Tommy and Grizel, Sir James Matthew Barrie [classic books for 11 year olds txt] 📗

sure of, I am done with sentiment." But even as he said it, even as he felt that he could tear himself asunder for being untrue to Grizel, a bird was singing at his heart because he was free again, free to go out into the world and play as if it were but a larger den. Ah, if only Tommy could always have remained a boy!

Elspeth's marriage day came round, and I should like to linger in it, and show you Elspeth in her wedding-gown, and Tommy standing behind to catch her if she fainted, and Ailie weeping, and Aaron Latta rubbing his gleeful hands, and a smiling bridesmaid who had once thought she might be a bride. But that was a day in Elspeth's story, not in Tommy's and Grizel's. Only one incident in their story crept into that happy day. There were speeches at the feast, and the Rev. Mr. Dishart referred to Tommy in the kindliest way, called him "my young friend," quoted (inaccurately) from his book, and expressed an opinion, formed, he might say, when Mr. Sandys was a lad at school (cheers), that he had a career before him. Tommy bore it well, all except the quotation, which he was burning to correct, but sighed to find that it had set the dominies on his left talking about precocity. "To produce such a graybeard of a book at two and twenty, Mr. Sandys," said Cathro, "is amazing. It partakes, sir, of the nature of the miraculous; it's onchancey, by which we mean a deviation from the normal." And so on. To escape this kind of flattery (he had so often heard it said by ladies, who could say it so much better), Tommy turned to his neighbours on the right.

Oddly enough, they also were discussing deviations from the normal. On the table was a plant in full flower, and Ailie, who had lent it, was expressing surprise that it should bloom so late in the season.

"So early in its life, I should rather say," the doctor remarked after examining it. "It is a young plant, and in the ordinary course would not have come to flower before next year. But it is afraid that it will never see next year. It is one of those poor little plants that bloom prematurely because they are diseased."

Tommy was a little startled. He had often marvelled over his own precocity, but never guessed that this might be the explanation why he was in flower at twenty-two. "Is that a scientific fact?" he asked.

"It is a law of nature," the doctor replied gravely, and if anything more was said on the subject our Tommy did not hear it. What did he hear? He was a child again, in miserable lodgings, and it was sometime in the long middle of the night, and what he heard from his bed was his mother coughing away her life in hers. There was an angry knock, knock, knock, from somewhere near, and he crept out of bed to tell his mother that the people through the wall were complaining because she would not die more quietly; but when he reached her bed it was not his mother he saw lying there, but himself, aged twenty-four or thereabouts. For Tommy had inherited his mother's cough; he had known it every winter, but he remembered it as if for the first time now.

Did he hear anything else? I think he heard his wings slipping to the floor.

He asked Ailie to give him the plant, and he kept it in his room very lovingly, though he forgot to water it. He sat for long periods looking at it, and his thoughts were very deep, but all he actually said aloud was, "There are two of us." Aaron sometimes saw them together, and thought they were an odd pair, and perhaps they were.

Tommy did not tell Grizel of the tragedy that was hanging over him. He was determined to save her that pain. He knew that most men in his position would have told her, and was glad to find that he could keep it so gallantly to himself. She was brave; perhaps some day she would discover that he had been brave also. When she talked of wings now, what he seemed to see was a green grave. His eyes were moist, but he held his head high. All this helped him.

Ah, well, but the world must jog along though you and I be damned. Elspeth was happily married, and there came the day when Tommy and Grizel must say good-bye. He was returning to London. His luggage was already in Corp's barrow, all but the insignificant part of it, which yet made a bulky package in its author's pocket, for it was his new manuscript, for which he would have fought a regiment, yes, and beaten them. Little cared Tommy what became of the rest of his luggage so long as that palpitating package was safe.

"And little you care," Grizel said, in a moment of sudden bitterness, "whom you leave behind, so long as you take it with you."

He forgave her with a sad smile. She did not know, you see, that this manuscript might be his last.

And it was the only bitter thing she said. Even when he looked very sorry for her, she took advantage of his emotion to help him only. "Don't be too sorry for me," she said calmly; "remember, rather, that there is one episode in a woman's life to which she must always cling in memory, whether it was a pride to her or a shame, and that it rests with you to make mine proud or shameful."

In other words, he was to get rid of his wings. How she harped on that!

