The Beautiful and the Damned, F. Scott Fitzgerald [great novels TXT] 📗

expected in the North from actresses in this familiar comedy, but a soft, low rippling, like the overflow from some subtle joke, into which he had inadvertently blundered.

“How do you do?” he said.

Her eyes were soft as shadows. Were they violet, or was it their blue darkness mingling with the gray hues of dusk?

“Pleasant evening,” ventured Anthony uncertainly.

“Sure is,” said the second girl.

“Hasn’t been a very pleasant evening for you,” sighed the girl in lilac. Her voice seemed as much a part of the night as the drowsy breeze stirring the wide brim of her hat.

“He had to have a chance to show off,” said Anthony with a scornful laugh.

“Reckon so,” she agreed.

They turned the corner and moved lackadaisically up a side street, as if following a drifting cable to which they were attached. In this town it seemed entirely natural to turn corners like that, it seemed natural to be bound nowhere in particular, to be thinking nothing…. The side street was dark, a sudden offshoot into a district of wild rose hedges and little quiet houses set far back from the street.

“Where’re you going?” he inquired politely.

“Just goin’.” The answer was an apology, a question, an explanation.

“Can I stroll along with you?”

“Reckon so.”

It was an advantage that her accent was different. He could not have determined the social status of a Southerner from her talk—in New York a girl of a lower class would have been raucous, unendurable—except through the rosy spectacles of intoxication.

Dark was creeping down. Talking little—Anthony in careless, casual questions, the other two with provincial economy of phrase and burden—they sauntered past another corner, and another. In the middle of a block they stopped beneath a lamp-post.

“I live near here,” explained the other girl.

“I live around the block,” said the girl in lilac.

“Can I see you home?”

“To the corner, if you want to.”

The other girl took a few steps backward. Anthony removed his hat.

“You’re supposed to salute,” said the girl in lilac with a laugh. “All the soldiers salute.”

“I’ll learn,” he responded soberly.

The other girl said, “Well—” hesitated, then added, “call me up to-morrow, Dot,” and retreated from the yellow circle of the street-lamp. Then, in silence, Anthony and the girl in lilac walked the three blocks to the small rickety house which was her home. Outside the wooden gate she hesitated.

“Well—thanks.”

“Must you go in so soon?”

“I ought to.”

“Can’t you stroll around a little longer?” She regarded him dispassionately.

“I don’t even know you.”

Anthony laughed.

“It’s not too late.”

“I reckon I better go in.”

“I thought we might walk down and see a movie.”

“I’d like to.”

“Then I could bring you home. I’d have just enough time. I’ve got to be in camp by eleven.”

It was so dark that he could scarcely see her now. She was a dress swayed infinitesimally by the wind, two limpid, reckless eyes …

“Why don’t you come—Dot? Don’t you like movies? Better come.”

She shook her head.

“I oughtn’t to.”

He liked her, realizing that she was temporizing for the effect on him. He came closer and took her hand.

“If we get back by ten, can’t you? just to the movies?”

“Well—I reckon so—”

Hand in hand they walked back toward down-town, along a hazy, dusky street where a negro newsboy was calling an extra in the cadence of the local venders’ tradition, a cadence that was as musical as song.

Dot

Anthony’s affair with Dorothy Raycroft was an inevitable result of his increasing carelessness about himself. He did not go to her desiring to possess the desirable, nor did he fall before a personality more vital, more compelling than his own, as he had done with Gloria four years before. He merely slid into the matter through his inability to make definite judgments. He could say “No!” neither to man nor woman; borrower and temptress alike found him tender-minded and pliable. Indeed he seldom made decisions at all, and when he did they were but half-hysterical resolves formed in the panic of some aghast and irreparable awakening.

The particular weakness he indulged on this occasion was his need of excitement and stimulus from without. He felt that for the first time in four years he could express and interpret himself anew. The girl promised rest; the hours in her company each evening alleviated the morbid and inevitably futile poundings of his imagination. He had become a coward in earnest—completely the slave of a hundred disordered and prowling thoughts which were released by the collapse of the authentic devotion to Gloria that had been the chief jailer of his insufficiency.

On that first night, as they stood by the gate, he kissed Dorothy and made an engagement to meet her the following Saturday. Then he went out to camp, and with the light burning lawlessly in his tent, he wrote a long letter to Gloria, a glowing letter, full of the sentimental dark, full of the remembered breath of flowers, full of a true and exceeding tenderness—these things he had learned again for a moment in a kiss given and taken under a rich warm moonlight just an hour before.

