Light, Henri Barbusse [android pdf ebook reader .txt] 📗
- Author: Henri Barbusse
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There is left a restricted communion, deep and delightful; the affectionate and affecting attraction in the charm of a language--there is hardly more in the universe besides its languages which are foreigners--there is left a personal and delicate preference for certain forms of landscape, of monuments, of talent. And even this radiance has its limits. The cult of the masterpieces of art and thought is the only impulse of the soul which, by general consent, has always soared above patriotic littlenesses.
"But," the official voices trumpet, "there is another magic formula--the great common Past of every nation."
Yes, there is the Past. That long Golgotha of oppressed peoples; the Law of the Strong, changing life's humble festival into useless and recurring hecatombs; the chronology of that crushing of lives and ideas which always tortured or executed the innovators; that Past in which sovereigns settled their personal affairs of alliances, ruptures, dowries and inheritance with the territory and blood which they owned; in which each and every country was so squandered--it is common to all. That Past in which the small attainments of moral progress, of well-being and unity (so far as they were not solely semblances) only crystallized with despairing tardiness, with periods of doleful stagnation and frightful alteration along the channels of barbarism and force; that Past of somber shame, that Past of error and disease which every old nation has survived, which we should learn by heart that we may hate it--yes, that Past is common to all, like misery, shame and pain. Blessed are the new nations, for they have no remorse!
And the blessings of the past--the splendor of the French Revolution, the huge gifts of the navigators who brought new worlds to the old one, and the miraculous exception of scientific discoveries, which by a second miracle were not smothered in their youth--are they not also common to all, like the undying beauty of the ruins of the Parthenon, Shakespeare's lightning and Beethoven's raptures, and like love, and like joy?
The universal problem into which modern life, as well as past life, rushes and embroils and rends itself, can only be dispersed by a universal means which reduces each nation to what it is in truth; which strips from them all the ideal of supremacy stolen by each of them from the great human ideal; a means which, raising the human ideal definitely beyond the reach of all those immoderate emotions, which shout together "_Mine_ is the only point of view," gives it at last its divine unity. Let us keep the love of the motherland in our hearts, but let us dethrone the conception of Motherland.
I will say what there is to say: I place the Republic before France. France is ourselves. The Republic is ourselves and the others. The general welfare must be put much higher than national welfare, because it _is_ much higher. But if it is venturesome to assert, as they have so much and so indiscriminately done, that such national interest is in accord with the general interest, then the converse is obvious; and that is illuminating, momentous and decisive--the good of all includes the good of each; France can be prosperous even if the world is not, but the world cannot be prosperous and France not. The moving argument reëstablishes, with positive and crowding certainties which touch us softly on all sides, that distracting stake which Pascal tried to place, like a lever in the void--"On one side I lose; on the other I have all to gain."
* * * * * *
Amid the beauty of these dear spots on Chestnut Hill, in the heart of these four crossing ways, I have seen new things; not that any new things have happened, but because I have opened my eyes.
I am rewarded, I the lowest, for being the only one of all to follow up error to the end, right into its holy places; for I am at last disentangling all the simplicity and truth of the great horizons. The revelation still seems to me so terrible that the silence of men, heaped under the roofs down there at my feet, seizes and threatens me. And if I am but timidly formulating it within myself, that is because each of us has lived in reality more than his life, and because my training has filled me, like the rest, with centuries of shadow, of humiliation and captivity.
It is establishing itself cautiously; but it is the truth, and there are moments when logic seizes you in its godlike whirlwind. In this disordered world where the weakness of a few oppresses the strength of all; since ever the religion of the God of Battles and of Resignation has not sufficed by itself to consecrate inequality. Tradition reigns, the gospel of the blind adoration of what was and what is--God without a head. Man's destiny is eternally blockaded by two forms of tradition; in time, by hereditary succession; in space, by frontiers, and thus it is crushed and annihilated in detail. It is the truth. I am certain of it, for I am touching it.