He wanted to kiss her on the brow, but she would not have it. He was about to do it, not to gratify any selfish desire, but of a beautiful impulse that if anything happened she would have this to remember as the last of him. But she drew back almost angrily. Positively, she was putting it down to sentiment, and he forgave her even that.

But she kissed the manuscript. "Wish it luck," he had begged of her; "you were always so fond of babies, and this is my baby." So Grizel kissed Tommy's baby, and then she turned away her face.


CHAPTER XXV


MR. T. SANDYS HAS RETURNED TO TOWN

It is disquieting to reflect that we have devoted so much paper (this is the third shilling's worth) to telling what a real biographer would almost certainly have summed up in a few pages. "Caring nothing for glory, engrossed in his work alone, Mr. Sandys, soon after the publication of the 'Letters,' sought the peace of his mother's native village, and there, alike undisturbing and undisturbed, he gave his life, as ever, to laborious days and quiet contemplation. The one vital fact in these six months of lofty endeavour is that he was making progress with the new book. Fishing and other distractions were occasionally indulged in, but merely that he might rise fresher next morning to a book which absorbed," etc.

One can see exactly how it should be done, it has been done so often before. And there is a deal to be said for this method. His book was what he had been at during nearly the whole of that time; comparatively speaking, the fishing and "other distractions" (a neat phrase) had got an occasional hour only. But while we admire, we can't do it in that way. We seem fated to go on taking it for granted that you know the "vital facts" about Tommy, and devoting our attention to the things that the real biographer leaves out.

Tommy arrived in London with little more than ten pounds in his pockets. All the rest he had spent on Elspeth.

He looked for furnished chambers in a fashionable quarter, and they were much too expensive. But the young lady who showed them to him asked if it was _the_ Mr. Sandys, and he at once took the rooms. Her mother subsequently said that she understood he wrote books, and would he deposit five pounds?

Such are the ups and downs of the literary calling.

The book, of course, was "Unrequited Love," and the true story of how it was not given to the world by his first publishers has never been told. They had the chance, but they weighed the manuscript in their hands as if it were butter, and said it was very small.

"If you knew how much time I have spent in making it smaller," replied Tommy, haughtily.

The madmen asked if he could not add a few chapters, whereupon, with a shudder, he tucked baby under his wing and flew away. That is how Goldie & Goldie got the book.

For one who had left London a glittering star, it was wonderful how little he brightened it by returning. At the club they did not know that he had been away. In society they seemed to have forgotten to expect him back.

He had an eye for them--with a touch of red in it; but he bided his time. It was one of the terrible things about Tommy that he could bide his time. Pym was the only person he called upon. He took Pym out to dinner and conducted him home again. His kindness to Pym, the delicacy with which he pretended not to see that poor old Pym was degraded and done for--they would have been pretty even in a woman, and we treat Tommy unfairly in passing them by with a bow.

Pym had the manuscript to read, and you may be as sure he kept sober that night as that Tommy lay awake. For when literature had to be judged, who could be so grim a critic as this usually lenient toper? He could forgive much, could Pym. You had run away without paying your rent, was it? Well, well, come in and have a drink. Broken your wife's heart, have you? Poor chap, but you will soon get over it. But if it was a split infinitive, "Go to the devil, sir."

"Into a cocked hat," was the verdict of Pym, meaning thereby that thus did Tommy's second work beat his first. Tommy broke down and wept.

Presently Pym waxed sentimental and confided to Tommy that he, too, had once loved in vain. The sad case of those who love in vain, you remember, is the subject of the book. The saddest of autobiographies, it has been called.

An odd thing, this, I think. Tearing home (for the more he was engrossed in mind the quicker he walked), Tommy was not revelling in Pym's praise; he was neither blanching nor smiling at the thought that he of all people had written as one who was unloved; he was not wondering what Grizel would say to it; he had even forgotten to sigh over his own coming dissolution (indeed, about this time the flower-pot began to fade from his memory). What made him cut his way so excitedly through the streets was this: Pym had questioned his use of the word "untimely" in chapter eight. And Tommy had always been uneasy about that word.

He glared at every person he passed, and ran into perambulators. He rushed past his chambers like one who no longer had a home. He was in the park now, and did not even notice that the Row was empty, that mighty round a deserted circus; management, riders, clowns, all the performers gone on their provincial tour, or nearly all,