When Saturday night came he found Dot waiting at the entrance of the Bijou Moving Picture Theatre. She was dressed as on the preceding Wednesday in her lilac gown of frailest organdy, but it had evidently been washed and starched since then, for it was fresh and unrumpled. Daylight confirmed the impression he had received that in a sketchy, faulty way she was lovely. She was clean, her features were small, irregular, but eloquent and appropriate to each other. She was a dark, unenduring little flower—yet he thought he detected in her some quality of spiritual reticence, of strength drawn from her passive acceptance of all things. In this he was mistaken.

Dorothy Raycroft was nineteen. Her father had kept a small, unprosperous corner store, and she had graduated from high school in the lowest fourth of her class two days before he died. At high school she had enjoyed a rather unsavory reputation. As a matter of fact her behavior at the class picnic, where the rumors started, had been merely indiscreet—she had retained her technical purity until over a year later. The boy had been a clerk in a store on Jackson Street, and on the day after the incident he departed unexpectedly to New York. He had been intending to leave for some time, but had tarried for the consummation of his amorous enterprise.

After a while she confided the adventure to a girl friend, and later, as she watched her friend disappear down the sleepy street of dusty sunshine she knew in a flash of intuition that her story was going out into the world. Yet after telling it she felt much better, and a little bitter, and made as near an approach to character as she was capable of by walking in another direction and meeting another man with the honest intention of gratifying herself again. As a rule things happened to Dot. She was not weak, because there was nothing in her to tell her she was being weak. She was not strong, because she never knew that some of the things she did were brave. She neither defied nor conformed nor compromised.

She had no sense of humor, but, to take its place, a happy disposition that made her laugh at the proper times when she was with men. She had no definite intentions—sometimes she regretted vaguely that her reputation precluded what chance she had ever had for security. There had been no open discovery: her mother was interested only in starting her off on time each morning for the jewelry store where she earned fourteen dollars a week. But some of the boys she had known in high school now looked the other way when they were walking with “nice girls,” and these incidents hurt her feelings. When they occurred she went home and cried.

Besides the Jackson Street clerk there had been two other men, of whom the first was a naval officer, who passed through town during the early days of the war. He had stayed over a night to make a connection, and was leaning idly against one of the pillars of the Stonewall Hotel when she passed by. He remained in town four days. She thought she loved him—lavished on him that first hysteria of passion that would have gone to the pusillanimous clerk. The naval officer’s uniform—there were few of them in those days—had made the magic. He left with vague promises on his lips, and, once on the train, rejoiced that he had not told her his real name.

Her resultant depression had thrown her into the arms of Cyrus Fielding, the son of a local clothier, who had hailed her from his roadster one day as she passed along the sidewalk. She had always known him by name. Had she been born to a higher stratum he would have known her before. She had descended a little lower—so he met her after all. After a month he had gone away to training-camp, a little afraid of the intimacy, a little relieved in perceiving that she had not cared deeply for him, and that she was not the sort who would ever make trouble. Dot romanticized this affair and conceded to her vanity that the war had taken these men away from her. She told herself that she could have married the naval officer. Nevertheless, it worried her that within eight months there had been three men in her life. She thought with more fear than wonder in her heart that she would soon be like those “bad girls” on Jackson Street at whom she and her gum-chewing, giggling friends had stared with fascinated glances three years before.

For a while she attempted to be more careful. She let men “pick her up”; she let them kiss her, and even allowed certain other liberties to be forced upon her, but she did not add to her trio. After several months the strength of her resolution—or rather the poignant expediency of her fears—was worn away. She grew restless drowsing there out of life and time while the summer months faded. The soldiers she met were either obviously below her or, less obviously, above her—in which case they desired only to use her; they were Yankees, harsh and ungracious; they swarmed in large crowds…. And then she met Anthony.

On that first evening he had been little more than a pleasantly unhappy face, a voice, the means with which to pass an hour, but when she kept her engagement with him on Saturday she regarded him with consideration. She liked him. Unknowingly she saw her own tragedies mirrored in his face.

Again they went to the movies, again they wandered along the shadowy, scented streets, hand in hand this time, speaking a little in hushed voices. They passed through the gate—up toward the little porch—

“I can stay a while, can’t I?”

“Sh!” she whispered, “we’ve got to be very quiet. Mother sits up reading Snappy Stories.” In confirmation he heard the faint crackling inside as a page was turned. The open-shutter slits emitted horizontal rods of light that fell in thin parallels across Dorothy’s skirt. The street was silent save for a group on the steps of a house across the way, who, from time to time, raised their voices in a soft, bantering song.

“—_When you wa-ake You shall ha-ave All the pretty little hawsiz_—”

Then, as though it had been waiting on a near-by roof for their arrival, the moon came slanting suddenly through the vines and turned the girl’s face to the color of white roses.

Anthony had a start of memory, so vivid that before his closed eyes there formed a