But I do not know what will become of us. All the blood poured out, all the words poured out, to impose a sham ideal on our bodies and souls, will they suffice for a long time yet to separate and isolate humanity in absurdity made real? History is a Bible of errors. I have not only seen blessings falling from on high on all which supported evil, and curses on all which could heal it; I have seen, here below, the keepers of the moral law hunted and derided, from little Termite, lost like a rat in unfolding battle, back to Jesus Christ.
We go away. For the first time since I came back I no longer lean on Marie. It is she who leans on me.
* * * * * *
CHAPTER XXI
NO!
The opening of our War Museum, which was the conspicuous event of the following days, filled Crillon with delight.
It was a wooden building, gay with flags, which the municipality had erected; and Room 1 was occupied by an exhibition of paintings and drawings by amateurs in high society, all war subjects. Many of them were sent down from Paris.
Crillon, officially got up in his Sunday clothes, has bought the catalogue (which is sold for the benefit of the wounded) and he is struck with wonder by the list of exhibitors. He talks of titles, of coats of arms, of crowns; he seeks enlightenment in matters of aristocratic hierarchy. Once, as he stands before the row of frames, he asks:
"I say, now, which has got most talent in France--a princess or a duchess?"
He is quite affected by these things, and with his eyes fixed on the lower edges of the pictures he deciphers the signatures.
In the room which follows this shining exhibition of autographs there is a crush.
On trestles disposed around the wall trophies are arranged--peaked helmets, knapsacks covered with tawny hair, ruins of shells.
The complete uniform of a German infantryman has been built up with items from different sources, some of them stained.
In this room there was a group of convalescents from the overflow hospital of Viviers. These soldiers looked, and hardly spoke. Several shrugged their shoulders. But one of them growled in front of the German phantom, "Ah the swine!"
With a view to propaganda, they have framed a letter from a woman found in a slain enemy's pocket. A translation is posted up as well, and they have underlined the passage in which the woman says, "When is this cursed war going to end?" and in which she laments the increasing cost of little Johann's keep. At the foot of the page, the woman has depicted, in a sentimental diagram, the increasing love that she feels for her man.
How simple and obvious the evidence is! No reasonable person can dispute that the being whose private life is here thrown to the winds and who poured out his sweat and his blood in one of these rags was not responsible for having held a rifle, for having aimed it. In the presence of these ruins I see with monotonous and implacable obstinacy that the attacking multitude is as innocent as the defending multitude.
On a little red-covered table by the side of a little tacked label which says, "Cold Steel: May 9," there is a twisted French bayonet--a bayonet, the flesh weapon, which has been twisted!
"Oh, it's fine!" says a young girl from the castle.
"It isn't Fritz and Jerry, old chap, that bends bayonets!"
"No doubt about it, we're the first soldiers in the world," says Rampaille.
"We've set a beautiful example to the world," says a sprightly Member of the Upper House to all those present.
Excitement grows around that bayonet. The young girl, who is beautiful and expansive, cannot tear herself away from it. At last she touches it with her finger, and shudders. She does not disguise her pleasant emotion:--
"I confess _I'm_ a patriot! I'm more than that--I'm a patriot and a militarist!"
All heads around her are nodded in approval. That kind of talk never seems intemperate, for it touches on sacred things.
And I, I see--in the night which falls for a moment, amid the tempest of dying men which is subsiding on the ground--I see a monster in the form of a man and in the form of a vulture, who, with the death-rattle in his throat, holds towards that young girl the horrible head that is scalped with a coronet, and says to her: "You do not know me, and you do not know, but you are like me!"
The young girl's living laugh, as she goes off with a young officer, recalls me to events.
All those who come after each other to the bayonet speak in the same way, and have the same proud eyes.
"They're not stronger than us, let me tell you! It's us that's the strongest!"
"Our allies are very good, but it's lucky for them we're there on the job."
"Ah, la, la!"
"Why, yes, there's only the French for it. All the world admires them. Only we're always running ourselves down."
When you see that fever, that spectacle of intoxication, these people who seize the slightest chance to glorify their country's physical force and the hardness of its fists, you hear echoing the words of the orators and the official politicians:--
"There is only in our hearts the condemnation of barbarism and the love of humanity."
And you ask yourself if there is a single public opinion in the world which is capable of bearing victory with dignity.
I stand aloof.
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