The Antiquary — Complete, Walter Scott [best novels for beginners .TXT] 📗

“No more of that, an thou lovest me—And yet, I dare say, ye may unwittingly speak most correct truth in both instances, in despite of the toga of the historian and the blue gown of the mendicant.”

“Gallantly counselled!—Well, I will do my best—your kindness will assist me with local information.”

“Will I not, man?—why, I will write the critical and historical notes on each canto, and draw out the plan of the story myself. I pretend to some poetical genius, Mr. Lovel, only I was never able to write verses.”

“It is a pity, sir, that you should have failed in a qualification somewhat essential to the art.”

“Essential?—not a whit—it is the mere mechanical department. A man may be a poet without measuring spondees and dactyls like the ancients, or clashing the ends of lines into rhyme like the moderns, as one may be an architect though unable to labour like a stone-mason—Dost think Palladio or Vitruvius ever carried a hod?”

“In that case, there should be two authors to each poem—one to think and plan, another to execute.”

“Why, it would not be amiss; at any rate, we’ll make the experiment;—not that I would wish to give my name to the public—assistance from a learned friend might be acknowledged in the preface after what flourish your nature will—I am a total stranger to authorial vanity.”

Lovel was much entertained by a declaration not very consistent with the eagerness wherewith his friend seemed to catch at an opportunity of coming before the public, though in a manner which rather resembled stepping up behind a carriage than getting into one. The Antiquary was indeed uncommonly delighted; for, like many other men who spend their lives in obscure literary research, he had a secret ambition to appear in print, which was checked by cold fits of diffidence, fear of criticism, and habits of indolence and procrastination. “But,” thought he, “I may, like a second Teucer, discharge my shafts from behind the shield of my ally; and, admit that he should not prove to be a first-rate poet, I am in no shape answerable for his deficiencies, and the good notes may very probably help off an indifferent text. But he is—he must be a good poet; he has the real Parnassian abstraction—seldom answers a question till it is twice repeated—drinks his tea scalding, and eats without knowing what he is putting into his mouth. This is the real aestus, the awen of the Welsh bards, the divinus afflatus that transports the poet beyond the limits of sublunary things. His visions, too, are very symptomatical of poetic fury—I must recollect to send Caxon to see he puts out his candle to-night—poets and visionaries are apt to be negligent in that respect.” Then, turning to his companion, he expressed himself aloud in continuation—

“Yes, my dear Lovel, you shall have full notes; and, indeed, think we may introduce the whole of the Essay on Castrametation into the appendix—it will give great value to the work. Then we will revive the good old forms so disgracefully neglected in modern times. You shall invoke the Muse—and certainly she ought to be propitious to an author who, in an apostatizing age, adheres with the faith of Abdiel to the ancient form of adoration.—Then we must have a vision—in which the Genius of Caledonia shall appear to Galgacus, and show him a procession of the real Scottish monarchs:—and in the notes I will have a hit at Boethius—No; I must not touch that topic, now that Sir Arthur is likely to have vexation enough besides—but I’ll annihilate Ossian, Macpherson, and Mac-Cribb.”

“But we must consider the expense of publication,” said Lovel, willing to try whether this hint would fall like cold water on the blazing zeal of his self-elected coadjutor.

“Expense!” said Mr. Oldbuck, pausing, and mechanically fumbling in his pocket—“that is true;—I would wish to do something—but you would not like to publish by subscription?”

“By no means,” answered Lovel.

“No, no!” gladly acquiesced the Antiquary—“it is not respectable. I’ll tell you what: I believe I know a bookseller who has a value for my opinion, and will risk print and paper, and I will get as many copies sold for you as I can.”

“O, I am no mercenary author,” answered Lovel, smiling; “I only wish to be out of risk of loss.”

“Hush! hush! we’ll take care of that—throw it all on the publishers. I do long to see your labours commenced. You will choose blank verse, doubtless?—it is more grand and magnificent for an historical subject; and, what concerneth you, my friend, it is, I have an idea, more easily written.”

This conversation brought them to Monkbarns, where the Antiquary had to undergo a chiding from his sister, who, though no philosopher, was waiting to deliver a lecture to him in the portico. “Guide us, Monkbarns! are things no dear eneugh already, but ye maun be raising the very fish on us, by giving that randy, Luckie Mucklebackit, just what she likes to ask?”

“Why, Grizel,” said the sage, somewhat abashed at this unexpected attack, “I thought I made a very fair bargain.”

“A fair bargain! when ye gied the limmer a full half o’ what she seekit!—An ye will be a wife-carle, and buy fish at your ain hands, ye suld never bid muckle mair than a quarter. And the impudent quean had the assurance to come up and seek a dram—But I trow, Jenny and I sorted her!”

“Truly,” said Oldbuck (with a sly look to his companion), “I think our estate was gracious that kept us out of hearing of that controversy.—Well, well, Grizel, I was wrong for once in my life ultra crepidam—I fairly admit. But hang expenses!—care killed a cat—we’ll eat the fish, cost what it will.—And then, Lovel, you must know I pressed you to stay here to-day, the rather because our cheer will be better than usual, yesterday having been a gaude’ day—I love the reversion of a feast better than the feast itself. I delight in the analecta, the collectanea, as I may call them, of the preceding day’s dinner, which appear on such occasions—And see, there is Jenny going to ring the dinner-bell.”