The Old Wives' Tale, Arnold Bennett [ebook reader for pc TXT] 📗

louder, and the Bursley Town Silver Prize Band passed under the window at the solemn pace of Handel’s “Dead March.” The effect of that requiem, heavy with its own inherent beauty and with the vast weight of harrowing tradition, was to wring the tears from Constance’s eyes; they fell on her aproned bosom, and she sank into a chair. And though, the cheeks of the trumpeters were puffed out, and though the drummer had to protrude his stomach and arch his spine backwards lest he should tumble over his drum, there was majesty in the passage of the band. The boom of the drum, desolating the interruptions of the melody, made sick the heart, but with a lofty grief; and the dirge seemed to be weaving a purple pall that covered every meanness.

The bandsmen were not all in black, but they all wore crape on their sleeves and their instruments were knotted with crape. They carried in their hats a black-edged card. Cyril held one of these cards in his hands. It ran thus:

SACRED TO THE MEMORY OF DANIEL POVEY A TOWN COUNCILLOR OF THIS TOWN JUDICIALLY MURDERED AT 8 O’CLOCK IN THE MORNING 8TH FEBRUARY 1888 “HE WAS MORE SINNED AGAINST THAN SINNING.”

In the wake of the band came the aged Rector, bareheaded, and wearing a surplice over his overcoat; his thin white hair was disarranged by the breeze that played in the chilly sunshine; his hands were folded on a gilt-edged book. A curate, churchwardens, and sidesmen followed. And after these, tramping through the dark mud in a procession that had apparently no end, wound the unofficial male multitude, nearly all in mourning, and all, save the more aristocratic, carrying the memorial card in their hats. Loafers, women, and children had collected on the drying pavements, and a window just opposite Constance was ornamented with the entire family of the landlord of the Sun Vaults. In the great bar of the Vaults a barman was craning over the pitchpine screen that secured privacy to drinkers. The procession continued without break, eternally rising over the verge of King Street ‘bank,’ and eternally vanishing round the corner into St. Luke’s Square; at intervals it was punctuated by a clergyman, a Nonconformist minister, a town crier, a group of foremen, or a few Rifle Volunteers. The watching crowd grew as the procession lengthened. Then another band was heard, also playing the march from Saul. The first band had now reached the top of the Square, and was scarcely audible from King Street. The reiterated glitter in the sun of memorial cards in hats gave the fanciful illusion of an impossible whitish snake that was straggling across the town. Three-quarters of an hour elapsed before the tail of the snake came into view, and a rabble of unkempt boys closed in upon it, filling the street,

“I shall go to the drawingroom window, mother,” said Cyril.

She nodded. He crept out of the bedroom.

St. Luke’s Square was a sea of hats and memorial cards. Most of the occupiers of the Square had hung out flags at half-mast, and a flag at half-mast was flying over the Town Hall in the distance. Sightseers were at every window. The two bands had united at the top of the Square; and behind them, on a North Staffordshire Railway lorry, stood the white-clad Rector and several black figures. The Rector was speaking; but only those close to the lorry could hear his feeble treble voice.

Such was the massive protest of Bursley against what Bursley regarded as a callous injustice. The execution of Daniel Povey had most genuinely excited the indignation of the town. That execution was not only an injustice; it was an insult, a humiliating snub. And the worst was that the rest of the country had really discovered no sympathetic interest in the affair. Certain London papers, indeed, in commenting casually on the execution, had slurred the morals and manners of the Five Towns, professing to regard the district as notoriously beyond the realm of the Ten Commandments. This had helped to render furious the townsmen. This, as much as anything, had encouraged the spontaneous outburst of feeling which had culminated in a St. Luke’s Square full of people with memorial cards in their hats. The demonstration had scarcely been organized; it had somehow organized itself, employing the places of worship and a few clubs as centres of gathering. And it proved an immense success. There were seven or eight thousand people in the Square, and the pity was that England as a whole could not have had a glimpse of the spectacle. Since the execution of the elephant, nothing had so profoundly agitated Bursley. Constance, who left the bedroom momentarily for the drawingroom, reflected that the death and burial of Cyril’s honoured grandfather, though a resounding event, had not caused one-tenth of the stir which she beheld. But then John Baines had killed nobody.

