War and Peace, graf Leo Tolstoy [classic novels .TXT] 📗

what about his character?” asked the regimental commander.

“It’s different on different days,” answered the captain. “One day he is sensible, well educated, and good-natured, and the next he’s a wild beast.... In Poland, if you please, he nearly killed a Jew.”

“Oh, well, well!” remarked the regimental commander. “Still, one must have pity on a young man in misfortune. You know he has important connections... Well, then, you just...”

“I will, your excellency,” said Timókhin, showing by his smile that he understood his commander’s wish.

“Well, of course, of course!”

The regimental commander sought out Dólokhov in the ranks and, reining in his horse, said to him:

“After the next affair... epaulettes.”

Dólokhov looked round but did not say anything, nor did the mocking smile on his lips change.

“Well, that’s all right,” continued the regimental commander. “A cup of vodka for the men from me,” he added so that the soldiers could hear. “I thank you all! God be praised!” and he rode past that company and overtook the next one.

“Well, he’s really a good fellow, one can serve under him,” said Timókhin to the subaltern beside him.

“In a word, a hearty one...” said the subaltern, laughing (the regimental commander was nicknamed King of Hearts).

The cheerful mood of their officers after the inspection infected the soldiers. The company marched on gaily. The soldiers’ voices could be heard on every side.

“And they said Kutúzov was blind of one eye?”

“And so he is! Quite blind!”

“No, friend, he is sharper-eyed than you are. Boots and leg bands... he noticed everything...”

“When he looked at my feet, friend... well, thinks I...”

“And that other one with him, the Austrian, looked as if he were smeared with chalk—as white as flour! I suppose they polish him up as they do the guns.”

“I say, Fédeshon!... Did he say when the battles are to begin? You were near him. Everybody said that Buonaparte himself was at Braunau.”

“Buonaparte himself!... Just listen to the fool, what he doesn’t know! The Prussians are up in arms now. The Austrians, you see, are putting them down. When they’ve been put down, the war with Buonaparte will begin. And he says Buonaparte is in Braunau! Shows you’re a fool. You’d better listen more carefully!”

“What devils these quartermasters are! See, the fifth company is turning into the village already... they will have their buckwheat cooked before we reach our quarters.”

“Give me a biscuit, you devil!”

“And did you give me tobacco yesterday? That’s just it, friend! Ah, well, never mind, here you are.”

“They might call a halt here or we’ll have to do another four miles without eating.”

“Wasn’t it fine when those Germans gave us lifts! You just sit still and are drawn along.”

“And here, friend, the people are quite beggarly. There they all seemed to be Poles—all under the Russian crown—but here they’re all regular Germans.”

“Singers to the front” came the captain’s order.

And from the different ranks some twenty men ran to the front. A drummer, their leader, turned round facing the singers, and flourishing his arm, began a long-drawn-out soldiers’ song, commencing with the words: “Morning dawned, the sun was rising,” and concluding: “On then, brothers, on to glory, led by Father Kámenski.” This song had been composed in the Turkish campaign and now being sung in Austria, the only change being that the words “Father Kámenski” were replaced by “Father Kutúzov.”

Having jerked out these last words as soldiers do and waved his arms as if flinging something to the ground, the drummer—a lean, handsome soldier of forty—looked sternly at the singers and screwed up his eyes. Then having satisfied himself that all eyes were fixed on him, he raised both arms as if carefully lifting some invisible but precious object above his head and, holding it there for some seconds, suddenly flung it down and began:

“Oh, my bower, oh, my bower...!”

“Oh, my bower new...!” chimed in twenty voices, and the castanet player, in spite of the burden of his equipment, rushed out to the front and, walking backwards before the company, jerked his shoulders and flourished his castanets as if threatening someone. The soldiers, swinging their arms and keeping time spontaneously, marched with long steps. Behind the company the sound of wheels, the creaking of springs, and the tramp of horses’ hoofs were heard. Kutúzov and his suite were returning to the town. The commander in chief made a sign that the men should continue to march at ease, and he and all his suite showed pleasure at the sound of the singing and the sight of the dancing soldier and the gay and smartly marching men. In the second file from the right flank, beside which the carriage passed the company, a blue-eyed soldier involuntarily attracted notice. It was Dólokhov marching with particular grace and boldness in time to the song and looking at those driving past as if he pitied all who were not at that moment marching with the company. The hussar cornet of Kutúzov’s suite who had mimicked the regimental commander, fell back from the carriage and rode up to Dólokhov.

Hussar cornet Zherkóv had at one time, in Petersburg, belonged to the wild set led by Dólokhov. Zherkóv had met Dólokhov abroad as a private and had not seen fit to recognize him. But now that Kutúzov had spoken to the gentleman ranker, he addressed him with the cordiality of an old friend.

“My dear fellow, how are you?” said he through the singing, making his horse keep pace with the company.

“How am I?” Dólokhov answered coldly. “I am as you see.”

The lively song gave a special flavor to the tone of free and easy gaiety with which Zherkóv spoke, and to the intentional coldness of Dólokhov’s reply.

“And how do you get on with the officers?” inquired Zherkóv.

“All right. They are good fellows. And how have you wriggled onto the staff?”

“I was attached; I’m on duty.”

Both were silent.

“She let the hawk fly upward from her wide right sleeve,” went the song, arousing an involuntary sensation of courage and cheerfulness. Their conversation would probably have been different but for the effect of that song.

“Is it true that Austrians have been beaten?” asked Dólokhov.

“The devil only knows! They say so.”

“I’m glad,” answered Dólokhov briefly and clearly, as the song demanded.

“I say, come round some evening and we’ll have a game of faro!” said Zherkóv.