Emile, Jean-Jacques Rousseau [fantasy books to read txt] 📗

skill. See how little you can depend on these fine “Resources,”

and how many other resources are required before you can use what you have got. And what will become of you in your degradation?

Misfortune will make you worse rather than better. More than ever the sport of public opinion, how will you rise above the prejudices on which your fate depends? How will you despise the vices and the baseness from which you get your living? You were dependent on wealth, now you are dependent on the wealthy; you are still a slave and a poor man into the bargain. Poverty without freedom, can a man sink lower than this!

But if instead of this recondite learning adapted to feed the mind, not the body, you have recourse, at need, to your hands and your handiwork, there is no call for deceit, your trade is ready when required. Honour and honesty will not stand in the way of your living. You need no longer cringe and lie to the great, nor creep and crawl before rogues, a despicable flatterer of both, a borrower or a thief, for there is little to choose between them when you are penniless. Other people’s opinions are no concern of yours, you need not pay court to any one, there is no fool to flatter, no flunkey to bribe, no woman to win over. Let rogues conduct the affairs of state; in your lowly rank you can still be an honest man and yet get a living. You walk into the first workshop of your trade. “Master, I want work.” “Comrade, take your place and work.”

Before dinner-time you have earned your dinner. If you are sober and industrious, before the week is out you will have earned your keep for another week; you will have lived in freedom, health, truth, industry, and righteousness. Time is not wasted when it brings these returns.

Emile shall learn a trade. “An honest trade, at least,” you say.

What do you mean by honest? Is not every useful trade honest? I would not make an embroiderer, a gilder, a polisher of him, like Locke’s young gentleman. Neither would I make him a musician, an actor, or an author.[Footnote: You are an author yourself, you will reply. Yes, for my sins; and my ill deeds, which I think I have fully expiated, are no reason why others should be like me. I do not write to excuse my faults, but to prevent my readers from copying them.] With the exception of these and others like them, let him choose his own trade, I do not mean to interfere with his choice.

I would rather have him a shoemaker than a poet, I would rather he paved streets than painted flowers on china. “But,” you will say, “policemen, spies, and hangmen are useful people.” There would be no use for them if it were not for the government. But let that pass. I was wrong. It is not enough to choose an honest trade, it must be a trade which does not develop detestable qualities in the mind, qualities incompatible with humanity. To return to our original expression, “Let us choose an honest trade,” but let us remember there can be no honesty without usefulness.

A famous writer of this century, whose books are full of great schemes and narrow views, was under a vow, like the other priests of his communion, not to take a wife. Finding himself more scrupulous than others with regard to his neighbour’s wife, he decided, so they say, to employ pretty servants, and so did his best to repair the wrong done to the race by his rash promise. He thought it the duty of a citizen to breed children for the state, and he made his children artisans. As soon as they were old enough they were taught whatever trade they chose; only idle or useless trades were excluded, such as that of the wigmaker who is never necessary, and may any day cease to be required, so long as nature does not get tired of providing us with hair.

This spirit shall guide our choice of trade for Emile, or rather, not our choice but his; for the maxims he has imbibed make him despise useless things, and he will never be content to waste his time on vain labours; his trade must be of use to Robinson on his island.

When we review with the child the productions of art and nature, when we stimulate his curiosity and follow its lead, we have great opportunities of studying his tastes and inclinations, and perceiving the first spark of genius, if he has any decided talent in any direction. You must, however, be on your guard against the common error which mistakes the effects of environment for the ardour of genius, or imagines there is a decided bent towards any one of the arts, when there is nothing more than that spirit of emulation, common to men and monkeys, which impels them instinctively to do what they see others doing, without knowing why. The world is full of artisans, and still fuller of artists, who have no native gift for their calling, into which they were driven in early childhood, either through the conventional ideas of other people, or because those about them were deceived by an appearance of zeal, which would have led them to take to any other art they saw practised. One hears a drum and fancies he is a general; another sees a building and wants to be an architect. Every one is drawn towards the trade he sees before him if he thinks it is held in honour.