The Rector spoke too long; every one felt that. But at length he finished. The bands performed the Doxology, and the immense multitudes began to disperse by the eight streets that radiate from the Square. At the same time one o’clock struck, and the public-houses opened with their customary admirable promptitude. Respectable persons, of course, ignored the public-houses and hastened homewards to a delayed dinner. But in a town of over thirty thousand souls there are sufficient dregs to fill all the public-houses on an occasion of ceremonial excitement. Constance saw the bar of the Vaults crammed with individuals whose sense of decent fitness was imperfect. The barman and the landlord and the principal members of the landlord’s family were hard put to it to quench that funereal thirst. Constance, as she ate a little meal in the bedroom, could not but witness the orgy. A bandsman with his silver instrument was prominent at the counter. At five minutes to three the Vaults spewed forth a squirt of roysterers who walked on the pavement as on a tight-rope; among them was the bandsman, his silver instrument only half enveloped in its bag of green serge. He established an equilibrium in the gutter. It would not have mattered so seriously if he had not been a bandsman. The barman and the landlord pushed the ultimate sot by force into the street and bolted the door (till six o’clock) just as a policeman strolled along, the first policeman of the day. It became known that similar scenes were enacting at the thresholds of other inns. And the judicious were sad.

VI

When the altercation between the policeman and the musician in the gutter was at its height, Samuel Povey became restless; but since he had scarcely stirred through the performances of the bands, it was probably not the cries of the drunkard that had aroused him.

He had shown very little interest in the preliminaries of the great demonstration. The flame of his passion for the case of Daniel Povey seemed to have shot up on the day before the execution, and then to have expired. On that day he went to Stafford in order, by permit of the prison governor, to see his cousin for the last time. His condition then was undoubtedly not far removed from monomania. ‘Unhinged’ was the conventional expression which frequently rose in Constance’s mind as a description of the mind of her husband; but she fought it down; she would not have it; it was too crude—with its associations. She would only admit that the case had ‘got on’ his mind. A startling proof of this was that he actually suggested taking Cyril with him to see the condemned man. He wished Cyril to see Daniel; he said gravely that he thought Cyril ought to see him. The proposal was monstrous, inexplicable—or explicable only by the assumption that his mind, while not unhinged, had temporarily lost its balance. Constance opposed an absolute negative, and Samuel being in every way enfeebled, she overcame. As for Cyril, he was divided between fear and curiosity. On the whole, perhaps Cyril regretted that he would not be able to say at school that he had had speech with the most celebrated killer of the age on the day before his execution.

Samuel returned hysterical from Stafford. His account of the scene, which he gave in a very loud voice, was a most absurd and yet pathetic recital, obviously distorted by memory. When he came to the point of the entrance of Dick Povey, who was still at the hospital, and who had been specially driven to Stafford and carried into the prison, he wept without restraint. His hysteria was painful in a very high degree.

He went to bed—of his own accord, for his cough had improved again. And on the following day, the day of the execution, he remained in bed till the afternoon. In the evening the Rector sent for him to the Rectory to discuss the proposed demonstration. On the next day, Saturday, he said he should not get up. Icy showers were sweeping the town, and his cough was worse after the evening visit to the Rector. Constance had no apprehensions about him. The most dangerous part of the winter was over, and there was nothing now to force him into indiscretions. She said to herself calmly that he should stay in bed as long as he liked, that he could not have too much repose after the cruel fatigues, physical and spiritual, which he had suffered. His cough was short, but not as troublesome as in the past; his face flushed, dusky, and settled in gloom; and he was slightly feverish, with quick pulse and quick breathing—the symptoms of a renewed cold. He passed a wakeful night, broken by brief dreams in which he talked. At dawn he had some hot food, asked what day it was, frowned, and seemed to doze off at once. At eleven o’clock he had refused food. And he had intermittently dozed during the progress of the demonstration and its orgiastic sequel.

Constance had food ready for his waking, and she approached the bed and leaned over him. The fever had increased somewhat, the breathing was more rapid, and his lips were covered with tiny purple pimples. He feebly shook his head, with a disgusted air, at her mention of food. It was this obstinate refusal of food which first alarmed her. A little uncomfortable suspicion shot up in her: Surely there’s nothing the MATTER with him?

Something—impossible to say what—caused her to bend still lower, and put her ear to his chest. She heard within that mysterious box a rapid succession of thin, dry, crackling sounds: sounds such as she would have produced by rubbing her hair between her fingers close to her ear. The crepitation ceased, then recommenced, and she perceived that it coincided with the intake of his breath. He coughed; the sounds were intensified; a spasm of pain ran over his face; and he put his damp hand to his side.

“Pain in my side!” he whispered with difficulty.

Constance stepped into the drawingroom, where Cyril was sketching by the fire.

“Cyril,” she said, “go across and ask Dr. Harrop to come round at once. And if he isn’t in, then his new partner.”

“Is it for father?”

“Yes.”

“What’s the matter?”

“Now do as I say, please,” said Constance, sharply, adding: “I don’t know what’s the matter. Perhaps nothing. But I’m not satisfied.”

The venerable Harrop pronounced the word ‘pneumonia.’ It was acute double pneumonia that Samuel had got. During the three worst months of the year, he had escaped the fatal perils which await a man with a flat chest and a chronic cough, who ignores his condition and defies the weather. But a journey of five hundred yards to the Rectory had been one journey too many. The Rectory was so close to the shop that he had not troubled to wrap himself up as for an