events happening in each day's instalment of the _Signal's_ sensational serial. His heels kicked idly one against the other.

A powerful voice resounded in the lobby, and Dr Stirling entered the room with Nellie.

"Well, doc.!" Edward Henry greeted him.

"So you're in full blast again!" observed the doctor, using a metaphor invented by the population of a district where