I once knew a footman who watched his master drawing and painting and took it into his head to become a designer and artist. He seized a pencil which he only abandoned for a paint-brush, to which he stuck for the rest of his days. Without teaching or rules of art he began to draw everything he saw. Three whole years were devoted to these daubs, from which nothing but his duties could stir him, nor was he discouraged by the small progress resulting from his very mediocre talents. I have seen him spend the whole of a broiling summer in a little ante-room towards the south, a room where one was suffocated merely passing through it; there he was, seated or rather nailed all day to his chair, before a globe, drawing it again and again and yet again, with invincible obstinacy till he had reproduced the rounded surface to his own satisfaction. At last with his master’s help and under the guidance of an artist he got so far as to abandon his livery and live by his brush. Perseverance does instead of talent up to a certain point; he got so far, but no further. This honest lad’s perseverance and ambition are praiseworthy; he will always be respected for his industry and steadfastness of purpose, but his paintings will always be third-rate.

Who would not have been deceived by his zeal and taken it for real talent! There is all the difference in the world between a liking and an aptitude. To make sure of real genius or real taste in a child calls for more accurate observations than is generally suspected, for the child displays his wishes not his capacity, and we judge by the former instead of considering the latter. I wish some trustworthy person would give us a treatise on the art of child-study. This art is well worth studying, but neither parents nor teachers have mastered its elements.

Perhaps we are laying too much stress on the choice of a trade; as it is a manual occupation, Emile’s choice is no great matter, and his apprenticeship is more than half accomplished already, through the exercises which have hitherto occupied him. What would you have him do? He is ready for anything. He can handle the spade and hoe, he can use the lathe, hammer, plane, or file; he is already familiar with these tools which are common to many trades. He only needs to acquire sufficient skill in the use of any one of them to rival the speed, the familiarity, and the diligence of good workmen, and he will have a great advantage over them in suppleness of body and limb, so that he can easily take any position and can continue any kind of movements without effort. Moreover his senses are acute and well-practised, he knows the principles of the various trades; to work like a master of his craft he only needs experience, and experience comes with practice. To which of these trades which are open to us will he give sufficient time to make himself master of it? That is the whole question.

Give a man a trade befitting his sex, to a young man a trade befitting his age. Sedentary indoor employments, which make the body tender and effeminate, are neither pleasing nor suitable. No lad ever wanted to be a tailor. It takes some art to attract a man to this woman’s work.[Footnote: There were no tailors among the ancients; men’s clothes were made at home by the women.] The same hand cannot hold the needle and the sword. If I were king I would only allow needlework and dressmaking to be done by women and cripples who are obliged to work at such trades. If eunuchs were required I think the Easterns were very foolish to make them on purpose. Why not take those provided by nature, that crowd of base persons without natural feeling? There would be enough and to spare. The weak, feeble, timid man is condemned by nature to a sedentary life, he is fit to live among women or in their fashion. Let him adopt one of their trades if he likes; and if there must be eunuchs let them take those men who dishonour their sex by adopting trades unworthy of it. Their choice proclaims a blunder on the part of nature; correct it one way or other, you will do no harm.

An unhealthy trade I forbid to my pupil, but not a difficult or dangerous one. He will exercise himself in strength and courage; such trades are for men not women, who claim no share in them, Are not men ashamed to poach upon the women’s trades?

“Luctantur paucae, comedunt coliphia paucae.

Vos lanam trahitis, calathisque peracta refertis Vellera.”—Juven. Sat. II. V. 55.

Women are not seen in shops in Italy, and to persons accustomed to the streets of England and France nothing could look gloomier.

When I saw drapers selling ladies ribbons, pompons, net, and chenille, I thought these delicate ornaments very absurd in the coarse hands fit to blow the bellows and strike the anvil. I said to myself, “In this country women should set up as steel-polishers and armourers.”

Let each make and sell the weapons of his or her own sex; knowledge is acquired through use.

I know I have said too much for my agreeable contemporaries, but I sometimes let myself be carried away by my argument. If any one is ashamed to be seen wearing a leathern apron or handling a plane, I think him a mere slave of public opinion, ready to blush for what is right when people poke fun at it. But let us yield to parents’

prejudices so long as they do not hurt the children. To honour trades we are not obliged to practise every one of them, so long as we do not think them beneath us. When the choice is ours and we are under no compulsion, why not choose the pleasanter, more attractive and more suitable trade. Metal work is useful, more useful, perhaps, than the rest, but unless for some special reason Emile shall not be a blacksmith, a locksmith nor an iron-worker.

I do not want to see him a Cyclops